Liu Chan knows that there are ten classical songs of our Han nationality in history: "High Mountains and Flowing Water", "Three Alleys of Plum Blossoms", "Spring River Flower and Moon Night", "Autumn Moon in the Han Palace", "Yangchun White Snow", "Fishing Qiao Q&A", "Hu Ji Eighteen Beats", "Guangling San", "Flat Sand and Falling Geese", "Ambush on Ten Sides". Pen ~ fun ~ pavilion www.biquge.info

"Guangling San" is particularly mysterious among the top ten classical songs. The most influential celebrity of the "Seven Sages of the Bamboo Forest" in history -- Ji Kang, a Wei and Jin pianist with extraordinary intelligence and outstanding vision, is known for his good performance of this song, and he played "Guangling San" exquisitely. Together with Ji Kang, this ancient song is famous all over the world and has become a swan song for the ages.

"Guangling San", also known as "Guangling Stopping", has the same name as "Nie Zhengra Han Wang Song", which is a popular folk music in Guangling area in the late Eastern Han Dynasty. "Guangling" is the ancient name of Yangzhou, and "scatter" is the meaning of exercise and music.

Liu Chan decided to play "Guangling San", first, this song is a famous song of the guqin; The second is that Ji Kang died generously after playing this song. Ji Kang, who was fierce and talented, was at odds with the Sima group because of his iron bones, and was ordered by Sima Zhao to be executed. He was still calm before his execution, Suoqin played this song, and sighed: "Guangling San" is now extinct! Third, it is the only piece of guqin music that has the atmosphere of fighting with a spear and a spear, which directly expresses the spirit of resistance and struggle that is willing to die and is highly ideological and artistic.

Now "Guangling San" is used as a prelude to expose the shocking conspiracy of the Sima family, played for Ji Kang in advance, and expressed that he is not afraid of power and is determined to restore the Han Dynasty, and then try to pass it on to Ji Kang in the future, which is also wonderful.

Liu Chan thought that Ji Kang was born more than ten years later, and couldn't help but laugh weirdly.

Sima Hui looked at Liu Chanpi's smiling appearance, his heart was a little hairy, creepy, and kept muttering, I don't know what tricks this little guy is doing.

Liu Chan opened his eyes, took the guqin handed over by Sima Qi, looked at it, and couldn't help but sigh secretly, it is worthy of being a Coats's thing, with a good sandalwood texture, the body is carved with a dragon pattern phoenix, and the strings are as tight as a gossamer.

Liu Chan poetry was very excited, and chanted: "Sitting in the cave, playing the piano and howling." People in the deep forest don't know that the phoenix comes to meet. ”

Liu Chan sat up straight, put the piano flat, took a deep breath, pondered, spread his hands flat, stroked the body of the piano, picked the silver strings lightly with his fingers, and played lightly with his hands on the guqin, which was very smooth, and the tactful, ethereal, sonorous and somewhat sad sound of the piano slowly flowed out.

The melodious sound of the piano swirls back and forth in the stone cave, circling and lingering. Sometimes it is transparent and clear, like a gurgling mountain spring flowing in the green hills; Sometimes it is light and ethereal, like a warm breeze blowing through the verdant mountains and forests; Sometimes it is deep and low, like the whimpering of the tide; Sometimes it is empty and agile, like the song of birds in the valley; Sometimes it is fierce and fierce, like stormy waves; sometimes high and excited, like ten thousand horses galloping; Sometimes the silk is sharp, like thunder and rain; sometimes impassioned, such as Jin Ge Iron Horse; Sometimes it is sonorous, like a spear killing......

In addition, the guqin has a wide range, a deep timbre, and a long aftersound. The sound of the piano is like a heavenly sound, and the aftermath lingers.

The Coats present were fascinated, immersed in the beautiful sound of the piano, their mood and body rhythm, hearing the fierce and high, everyone was excited, their eyes were red, and they burst into tears.

After a long time, they woke up like a dream, exchanged heads and ears, applauded one after another, and thundered with joy.

Pang Degong stroked his palm and praised: "The mood is up and down, tactful, and majestic. The intensity of his changing posture made the old man's heart full of ice and coal, and he ascended to heaven and fell to the earth. The song of the world's killing and vertical and horizontal, with a fierce voice, only "Guangling San" can be deserved! Wonderful! Wonderful!"

Huang Chengyan also smiled: "The sound of this piano is really a fairy sound outside the sky, just like being in a secluded mountain and empty valley, only to see the sound of music and mystical music." The moonlight is pouring down, the breeze is slow, the blue waves are rippling, the fairy island is slim, the rooftop is towering, and the stars are far away. The sound of great beauty, the real fairyland of the world! ”

Sima Hui clapped his hands and said with a smile: "The sound of the piano is euphemistic but resolute, and it seems to be high and resentful, like the voice of ghosts and gods." Yong Yong is graceful, and his words are clear. and its melancholy generosity, but also faintly booming, wind and rain pavilions, all brilliant, spears and spears. ”

Other celebrities also applauded, but Pang Shanmin's face was pale, like sitting on pins and needles, embarrassed.

Liu Chan stood up and said with a smile: "The kid got an axe in front of Mr. Shuijing, it was purely ugly, and he stained the ears of the princes, please forgive me!" ”

Sima Hui paused and said, "Young Master Lin, can you talk about the structure of "Guangling San"? ”

Liu Chanzuo said: "Obey." There are 45 sections in this score, which are divided into six parts, namely, the opening finger, the minor sequence, the major sequence, the positive tone, the chaotic sound, and the postscript. With the titles of stabbing Han, rushing to the crown, anger, reporting the sword, throwing the sword, Changhong, etc., the performance content is consistent with the storyline of Nie Zheng's assassination of the king of Han. The opening fingers, minor prelude, and major preface are the preparatory stages for the brewing of the positive voice, and the melody sighs mournfully. The chaotic sound and the postscript are the continuation of the development of the positive sound, and the use of various techniques such as plucking has created a warm and brilliant effect. ”

The main part of the music is the main part of the whole work, the theme tone is fully displayed, the music develops from low and melancholy to heroic and passionate, using pluck, pinch, overtone and other performance techniques to describe the process of Nie Zheng's ideological change from resentment to indignation. The whole song runs through the interweaving, ups and downs, developments, and changes of the tones of the two themes. One is the main tone that appears in the second stanza, and the other is the main key that appears first at the end of the prologue. The main key is mostly at the beginning of the section, highlighting its dominant role. The chaotic key is mostly used at the end of the section. ”

Liu Chan completely benefited from his later life's evil supplements to ancient knowledge such as qin, chess, calligraphy and painting, so that he could say that he was the first to be the Tao. Rao is like this, facing the interview of the three elders as if he was recruiting for a doctorate, a layer of fine beads of sweat oozed from his forehead.

Pang Degong was unwilling, frowned and asked, "What are six rhythms, seven tones, and eight tones?" ”

Liu Chan had already memorized these ancient music knowledge, he raised his eyebrows and smiled, and said: "Huang Zhong, Taituan, Gu Xi, Zhengbin, Yi Ze, and Wu Shot are the six laws.; At the beginning of the ancient Yale was five scales, which were Gong, Shang, Jiao, Zheng, and Yu, and later added the change of palace and change, and they were arranged from low to high to form seven scales, namely Gong, Shang, Jiao, Change, Zheng, Yu, and Gong. On the day of "Jing Ke's Assassination of the King of Qin" of the Warring States Policy, Gao gradually left the building, and Jing Ke sang in harmony, which was the voice of change. On the day of "Cha Chuan", Kui was six laws and five tones. "Mencius" is a Japanese teacher who is not a six-law, and he can't be a five-tone without six rules; The eight categories of gold, stone, earth, leather, silk, wood, and bamboo are eight sounds. ”

Liu Chan was complacent, holding his head high, and looking down on the crowd.

Pang Degong glared at Liu Chan, his face was unhappy, and he was speechless, so he had to sit aside angrily.

Seeing this, Huang Chengyan decided to fight against it, and asked in a loud voice: "What is Yale?" Folk music? ”

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