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Zhong Hao unfolded the landscape painting that Shao Yong gave him when he met by chance at the Nanyang Poetry Society in Qingzhou and put it on several cases, and looked at it closely, trying to find out where the secret was hidden.

The painting that Shao Yongsui gave to Zhong Hao should actually be called a landscape figure painting, which is more accurate. For the foreground of this painting is a series of mountains, and the foreground is a stream flowing from the distant mountains to the near and a flowing scribe wearing a hat fishing alone in a flat boat in the cold river.

This landscape figure painting is well-laid out and rounded with a brush.

His skillful brushwork and vivid ink charm can depict the mountains in the distance with a few strokes, and the scribes fishing in the creek in the near background are quite charming. Although it is only a few strokes of the scribe Dai Li, the elegant and chic of the scribe is vividly painted.

Zhong Hao saw that this landscape figure painting did not have a signature and a seal, but on the left side of the painting, there was a short inscription poem written in an elegant line: "Lonely boat, fishing alone in the cold river." ”

This inscription was changed to Liu Zongyuan's quatrain, "Lonely boat, fishing alone in the cold river and snow", it seems that the author felt that he did not depict wind and snow in this painting, so he changed the word "snow" in the original sentence to the word "medium".

After the Qingzhou Nanyang Poetry Society, when Zhong Hao took this painting back, he saw it casually.

Because this painting is just an ordinary landscape figure painting, although the pen power of this painting is extraordinary, but because there is no inscription and seal, and this inscription is also a copycat, there is nothing brilliant, Zhong Hao feels that it is obviously not a celebrity calligraphy and painting. Since it's not a celebrity's painting, it's not worth much. Zhong Hao naturally didn't care about worthless things, so he put them aside.

If Wan'er hadn't kept it for him, I'm afraid this painting would have been lost a long time ago.

However, now that Zhong Hao knows that the person who sent him is Shao Yonghou, he naturally can't be regarded as an ordinary painting anymore, so he appreciates it very seriously.

The more Zhong Hao looked at it, the more he felt that this painting was really profound, and it was a rare masterpiece.

Zhong Hao had a feeling that this painting must have been painted by Shao Yong himself, and the scribe Dai Li, who was alone in the painting, must have been painted by Shao Yong himself.

Zhong Hao said secretly: It's a pity that this painting doesn't have Shao Yong's signature and seal, if it is successful, it is estimated that it will be worth a lot of money, who made Shao Yong famous! However, even if Shao Yong's signature and seal, as long as he is a person who knows the goods, he is afraid that he can sell it for a lot of money.

It's just that it is said that Shao Yong easily does not paint people, so his paintings have been handed down very little, and there are not many people who can recognize the authenticity of his paintings.

I don't know if Shao Yong knows that he gave Zhong Hao a secret painting, and Zhong Hao is thinking about how to sell it for money, will he be so angry that he vomits blood? !

Even if he wants to make a move, Zhong Hao feels that he has to find the secret and then exchange it for money to maximize its benefits, which is the right reason.

At that moment, Zhong Hao restrained his desire to sell this painting to make money, and refocused his attention on the picture of the landscape figure painting, looking for the secret in Shao Yong's mouth.

Zhong Hao lowered his head on this landscape figure painting, and carefully examined it little by little.

The distant view of this landscape figure painting is a series of mountains, and Zhong Hao first looked at the mountains in the painting and found nothing special.

Then I took a closer look at the stream in the foreground, and I didn't have a clue.

In the end, Zhong Hao even carefully checked the scribe's hat and the leaf boat, but found no clues.

Zhong Hao suddenly remembered his magnifying glass at this time.

Zhong Hao hurriedly asked Ke Yao, who was cleaning up the house, to stop his work first and help him find out the magnifying glass he had made.

This magnifying glass was ground by Zhong Hao himself from some flat glass purchased from Bingzhou.

Zhong Hao originally used these flat glasses to make glass mirrors and sell them for money. Later, I found that there were a lot of leftovers left to make mirrors, so on a whim, I used them to grind them into some convex lenses, and asked the coppersmiths of Jingqiang Village to inlay the convex lenses with edging and handles to make magnifying glasses.

However, after the magnifying glass was made, Zhong Hao found that it was just a chicken rib.

Zhong Hao took this magnifying glass, except for performing a performance of using this magnifying glass to focus and ignite a fire, and then found that it was useless. It's useless, so naturally there is no market, so after Zhong Hao made a few, he had no intention of making it again.

In later generations, Zhong Hao saw people holding magnifying glasses to look at maps or study some delicate objects, which was somewhat useful.

However, the map at this time was very coarse, far less detailed than that of later generations, and could be seen clearly with the naked eye, so the magnifying glass was naturally useless. As for those objects that are too delicate and small, it seems that there are not many in the Great Song Dynasty now, and this magnifying glass is naturally not needed.

Today, Zhong Hao suddenly remembered that in later generations of film dramas, it is not common to see some literati holding magnifying glasses to check the authenticity of paintings.

And this literary play store should often be able to use a magnifying glass, with a magnifying glass can be used to more easily view the ink and paper of calligraphy and painting, so as to more easily judge the authenticity of calligraphy and painting. With this magnifying glass in this toy store, you may be able to reduce the number of fakes!

This magnifying glass is still useful in identifying calligraphy and painting.

Zhong Hao felt that he had found another way to make a fortune, and the owner and shopkeeper of this cultural toy store were not bad for money!

At this time, Ke Yao found Zhong Hao's magnifying glass. Zhong Hao took the magnifying glass from Ke Yao's hand, and carefully examined this landscape figure painting again, from the distant mountains to the near water, and then to the solitary fishing scribe on the flat boat waves, Zhong Hao carefully examined it, hoping to find some clues.

checked it again and asked Zhong Hao to confirm that the scribe with a hat fishing alone in the Hanjiang River in this landscape figure painting must be Shao Yong's own situation.

In the painting, the scribe with a hat fishing alone in the cold river, although it is only a few strokes, is already self-sufficient.

The demeanor of the scribe is fluttering, quite a sense of being born in the world and independent, as if he has seen through the red dust, everything in the world can not let him linger in his chest, but there is a helplessness that everyone is drunk and I am alone.

This seems to be the superiority and helplessness of being able to know the unknown, Zhong Hao thought to himself!

Zhong Hao felt that he seemed to have some feelings, as if the characters in the painting were quite similar to himself, the difference was that Zhong Hao was quite complacent about knowing the future trend, while the scribes in the painting were more sympathetic and sentimental.

Although Zhong Hao felt that the characters in this painting made him feel quite resonant, he still did not have a clue about the secret he was looking for.

It seems that this secret is not so easy to find! Or maybe I misunderstood the meaning of Shao Yong's letting himself refer to this painting, not that this painting hides any secrets, but simply letting himself refer to the scenery and characters in this painting? (To be continued.) Mobile phone users, please browse and read, a better reading experience.