Early this morning, after washing and having breakfast, Qian Shusheng set off from home, and he was going to the Yunwu Mountain Tea Workshop. Along the way, the sky was clear and bright, he was in a good mood, and he walked up the mountain road like a light flutter.

Qian Shusheng kept a smile on his face, carrying the painting on his back, just like carrying a beloved treasure. When people are in a good mood, they are comfortable to look at. Wildflowers bloom uncontrollably, and grass grows wildly on the slopes...... He walked easily along the long, curvy mountain path. This over the mountains, he is not a problem.

At about eleven o'clock in the morning, Qian Shusheng arrived in Nanyi County, and he made a special trip to send paintings to Nonglu.

Walking on the street, there are people playing monkeys and watching tricks, although it is lively and lively, but he has no time to take care of it, so he quickens his pace, hoping to rush to the tea shop of the farm as soon as possible, with his wish for many years. Unconsciously, he entered the hall of the "Cloud Mountain Tea Workshop".

When Nong Lu saw Scholar Qian entering the store, he hurriedly got up to greet him: "It's Scholar Qian, please take a seat!" ”

Qian Shusheng said, "You are both here, good, good." ”

After taking their seats, they greeted each other. At this time, Wu Qing made a pot of Tianxin Mao Feng, handed over the teacup and said, "Scholar Qian, please drink tea!" ”

Nonglu said: "It's hard work on the road. ”

Qian Shusheng was thirsty, and hurriedly took a few sips of tea and said, "It's okay." ”

Immediately afterwards, he said with a snarled face, "Look, what have I brought you?" ”

Nong Lu and Wu Qing didn't understand, so they shook their heads.

Nong Lu saw that there was a long hard cylinder wrapped in the outside, so he didn't know what was going on, and asked, "Scholar Qian, what is this?" ”

Qian Shusheng just smiled and didn't answer directly.

At this time, Qian Shusheng came to a large table, took out the painting from the cylinder, unhurriedly, carefully, as the rice paper slowly opened on the wooden table, a landscape painting appeared in front of him, which made people's eyes shine.

Qian Shusheng's eyes never left the wide picture, and said to the painting: "This painting is called "Tianxin Tea Fairy Picture". ”

The husband and wife of the farmer hurriedly came around, and when they saw it, they let out a burst of admiration, good painting, good painting!

It turned out that Qian Shusheng voluntarily went to Chashan to prepare for creation, including several requests to go to the farmhouse compound. Nong Lu finally understood and said, "Mr. is really a caring person, and he is so particular about doing things. ”

Qian Shusheng smiled, pointed to the painting and said, "No, it's all for it." ”

I saw that above the painting, the fairy held the spirit buds and stepped on the white clouds, the peaks stretched, the pines and cypresses, a round of red sun rising, the picture was magnificent.

At the bottom of the painting, the prominent part is the Tianxin Rock Tea Mountain, and a splendid valley of flowers, especially the thousand-year-old tea tree set up between the streams, and the mighty wind.

The Qinglong Pond surrounded by tea mountains, the waterfall picture is extremely impactful, the fog is like a dream, like a fairyland; There is a pavilion in the lower right of the painting, three people are drinking tea in the pavilion, one of them is Shennong's, a tea boy scooping water by the stream, the spirit monkey is playing, green trees, bamboo forests, streams are intertwined, flowers and plants are luxuriant.

The lower left of the painting is a blank space, foggy, at the foot of the mountain there is a small river meandering through the deep mountain canyon, on the river a small wooden boat carrying a man rowing, is about to follow the quiet river water.

In the painting, there is a village under a mountain, located on a boulder, which is undoubtedly Longyan Village, if you look closely, the farm compound is faintly visible. This is a typical landscape painting with the charm of Jingshan.

In the upper left corner of the painting, Qian Shusheng inscribed a small poem:

Ancient trees have survived for thousands of years,

Tianxin Caishen tea.

Mo Dao Jing Shan Yuan,

A rhyme to the immortal family.

They stand in front of the painting, between the hearty and dark splashes of ink, as if they have entered the world of tea paintings with the fragrance of ink, and they seem to float into a paradise.

Nonglu stared at the painting and said, "What a god this is! ”

Wu Qing sighed with emotion: "This is really painstaking and laborious! ”

Qian Shusheng smiled with satisfaction and said, "It's okay, it's okay, I'm enjoying it." This is also the fulfillment of his long-cherished wish.

Nonglu carefully put away the painting and said with a smile: "Such a good painting, I want to find a master to frame it and hang it up." ”

Qian Shusheng said: "That relationship is good. ”

In order to create "Tianxin Tea Immortal", Qian Shusheng spent a lot of time and energy from wind collection, sketching, conception to draft, and finally finished painting, and the degree of hardship can be imagined.

In the conception stage, he often meditated and thought hard, changed his draft, and in order to artistically reproduce the charm of Tianxin tea, he worked hard to reach the point of forgetting to sleep and eat.

During the formal painting period, he locked himself in the studio, often fighting at night, every stroke, every stroke, every drop of ink, every color, every small composition, full of his rich emotions and infinite thoughts. These are deeply imprinted in the painting.

Naturally, they talked about tea. At this time, Nonglu was talking about making green, and he thought that "watching the green to be green" and "looking at the sky to be green" seemed to be the secret, but in fact, there was a truth in its process. It's not just about being able to see, it's about doing. Look at it is to investigate its reasoning, do it to promote its change, and sometimes it is really necessary to make the tea green "dead and alive".

When Qian Shusheng heard this, he laughed vigorously, and said later: "Painting is also the same principle, which needs to be pondered repeatedly, and sometimes it is also necessary to die and live." ”

Everyone laughed as soon as they were happy.

Nonglu put down the teacup, and his interest was even higher: to put it bluntly, it is to promote the change of green leaves, and to inhibit the change of green leaves, "harvest when you see good". Therefore, tea has "activity", and this "activity" depends on a pair of good craftsmanship. More than ten hours of hard work, not to be sloppy. For this change to take place, some people have never learned home in their lifetime.

Qian Shusheng nodded, took a sip of tea, and then said: "It's good, the skill of painting is also like this, and some people haven't got an idea in their lives." ”

Everyone nodded yes.

Nonglu has never been so open as today, he turned to roasted tea, and he was completely showing up: the kung fu of roasted tea is also very "deep", because of the fire and timing of tea, and according to the change of tea to adjust the fire and change the time, completely rely on a pair of hands to feel (there was no thermometer at that time).

Nonglu believes that although there are general standards, they vary according to people's feelings, which is easy to say but difficult to do, and requires patience and repeated pondering.

Wu Qing went on to say: Every link of tea making has difficulties and know-how, and a smart tea maker is not only diligent and serious, but also has a good understanding. We must not only be good at "observing the face and color", but also flexibly use and change the technique.

Qian Shusheng seems to have realized: What you said is that making tea is the same as painting.

Soon, the "Tianxin Tea Fairy Map" was hung in a conspicuous place in the hall of the Yunwu Mountain Tea Workshop, facing the door of the store, and tea customers can feast their eyes as soon as they enter the door.

After that, everyone knew that there was a painter in Baiheguan Town, named Qian Shengjin.

On this day, Qin Yuhe came to the Yunwu Mountain Tea Workshop, stood in front of the painting and looked at it carefully, let out a burst of admiration, stretched out his thumb, and said: "Amazing! ”

Nong Lu said: "Yes, Qian Shusheng has spent a lot of effort. ”

Qin Yuhe pointed to a figure on the painting and asked, "This ancient, who is he painting?" ”

Nong Lu said with a smile: "According to Qian Shusheng, it is the ancestor of our tea people, Shennong's." ”

Qin Yuhe let out an "oh", and then said, "Scholar Qian is a person who asks about universities." ”

Nong Lu Yile said: "No, his knowledge is in this painting." ”

The more Qin Yuhe looked, the more he liked it, the more he looked at it, the more he looked at it, the more shocked he became, the scene in the painting was both familiar and kind to him, he looked at it very devotedly, pointed to a house on the painting and said: "Nonglu, look, isn't this your home?" ”

Nong Lu said: "Yes, Qian Shusheng also went to my old house in order to paint. ”

Qin Yuhe nodded and praised, and said in a loud voice, "Yes, yes." ”

At this time, his eyes are drawn to a small river in the painting, moving along its direction.

Qin Yuhe gestured with his hands from time to time, exchanging experiences and feelings with the farmer. A painting is like a bridge, connecting each other's past events and emotions. Perhaps this is the charm of art.