"The Complete Solution to Magic" is a very strange book, the first few pages are about the origin of magic, talking about the magic of house-elves, but also talking about the magic of goblins, and not to mention the magic of wizards, but the magic systems of the three are completely different and cannot be used universally.

He, the author of "The Complete Solution of Magic", believes that the magical power of wizards comes from the inheritance of bloodline......

But in fact, in Albert's eyes, the unknown author of the book was actually confused, because he had not said anything clearly in this obscure, dry text......

Perhaps, the author of this book wants to mention something in a subtle way, but such a record is meaningless now, even if it is really accidentally interpreted by some people to find out the so-called truth?

And then what?

Will you believe?

Can you believe it?

At least, Albert himself didn't believe it.

The magic of magic is not achieved by spells, but by will, that is, idealism.

Whether it's using spells, wands, or gestures, they just enhance the process of casting, allowing the wizard to manipulate the magic more finely and increase the power of the magic.

As far as Albert knew, Tom, or Voldemort, was able to do this before he entered school, but he only had to bend reality by his will to achieve the effect of magic, which was very crude, very rough, and unaesthetically pleasing, like most ancient wizards.

While they are aware of the use of spells, gestures, and wands to increase their power, these wizards are still ideologically stuck in areas where they are destructive, more powerful, or other terrifying.

Crude and direct, but there's no denying that the magic is powerful, difficult to use, even harsh, and sometimes easy to get out of hand.

Blazing is a prime example of this, this ancient dark magic is still a beloved spell for many dark wizards, who hardly use it.

Use caution, you will never be a wizard who is engulfed by your own fire...... A dark wizard who died tragically said.

It's not for nothing that Blaze is called the Devil's Flame, and the spell can easily spiral out of control, and the spellcaster is often the first to fall prey.

Compared to ancient times, those dangerous magic are disappearing and replaced by more elaborate magic, as can be seen from the evolution of lockpicking charms, from breaking doors, kicking doors, to opening doors.

Magic has become more refined, and much less powerful.

The Glowing Charm was only invented by Levina Munchstanley in the 18th century, and until then, wizards may have used an eternal fire: the Gublay Immortal Fire.

As we all know, the Gublai Immortal Fire is a rather profound form of magic, as only a few wizards can do it.

In fact, in Albert's account of finding a limited number of ancient magic, the spell of the Ghublai Immortal Fire was discovered, and it was not for nothing that it was considered a rather advanced magic.

The spell used by the Gublai Immortal Fire is the Runi script, and before the spell can be cast, it is necessary to make a handle, which usually needs to be carved with some ancient magic script, which is its incantation.

Yes, the spell of the Gublai Immortal Fire, which the wizards carved into the handle to strengthen the power of the magic and ensure that the flame will burn forever.

Seeing this, Albert felt as if he had grasped something, his eyes fell on his wooden bracelet, and he continued to flip through it.

The Complete Interpretation of Magic does not mention the Runi script, which may have been used by wizards of that era, so it is not difficult to understand that there is no record.

However, the content of the book still puzzled Albert.

At least, he has read most of it, and there are not many parts that he can really understand, not because there is a problem with the translation, but because he feels the distance between the two sides, maybe it would be more appropriate to describe it as a generation gap between the times.

It actually took Albert a long time to read the book, and by the time he turned the last page, the time had quietly come to April.

The second part of McDouger's manuscript is almost complete and is now in the final stages of revision. Honestly, a little faster than Albert expected.

Albert once asked McDoug, would anyone buy such a book?

Since even Professors Albert and Broad couldn't read it thoroughly, there were a few of these books that could be truly understood, and the famous wizard's answer was that Silent Books had agreed to help publish the book.

Later, Professor Broad told Albert privately that the entire printing cost of the book was paid for by McDoug himself. The famous wizard was never short of money, and the book was priced so high that it apparently didn't expect to be sold to ordinary wizards in the first place.

After Albert listened, he felt very speechless, what else could he say about the thoughts of rich people?

"How do you feel about the manuscript for Part III?" asked Professor Broad, picking up the manuscript Albert had handed over.

"It's hard, it's harder than the first and second parts, and it's harder to understand. Albert laughed to himself, "Part 3 of the manuscript already deals with spell casting in the Runic script, but unfortunately there are few students at Hogwarts who can read it." ”

Even if you can get an O in the ancient magic text assessment, it is estimated that you will have to find a magic dictionary to translate sentence by sentence when reading this book.

The starting point is simply too high.

Albert, however, saw something else, and McDoug took a few old spells to parse.

One of them is the Patronus Charm, one of the most famous and powerful defensive charms known to wizards.

Records of the Patronus Charm, which has long been used by ancient shamans, can be found in ancient woodcuts and scrolls, but is undoubtedly extremely complex and difficult to cast.

It is said that wizards who are able to summon physical patronus spirits are often elected to the Wizards' Council.

By now, the spell of the Patronus Charm has undergone some changes, it has been translated into a vocabulary more suitable for modern wizards, and it is said that there has also been a slight decrease in power, but Albert thinks that is nonsense.

To successfully use the Patronus Charm, the caster must focus on the happiest memories they can think of, and the more enjoyable the memory, the more powerful the spell becomes.

In the past, it was difficult for wizards to summon Patronus, most of them had something to do with the era they were in, it was not a happy era, the Dark Middle Ages was not called in vain, and if there were not enough happy memories to support them, the summoned Patronus would not be strong enough, and even the physical body could not be maintained.

Moreover, most of the wizards of that era were a little linked to dark wizards, and if they used more black magic, their minds would be affected to some extent.

Albert tried to use the Patronus Charm, and this time it didn't fail, but the wand merely spewed a thin mist.

As for trying to cast a spell using the ancient magic script, the wand did not respond directly.

According to Professor Broad, he had mispronounced the incantation, or the wrong tone.

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