Pei Min suddenly heard this, and he felt that the swordsmanship he saw Li Bai performing today was somewhat similar to his. Pen "Fun" Pavilion www.biquge.info

It turned out to be based on the artistic conception of the words he inscribed on the Stone Castle City, just like when he comprehended the Grass Holy Sword.

Li Bai's talent in swordsmanship is not inferior to that of the Gongsun sisters.

Seeing that Li Bai looked up to himself so highly, Pei Min was also interested, and asked his subordinates to move the wine and food on the table aside, and put all the pen, ink, paper, and inkstone on the table.

Li Bai said with high interest: "Grind for nothing!" ”

Wang Zhilian also came to the side to take a closer look.

Coincidentally, he Wang Zhilian also changed his mind because he saw the inscription of Shibao City.

For Pei Min's regular calligraphy, it is also highly respected, and it is a great pleasure to be able to see Pei Min's calligraphy up close.

Li Bai skillfully grinded the ink.

Pei Min has already begun to brew emotions: calligraphy is a cultural art, and only by bringing his own feelings into it can he play the best level, just like Zhang Xu who watched the Yellow River and the Yangtze River heroically and wrote.

Li Bai's poem "Hu No Man", compared with Li Bai's other poems from a literary point of view, is not a masterpiece.

But this poem is one of Pei Min's favorites, second only to "Will Enter the Wine".

There is no other reason, just like Yue Fei's "Man Jianghong, Angry Hair Rushes to the Crown", "Hu No Man" is full of encouragement, which makes people's blood boil when they read it, and they have their own pride in their hearts.

Pei Min is also deeply honored to be able to write this poem, and strives to write one in the best state and pass it on to future generations.

The whole poem of "Hu No Man" can be divided into three paragraphs. The first six sentences are the first paragraph, writing that the Hu and Han sides are strong and strong.

On the one hand, it depicts the strength of the Hu people's soldiers and horses, and on the other hand, it also writes that the Han generals are brave and brave, showing Li Bai's personal tendency to hope that the Han army will defeat the enemy.

This paragraph must be written vigorously and vigorously, in one go, and the magnificent momentum of the confrontation between the two armies must be written.

The middle four sentences are the second paragraph, using the battle between the dragon and the tiger as a metaphor to reflect the fierceness of the battlefield.

In particular, the simple eight words of "heavenly soldiers shine on the snow" and "captured arrows like sand" vividly depict the tragedy of the battlefield.

This paragraph not only reflects the tragedy of the battlefield, but also reflects the fearless courage of the Han army and the determination to sweep away foreign humiliation.

As for the remaining third paragraph, it is the easiest and most difficult words to write.

In particular, the six words "Hu no man, Han Daochang" are to write the passionate emotions of the big victory, and also to show the pride of being a Chinese child and the domineering spirit of Hu Kid.

In just one poem, just more than eighty words, to portray so many emotions is really the biggest problem Pei Min is currently encountering, even more difficult than him to lead the army to fight.

In addition to being embarrassed, Pei Min is more motivated to fight, and this song "Hu No Man" is worth his painstaking efforts to challenge the limits of his calligraphy.

After pondering for a long time, Pei Min was not thinking about the poem "Hu No Man", but about the battlefield he had experienced: he thought of the majestic majesty of the Tang army pointing to the Jiuqu Land in Hexi, the heroism of Li Siye's 2,000 Mo sword army to resist the heavy cavalry of Tubo, and the situation when he regained the lost territory and the Tubo minister was submissive in front of him.

Everything, scene by scene, echoed in his mind.

Li Bai and Wang Zhilian are not urging, they are also characters, and they know that this "Hu No Man" is not easy to write.

Even Li Bai himself thinks that his own words can't write the artistic conception of this poem.

Both of them are waiting!

Suddenly, Pei Min moved, he shot like a sword, held the brush like lightning, dipped it in ink, and wrote the first paragraph of "Hu No Man" on rice paper.

His pen is like a divine help, and the forty-two characters that are sprinkled with joy are actually from top to bottom, from left to right, in one go.

In this first paragraph, he used his pen to pull out vigorously, the strokes were square and neat, and every word was like a soldier array, neatly orderly, and magnificent.

In the second paragraph, Pei Min's speed began to slow down, and the way he used the pen was different, writing word by word, slowly. The words written are sparse and thin, and the inside is rigid, thick and serene, and the gesture is like a flying sea, which is extremely vivid, and the murderous and unpredictable battlefield is undoubtedly reflected.

To write the last paragraph, "The enemy can be destroyed, the head is destroyed, and the intestines of the beard are involved in the blood." Hanging Hu in the sky, burying Hu Zi plugged around. Hu no one, Han Daochang", Pei Min used his pen to be even more delicate, writing slowly one stroke at a time.

"It's ......"

Li Bai's eyes straightened.

Wang Zhihuan also exclaimed in surprise.

The two glanced at each other, and they both saw the incredulity in each other's eyes.

Calligraphy has a saying of large characters and small characters, and it is difficult to write large characters to be fine, and it is difficult to write small characters to be more than wide.

And "Hu No Man" belongs to Chinese characters, which is not as dense as the article, nor as loose as the plaque, and it is necessary to take into account the strengths of both.

The first paragraph of Pei Min is written in the technique of large characters, and the ravines are round, beautiful, upright, and neat, while the second paragraph uses the technique of small characters, which is majestic and heavy.

In this third paragraph, Pei Min actually blended the writing of large characters and small characters into one place, skimming the pen with a sharp edge, and closing the pen with a back edge: the pen is thin and the pen is fat, the point is sharp and round, the pick is sharp and sharp, and the bend is inside and outside.

This unique writing technique does not appear to be uncomfortable, but depicts the characteristics of both large and small characters.

This is a unique technique that can only be mastered by studying regular script deeply into the bone marrow. Just like the twenty-one of Wang Xizhi's "Lanting Collection Preface", which was known as the first book in the world, twenty-one, twenty-one different ways of writing, can be described as a very high realm.

In just one poem, Pei Min actually used three writing methods to completely bring out the three different styles of the whole poem.

Looking at the whole word, the pen is different, but it is coordinated, a vertical word is written, staggered, but it has been in a line, the line is natural and through, looking at it like a string of pearl necklaces, and the spirit is flying.

Pei Min took back the brush with divine help and looked at his masterpiece.

In vain, I understood Zhang Xu's feeling when he wrote "Ode to the King of Qin", this "Hu Wuren" is his work with his life, and his extraordinary level of performance will be an extremely difficult model to surpass.

even gave him the illusion that this word was not written by him, but by a fairy.

"It's perfect, it's wonderful!"

Li Bai didn't even know how to describe Pei Min's masterpiece, and finally sighed: "Only the word Guogong is lined with this poem." ”

Wang Zhihuan said movingly: "Guogong Kaishu is actually so good, it is enough to be comparable to Ouyang Yu Chu!" "He is talking about Ouyang Xun, Yu Shinan, and Chu Suiliang in the third year of the Tang Dynasty.

Looking at his masterpiece as if he were a treasure, Pei Min smiled and said: "Unless a certain calligraphy has been reborn and refined, it will be difficult to produce such a masterpiece in this life." ”

Without waiting for the ink to dry completely, Li Bai took the first step to grab the copybook in his hand and said, "Xie Guogong gave the word!" ”

Pei Min smiled and said: "I won't rob you, wait for me to write a copy, and I will send you the original manuscript." ”

Li Bai carefully re-laid out the table.

Wang Zhihuan also said: "If you want to write it, you can also give it to your subordinates." This book will surely go down in history. ”