The success of this cartoon naturally made the entire animation project department excited. Although there are still many people in the project department who are not involved, it also gives them hope.

And the team involved in the production of this animation is naturally very happy. Because Han Li has promised, all members of the project team will receive project bonuses. Han Li didn't say how much the specific reward was, but it must be a lot, which everyone firmly believes.

Although due to serial updates, this cartoon is still in the process of intense production, and all the members of the entire project team are unable to take a vacation. But Han Li also promised that when the whole project is over, they will be given a holiday to rest.

For the animation project department to be so prosperous, other project departments are naturally a little envious and jealous. The company's administration is okay, but the other two studios have some opinions.

Of course, this opinion is not a complaint against the company or the members of the animation project department, but against myself. Why haven't they created a result yet, so that they can get this reward?

Bonuses, paid time off, champagne celebrations, they all want.

But for the mood of the employees, the two major project departments, more precisely, the heads of the two studios are naturally very clear.

But there is no way, these two major studios are currently in the process of starting, and it will take time to get results.

First of all, there is the special effects and post-production studio, which Du Juan and Wei Wenfeng have been building on the structure of the studio since its establishment.

As the technical director, Wei Wenfeng's first task is to establish the entire special effects and post-production team. Special effects and post-production, although closely related, are also two separate plates.

What Wei Wenfeng has to do is to establish these two departments, and then carry out unified coordination and integration to form an overall production system.

To this end, Wei Wenfeng has worked this, not only going to various parts of the country to dig up some excellent related technical talents.

In addition, together with the recruiters of the human resources department, we went deep into major schools to find fresh graduates who were interested in post-production and special effects, and recruited them for personal training.

Post-production and special effects, it sounds cool, and getting started is actually pretty simple. But if it is really in-depth, it can reach the level of commercial works, or a higher level, and can be compared with the level of foreign post-production and special effects production, which cannot be completed in a short time.

So although the employees are very anxious, Wei Wenfeng knows that this matter is not in a hurry, so he can only slowly improve his strength and run in the team.

On the other hand, Du Juan, who is in charge of operations, is also very anxious, and during this time, she has established a commercial operation team and conducted very targeted training. But all the training has to be practiced, but the problem is that they can't practice it now.

There is no way, the technical team is not strong, the team has not been run-in, and there is no way to carry out the work. Even if they get the project, the technical team won't be able to produce it.

For this matter, Du Juan forced Wei Wenfeng a lot. But it was still useless, Wei Wenfeng himself smiled bitterly.

However, there has been a turnaround on the studio's side recently, because Du Juan took over the post-production of a TV series through a relationship, as well as the production project of some of the special effects shots.

This TV series, tentatively titled "The Legend of the Anti-Japanese War Little Soldiers", tells the story of a group of fifteen or sixteen-year-old dolls fighting devils. For this name, Han Li is powerless to complain, as for the content, it can be imagined. And Han Li recalled his memory, as if he hadn't heard this TV series in his previous life.

Anyway, it doesn't matter, just this TV series, it is said that a certain company specially asked the director to shoot it in order to support the debut of the newcomer.

And such a commercial film, then the content and shooting level can be imagined. In Wei Wenfeng's words, it was embarrassing to watch, and his IQ couldn't keep up.

No matter how the film is, but at least it's their first project. Although the entire post-production and special effects production costs are only 500,000, it is said that this is still deducted by the producer from the funds. Otherwise, all this money will be paid by the actors and directors.

Although there are only 500,000, Du Juan attaches great importance to it and strongly requires Wei Wenfeng to make it seriously.

To be honest, for this film, everyone is reluctant to take over. But on the one hand, it is the pressure of Du Juan's side, and on the other hand, the team also needs commercial projects to temper it.

In this way, this film is also appropriate. So Wei Wenfeng could only bite the bullet and go ahead, and then organize the team to make it.

After signing the agreement, Wei Wenfeng and the others got the condensed version of the entire film. Then the relevant post-production of the whole film is carried out according to the requirements, and the first thing is to determine the special effects production shots required in the film.

And most of the special effects shots are actually very simple, nothing more than adding some pyrotechnic effects, such as the muzzle fireworks effect when the bullet is fired, and the tracer ballistic after the bullet is shot.

As well as adding some smoke and debris effects in the live explosion point, and some explosion effects in the long shot.

After these scattered special effects shots are made, the next step is to render the overall atmosphere of the film shots.

This is also very common in special effects production, such as smoke, gray sky, fire burning and sparks jumping out, etc.

After these are made, the tone of the whole film is adjusted according to the content of the film and the director's intentions. Noh tones at wartime, warm tones at the time of love.

As well as dark and light tones according to color saturation, blue, green, red and so on according to hue.

These are all produced, or are about to be completed, for the entire opening and closing credits of the TV series. The opening should be more exciting, imposing, and rendering.

The end of the film is more soothing, mainly the list of research positions and subtitles of related units, etc.

Speaking of subtitles, this is also an important part of the whole post-production. It's simple, but it's cumbersome. Because it is time-consuming and laborious to add subtitles according to the time of what all the actors in the film say.

And when that's all done, it's the dubbing, soundtrack, and foley work. However, at present, Han Li does not have this aspect, and all of them are not listed.

Although it is just an anti-Japanese drama, the entire project is only 500,000. But Han Li still asked Wei Wenfeng and the project production team to be careful and meticulous. Because only in this way can we win the trust of customers, win word of mouth, and lay a good foundation for subsequent development.

The so-called everything is difficult at the beginning, and now it has begun. Even if there is a big difficulty, you must persevere, and only then can you succeed.