As the saying goes: Don't be afraid of officials, only afraid of management. Besides, when Wen Tsai learned that the old gentleman in front of him was the famous prime minister who had caused a sensation in the capital and the current magistrate of Xinzhou County, Zhang Khan Khan, I don't know whether it was because of respect or awe of the current Xinzhou magistrate, Wen Zai actually had weak legs, fell to the ground with a plop, and begged for mercy repeatedly: "Prime Minister Zhang, Lord Zhang Zhixian, please forgive the grass people for not knowing Mount Tai, and they have no mouth to cover, and they should die for their crimes." ”

Seeing this, Zhang Cambodia hurriedly helped Wen Tsai up, and said cordially: "What is Wen Tsai's crime, please get up quickly, the old man has just arrived, and he has not yet visited the villagers, and I ask the villagers to forgive me." ”

The villagers and listeners of Xialu Village, who were beside Wen Zai, learned that the old gentleman who had spoken on the stage for a day of "The Sutra of the Altar of the Six Ancestors" was the new magistrate, and they also knelt on the ground with Wen Zai and asked the magistrate for peace. At that time, the scene was touching, and Zhang Cambodia was really moved.

After Zhang Cambodia and Du Fu and Du Wei reluctantly said goodbye to the public, they returned to Yuncheng County, Xinzhou, and after lunch, Zhang Cambodia wanted to stay with Du Fu and Du Wei in Xinzhou for a few more days, and went to visit the "twisted ghost master" Ma Biter together. How could Du Fu insist on leaving, Zhang Cambodia only had a ten-mile pavilion to say goodbye.

Shili Long Pavilion is located in the southern suburbs of Xinzhou County, Xinjiang Xian River Bridge and Luxi River two water and gold intersection, sitting north to south, front of Xinjiang, back pillow Longtang, Shili Village back mountain.

This is the place where the sixth ancestor Huineng went from Xia Lu Village to Xinzhou County to sell firewood when he was a teenager; During his time in the army in Xinzhou, Du Wei walked the land of Xinzhou, was attracted by the beautiful natural scenery and famous and holy monuments here, leaned on the horse and whipped him, and wrote the poem "Xian Ting Farming and Pasture" of "Eight Views of Xinchang" here:

Xian Ting's farming was in a hurry, and Mu Zhu's singing was noisy.

Wan Hu boat has no ox back steady, and the five lakes have waves.

The father and son are close to Tianlong, and the wife and husband are in the back and front.

Until the sunset of the West Mountain, Hu'er took the calf and turned the house.

Du Wei revisited the old place and was full of emotion. He vaguely remembers that at that time, he was boating on the Lushui River, leisurely admiring the scenery on both sides of the river, and unknowingly, came to the south end of the Xian River Bridge, and was attracted by the lively scene of the fields on the shore and wrote this poem.

Xian Ting is located two kilometers south of Yuncheng, Xinzhou, to the south end of the Xian River Bridge on the integrated highway. Xian River is named after the arrival of Mrs. Xian, the leader of the ethnic minorities in the Sui Dynasty, the tea pavilion is set up for a long time, there are many couplets of the inscriptions of the literati and ink writers in the pavilion, the rice around the pavilion is vast for more than ten miles, it is commonly called "eye hole hole", it is the main farming area in the city, the west leads to Longtang, Shili Village back barren mountain, is an important pasture.

The smoke and dust of history rolled in front of Du Wei's eyes: it was a spring when flowers bloomed and grass grew, and everything flourished together. Feeling this, Du Wei used the scenery to describe the beautiful and natural rural fields on both sides of the Xinjiang River with lyrical and sincere feelings, and fully expressed his leisurely and free life in the "farmhouse" through the description of the family busy in the fields. And because of this, he felt the ups and downs of the sea, and sang the famous sentence "Wan Hu boat has no ox on its back, and the wind and waves in the five lakes are turbulent".

If "Wan Huzhou" is a portrayal of the harsh fighting environment between the DPRK and China at that time, then he was in it at that time (Huan Hai), and he must not have seen the shepherd boy riding on the back of an ox, playing the shepherd flute, and going home under the protection of his family to be so leisurely and stable.

Du Wei still remembers that he was boating on the Lushui River, leisurely enjoying the lively scene of the fields on the shore, all the way down the river, to the mouth of the cave where Lu and Jin Ershui will meet in the north of Yuncheng, and was attracted by the natural and beautiful scenery here, and wrote a poem "Fishing Wood at the Mouth of the Cave":

The entrance of the cave is entangled in the water, and the two cliffs and mountains support the boat side.

The fishing rod fishes the river and the sky is foggy, and the sound of the axe is the smoke of the idle ridge tree.

Mountains and rivers meet and people are happy, and Yuwei goes to exchange wine and feast.

If you don't do honor and disgrace, you will have less ingenuity, and where there will be more immortals.

At the entrance of the cave where Lu and Jin two rivers converge in the north of Yuncheng ten miles, they converge into the Xinjiang River leading to Zhaoqing. Dongkou Wei was the land and water wharf of Xinzhou at that time, and the ship concentration point.

This poem depicts the natural beauty of Dongkou, a major scenic spot in Xinchang thousands of years ago, and captures the characteristics of mountains, water, river fog, axes, and people to express the primitive beauty, natural beauty, and simple beauty, and praises the author's love for the beautiful natural environment of Xinchang.

The writing of this poem is characterized by the integration of feelings, the combination of movement and static, and the staggeredness. The characters in the poem are a fisherman and a woodcutter. When writing about the fisherman, he uses a static depiction, in the foggy river, a fisherman wearing a coat and a hat on his head, driving a boat alone on the river to fish, detailing the silent scene of the foggy river sky. When the fisherman retracted the rod and returned home, he suddenly heard the sound of the woodcutter chopping wood from the other side of the mountain, which led to the woodcutter in the dynamics. This combination of movement and stillness makes the whole poem staggered. Then write about the imaginary scene of the fisherman and the woodcutter meeting in the fog and the sun is shining. Finally, the poet used the theme to express the dark phenomena of autocratic rule, intrigue and rejection of dissent between the DPRK and China at that time, reflecting the poet's hope for reform of the status quo and the strong desire for the emergence of a harmonious society in which the government is honest, the atmosphere is clean, the country and the people are safe, and everyone lives in harmony. This poem combines fiction and reality, like a subtle and intriguing one.