André Malraux's life is far less wonderful and righteous than his own narrative. Pen, fun, pavilion www. biquge。 The so-called Buddha head stolen from the colonizers was actually stolen from a small abandoned temple near the Angkor kiln, and was prosecuted by a Phnom Penh court for "theft of cultural relics" and sentenced to three years in prison.

It was his wife, Clara, who returned to France to carry out rescue activities in the literary world, which allowed André to commute his sentence to one year in prison with a reprieve.

André did not stop, and went to Saigon to start a newspaper and lash out at the top of the colonial government. As a result, the printer was threatened by the governor of Saigon to stop printing, and Andrei went to Hong Kong with his wife to buy printing equipment and do it himself.

Today, André is the director of the art department at the Garima publishing house and regularly writes literary criticism articles for the Review de la Neue de France.

This guy is a hypocrisy, but he is a real leftist, who thinks about revolution all day long, and sees himself as the savior of France.

In the latest issue of the Review of Nova Française, André wrote under the title "The Great Masterpiece of Oriental Literature":

"Although the novel "The Goddess" is bizarre and obscure, it reveals the social changes in China in the past 20 years, and can be called the Far Eastern version of "The Human Comedy". Mr. Zhou Hexuan is to China what Balzac is to France, he is a great writer of critical realism......

Putting aside these external factors, it is also an incredible masterpiece to explore "The Goddess" from an artistic point of view. Although his works reflect reality, they pursue a dream world, with fragmented plots, jumping thoughts, grotesque styles, and volcanic and violent emotions under the indifferent text......

In recent years, Kafka has been discussed in the European literary world, and the 'New Novel' school has even been born in France. "The Goddess" is very similar to Kafka's work, often using symbolism and provoking in the absurd. But what I have to say is that Kafka's pattern is too small relative to Zhou Hexuan, the former focuses on the individual, and the latter reflects the whole era...... If you want to understand Chinese society, you only need to read "The Goddess" and "The Dog Official". ”

Andrei blew Zhou Hexuan into the sky in a commentary, and actually said that he crushed Kafka and was comparable to Balzac.

In fact, it is also easy to understand that art criticism often has the subjective color of the author. André, as a staunch leftist, must have disdained Kafka's petty temper in favor of Marzaka's work that reflected the big times and satirized the darkness of reality.

Like André, Jean Faial also recommended The Goddess in the magazine Avant-Garde Literature, but his tone was much more objective:

"There is no doubt that 'The Goddess' is artistically exploratory, and the author creates a magical and realistic grand world, making it difficult to distinguish the difference between the virtual and the real. In other words, there is no need to distinguish at all, the reader only needs to wander in that dream world and follow the heroine through one adventure after another. River gods, mountain gods, land gods, city gods, fox fairies, ghosts...... Strange and mysterious oriental legends have appeared one after another, they seem to be the imagination of the heroine, and they seem to have existed in reality...... "The Goddess" is a masterpiece that represents the peak of literature in the world today, with shocking artistic and ideological power. The author tries to combine the heroine's encounter with the illusory and absurd folklore, with a pathetic heart, to find China's lost warm spiritual home. ”

What really made Zhou Hexuan famous was Romain Rolland's review article: "I read "The Goddess" and was deeply moved. I only remember when I was young, when I read Hugo's "Les Miserables" and Balzaca's "The Human Comedy", I had such a shocking reading experience. Mr. Zhou Hexuan's work "The Goddess" has both Hugo's romance and Balzac's critical irony, yearning for light in the darkness, finding warmth in the cold, and calling for justice in the absurd, which is a rare and great work. ”

Romain Rolland was living in Geneva at this time, and he had long since been abandoned by France, and was even ridiculed as hypocritical by the mainstream French literary circles. But his influence was huge, with countless fans and admirers, and his high praise instantly made "The Goddess" famous throughout Europe.

On the contrary, "The Dog Officer", because it is written too bluntly, is not so popular with the French literary circles, although readers also have a high evaluation of "The Dog Official".

1929 was the last year of the French publishing boom before World War II.

The sales of "The Goddess" reached 30,000 copies in the first week, increased to 110,000 copies in the second week (total sales), and finally slowed down in the third week, with total sales just exceeding 150,000 copies, and the sales of "Dog Official" in the same period were 70,000 copies.

No Far Eastern writer's works have ever achieved such dazzling results in the French book market, and "The Goddess" has even brought a "oriental fever" in France.

Even with Zhou Hexuan's academic monographs "The Rise of Great Powers", "Guns, Bacteria and Steel", and "Chrysanthemum and Knife", they all sold well. In particular, the first two historiographical works attracted great attention from the French historical, anthropological and sociological circles because they conformed to the trend of criticism of the "new historiography" in the French historiography at this time, and with their academic views and methods that transcended the times.

When the journal Fèvre and Bloch's Annals of Economic and Social History was launched, many scholars who sought to overthrow the "new historiography" joined the academic debate, and the magazine instantly became the front of the French historiographical revolution.

How to put it, it is equivalent to the "New Youth" of China's May Fourth era, and this "Yearbook" magazine has become the banner of the historiographical revolution.

And Zhou Hexuan inexplicably became the standard-bearer of the French historiography revolution, no way, his two books were too advanced. Others are still calling for new directions of historiography, and he directly threw out two masterpieces of modern historiography.

It's like a scientist studying a mobile phone with analog signals, and Zhou Hexuan directly produced a smartphone, which can't help but be shocking.

Lucien Fèvre bluntly said in the "Almanac" magazine: "The Rise of Great Powers and Guns, Bacteria and Steel undoubtedly lead the trend of world historical research, like a lighthouse in the vast sea, guiding the direction of world historiography." Mr. Zhou Hexuan is undoubtedly the greatest historian, anthropologist and sociologist in the world today, and his works are irreplaceable and groundbreaking. ”

Well, Zhou Hexuan, the "patriarch of modern historiography", is a certainty.

Because of several works of Zhou Hexuan, which caused a sensation in the French literary circles, historiography, anthropology and sociology circles at the same time, he instantly became the most dazzling scholar star.

Various newspapers and magazines in France have joined the discussion of Zhou Hexuan, calling Zhou Hexuan "the greatest thinker and writer in the East after Tagore and Gu Hongming".

And this resounding fame is spreading rapidly to the whole of Europe, centered in France.