Chapter Ninety-Seven: The Temple Fair
Mountains and mountains
Far away
The mountain is halfway up the mountain
Reflecting the Hundred Heart Pond
The mountain peaks return to the mountains
Li Sisan forgot about his life
The mountain is close to Sioux City, and the pavilions embrace the mountain
The old theme of the temple is suspicious
The bamboo Zen couch stays in the village to paint the reality
Silk new drunk Yu song fishing waves
According to Gong Wei's "Chaolin Pen Talk" in the Qing Dynasty, Wu Jinghe of Kunshan in Jiajing of the Ming Dynasty wrote a poem "Eight Mountains Stacked Cui Poems - Traveling to Suzhou Banshan Temple", "writing four layers of high and low, and forming a mountain shape". "Eight Mountains Stacked Cui Poems - Traveling to Suzhou Banshan Temple" because it describes the Banshan Temple, so it is embedded in the waist with eight mountain characters. This poem is similar to "Poems on a Plate". The method of interpretation is to read from top to bottom, and then from right to left, turning around and reading. A poem can be obtained:
The mountains are far away from the halfway mountain ponds, and the heart is happy to return to the mountains and the world has been forgotten.
The pavilion embraces the mountain and the garden, and the village paints the real waves.
The fishing song is drunk with new silk and bamboo, and the Zen couch leaves the old temple.
The mountain is three or four miles away from Sioux City, and the mountain peaks reflect the mountain light.
This poem may be written
Eight Mountains Stacked Cui Poetry (Suzhou Banshan Temple)
The mountains are suspicious
The mountains embrace the waves
The mountain pond has been returned to the Pavilion Garden for fishing
The mountain is separated by a half-hearted and forgotten village song
The mountains are far away, and the three cities are inscribed
The mountain reflects the peak and the four Su old couches are drunk
The mountain is close to the temple and Zen new
Yamado bamboo silk
The reading is different from above:
The mountain is three or four miles away from Sioux City, and the mountain peaks reflect the mountain light.
The distant mountains are separated by half of the mountain ponds, and the heart is happy to return to the mountains and forget about it.
The pavilion embraces the mountain and the garden, and the village paints the real waves.
The fishing song is drunk with new silk and bamboo, and the Zen couch leaves the old temple.
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