Han Li, who returned late, was naturally criticized by the professor and the teacher who led the team, but he did not give up. Since it is a style collection and sketching, it is necessary to focus on it.

Therefore, in the following collection and sketching time, Han Li chose the theme or focus on these ancient Great Wall relics, the relics of the descendants of the soldiers who guarded the Great Wall back then.

Faced with the theme he chose, to be honest, everyone didn't quite understand. However, Han Li still persuaded the professor with his eloquence and started his journey of thematic photography and painting sketching.

In order to find these ancient Great Wall relics conveniently, he specially rented a car in northern Qinbei through Wu Wenqing, that is, the Wu fat man in Anxi.

Originally, he wanted to get his own car, but then he realized that such a long distance would be too troublesome, so he rented a car locally.

In order to adapt to the terrain here, Han Li specially rented an off-road, Jeep 2500. Although the performance of this car is not as good as his big cut, it is expensive in the leather. In the words of the owner of the rental car, it is endurance, and it is just right to run this kind of road.

Everyone was still a little surprised that Han Li got a car. But since the classmates in their class knew that he had a car before, he didn't care about that.

After assuring the accompanying teachers and professors to pay attention to safety, Han Li took Zhang Yiyang Xia Nuo and Zou Yufei, who was going to follow, and began to walk around the local area.

Later, two professors who teach photography and art often use Han Li as a driver and ask him to carry everyone around here.

Because there is a car and because there is time, Han Li and they have traveled a lot of places in the local area in ten days.

He not only took a lot of photographs, but also painted a lot of paintings, including sketches, watercolor scenes, and oil paintings.

Along the remains of the ancient Great Wall, Han Li walked from the west to the ancient ferry port and the ancient water walled city pass on the edge of the Yellow River.

Because it's a remote area, and it's very windy and sandy. Therefore, these relics of the Great Wall are basically in the most primitive stage.

Although it is not as complete and magnificent as Badaling. But in the yellow sand all over the ground, the remains of a damaged city wall, coupled with the weathered and desolate beacon tower, can bring you infinite shock and emotion.

Why is the Great Wall a spiritual symbol of our nation, and why is it a wonder of the world? It's only when you get up close and personal with it that you're blown away by it.

In fact, what impressed Han Li the most was that they found the remains of the Ming Great Wall in the Mu Us Desert.

Because of its age, the Great Wall has suffered natural and man-made damage, and has become a broken and collapsed stone wall.

Due to the wind and sand, a large part of the wall in this section was buried and swallowed.

Because of the construction of the road, this section of the collapsed stone wall was cut into many sections. Because the local villagers built houses, the foundation of the city wall, that is, these polished stones, were moved back by the villagers and became the basis for their own houses.

Although this section of the Great Wall has been very damaged, standing high and looking at it, Han Li can still be a long dragon in this vast yellow sand.

At that moment, Han Li really burst into tears. It was moved to tears by the last remnants of the dragon lying on the ground, and it was also distressed by the figure that was about to disappear.

After running away for more than ten days, Han Li returned to the station. Although in the last few days of sketching, the tutor was relatively loose in the management of everyone, allowing everyone to move around.

But Han Li still stays in the village, and he has to spend the next few days sorting out the dozens of gigabytes of photos he took and the sketches he has completed.

Sixty percent of the tens of gigabytes of photos are time-lapse. The rest is the single chapter photo taken.

For the photos taken out of time-lapse photography, the post-production method has been talked about earlier. These huge photos were put into the software for synthesis, and finally Han Li got a time-lapse video of about 30 minutes.

Then, according to the subject matter, the corresponding editing and production, the soundtrack, and finally he obtained three time-lapse films. It is a time-lapse video of about three minutes of the ancient castle, which is the one that Han Li shot before, recording the changes in the light and shadow of the ancient castle, from day to night.

A time-lapse of the Great Wall damaged by the desert captures the scene of the Great Wall under the sandstorm. I want to explain here that Han Li and they went in late April, the official windy Spring Festival in northern Qin, and it was also the time when there were the most sandstorms.

And this video is what they encountered by chance in the time-lapse shooting, especially the remains of the Great Wall that have been strong for a long time in the footage, coupled with the sandstorm that covers the sky and the sun, it can be said to be very shocking.

And the last video is a remix of all the time-lapse clips taken in the past ten days, which can be regarded as a summary.

In addition, Han Li also sorted out two sets of photography collections according to the theme.

The first set is portrait photography, which is mainly a record of the ordinary life scenes of the descendants of these soldiers.

The other set is a collection of photographs of the Great Wall of the Northland. This collection of photographs contains a total of 35 photos carefully selected by Han Li, which are representative and well-taken.

Han Li also hopes to use this group of photos to tell you the story of the past and present of the Great Wall of Northern Qin.

As for sketches, Han Li also sorted out some landscape and character sketches, watercolor scenes, and several oil paintings.

To be honest, he doesn't pay much attention to sketches. So these works, although they are enough to pass, they are not good works.

However, for the sake of Han Li being the driver for them these days, the professor who taught them sketching and color turned a blind eye and passed directly.

As for the photographic works, Han Li originally thought that he could be praised by the professor. But I didn't expect to comment on him, so I skipped it directly. In the words of the professor, his work is not on the same level as everyone's work.

Photography itself is a very expensive creation, and Han Li's cost of running around these days, coupled with his high-end photographic equipment, is far from being comparable to other students. Therefore, they are not on the same level, and there is no need for evaluation.

In this regard, Han Li was full of helplessness. Originally, I thought I could make a fuss, but I didn't expect the professor to skip it directly, which made everyone laugh directly.

Well, Han Li wasn't disappointed for long. Because the professor immediately asked for a copy of all his works. He said he was going to polish it for him and then try to submit it to some photography magazines.

Han Li was overjoyed when he heard this, which can be said to be something he didn't expect. Being recommended by the teacher to submit a paper to a photography magazine is enough to show the quality of his photographic work this time.

And in this regard, everyone is naturally full of envy and jealousy. However, after seeing Han Li's works, everyone also gave a thumbs up one by one.