By the Peach Blossom River, the two people sitting on the stone bench fishing, saying that they were talking and laughing, but the original age gap was reduced a lot. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

After catching fish for an hour, there were already six Chinese sturgeons in the barrel, and among the six Chinese sturgeons, only one was caught by Lewen, and the other five were all caught by Tang Bohu, but when Lewen caught this Chinese sturgeon, he was also happy for a while, maybe this is the fun of fishing.

"Brother Le Xian, we have gained a lot this morning, let's go back." Tang Bohu looked at the six Chinese sturgeons in the barrel, stroked his beard, nodded and smiled.

"It's okay, the little brother is still trying to ask Brother Tang to paint a portrait of the little brother."

As he spoke, Lewen stood up, lifted the barrel, turned around and walked towards the way back with Tang Bohu.

Back in the Peach Blossom Nunnery, Tang Bohu painted three personal portraits for Le Wen and the three of them, and then asked Le Wen and Ding Ke'er to be together, painted a couple painting like a group photo, and finally painted a portrait of the three together.

Tang Bohu painted the three of Lewen vividly, and the few people on the painting had a sense of being ready to come out, which was simply amazing, so that Lewen had a great feeling of looking in the mirror after seeing the portrait Tang Bohu painted for him.

"Brother Tang's wonderful hand Danqing, it really deserves its reputation, but the younger brother still wants to appreciate Brother Tang's Tibetan paintings, I don't know if it's possible?" Lewen put away the portrait Tang Bohu had painted for him, and then asked with some expectation.

"Brother Le Xian is too polite, Brother Fool will go and get it."

Tang Bohu walked into the house as he spoke, and after a while, he walked out with a few works that he thought he wanted.

Put these scrolls aside, and then on the wooden table, first spread out a "Picture".

I saw this "Picture", the painting is fine and gorgeous, inheriting the tradition of the five dynasties and the Song Dynasty, and using freehand brushwork. The characters have beautiful faces and dignified postures. The clothing pattern is rough and simple with a pen, the strength is smooth, and the frustration is like a turn. The color is rich and vivid, the technique is exquisite, especially the depiction of the details, which can be described as meticulous and innovative.

The image of the lady is vivid, the body shape is beautiful, this picture writes the lady stroked the jade flute and plays, the shape is accurate, the pen is old, the waiter is beautiful and melancholy, and the blow is endless sorrow.

Let Lewen can't help but admire, the maid in this "Picture" is like a real, which is simply wonderful.

"Brother Tang's painting is really wonderful, wonderful, wonderful......"

"Hehe, Brother Le Xian praised it, this painting was painted by Brother Fool in his early years, but it made Brother Xian smile." Although Tang Bohu is modest, this painting is his proud work in his early years, and some people have bought it at a high price, but they are not willing to sell it, and it has always been regarded as a treasure.

Then Tang Bohu put away this "Picture", and then unfolded a "Tongyin Qingmeng Picture".

I saw that at the top of this "Tongyin Dream Map", there is a poem of seven uniques.

Ten miles of tung are covered with purple moss, and Mr. is drunk and sleeping.

In this life, I have been thankful for my fame, and my dream should not go to Guhuai.

This picture is painted with ink and white painting technique, painting a sycamore, the shade of the tung is like a cover, a person at the stone of the slope of the tong shade is on his back and closes his eyes, sits on the chair, and his expression is vivid and natural. The composition is concise, the pen is refined, the style is free and easy, the rhyme is elegant, and it is a masterpiece of Tang Yin's white character painting.

Poetry, calligraphy and painting complement each other. Although he did not sign the year, it can be seen from the content of the inscription poem that this picture was made after he returned to Suzhou after the blow of the Kechang case, and it is a portrayal of Tang Bohu seeing through the dust and no longer pursuing fame, and living in seclusion under the forest from then on.

"This painting is a frustrated work of the foolish brother after trying out the case in the imperial examination, hey......" Tang Bohu saw this painting and thought of the scene at that time, and couldn't help but sigh secretly.

Lewen also shook his head and sighed for the misfortune that Tang Bohu encountered, if it weren't for this meeting, Tang Bohu must have been a member of the DPRK and China.

Tang Bohu slowly put away this "Tongyin Clear Dream Picture", and then opened a "Li Duanduan Picture".

There are five people depicted on the picture, and in the center sits a scholar wearing a Wensheng scarf and a beard, whose facial expression and sitting posture all show elegant bearing and demeanor.

On both sides of the black desk on the left side are the master's maidservants, one wearing a red skirt and the other a white skirt, with bright colors and layers.

On the right is a visitor, a young lady holding a white peony, with an elegant posture and a touching attitude, and behind her is a retinue maid. The four women surround the master, like the stars holding the moon, highlighting the importance and status of the master.

The background is a large screen of mountains and rivers, and the inscription above is a poem: "Li Duanduan in Shanhe Fang, the letter is able to walk white peony." Who believes in Yangzhou Jinman City, the price of rouge is poor and sour. ”

The person holding the white peony in the picture is Li Duanduan, a famous prostitute in Yangzhou, and the scholar is Cui Ya, a poet in the Tang Dynasty who has lived in Yangzhou for a long time, and Tang Yin is based on the story between the two to paint.

Cui Ya and Zhang Hu are equally famous, heroic, long in palace words, each poem in prostitution, must be recited in the streets and alleys;

"If it is praised, the chariots and horses will follow; If you destroy it, you will miss the cup and plate."

once ridiculed Li Duanduan, "I don't know what to do at dusk, my nose is like smoke, my ears are like bells." Alone with an ivory comb and sideburns, Kunlun Mountain was born at the beginning of last month. After Li Duanduan saw the poem, he was "worried like a disease", so he bowed down to Cui Ya and "looked forward to mourning"!

Choi was moved.

A strange girl in the dust, a master of poetry, coming and going, friendship is deepening, Cui is another topic: "Find Huang Lu to be embroidered saddle, and take the end in Shanhe Fang."

Yangzhou has recently become poor, and a white peony can work. ”

So "the big man is rich, and he competes for his household".

There is a play: "The lady of the Li family came out of the ink pool and climbed the snow ridge." When is the day when black and white are uneven? ”

Li Duanduan's complexion is slightly dark, but he is beautiful, known as the "black prostitute", and now he has become a colorful white peony.

Tang Yin changed Li's plea to Cui Sheng into a picture of on-the-spot commentary, highlighting the wisdom and courage of the "black prostitute": she is petite and beautiful, standing proudly in the Cui family's guest hall, her facial expression is calm and generous, and she shows a little anxiety and expectation, holding a white peony, and arguing skillfully.

Cui Ya sat quietly, listening attentively, his inner admiration overflowing between his eyebrows, and he was pressing the roll paper with his hand to write or compose a new poem.

Tang Bohu also derived the meaning of "black prostitute" and "settled" from the "end of the end" in Cui's poems, and the prostitutes in the old days were called "settled" from the good name.

Therefore, some people call this painting "Li Duanduan's Residence Map", which conveys Tang Bohu's pity and admiration for historical prostitutes.

"Brother Tang is really an elegant person, and the painting is full of romance, which makes the younger brother admire it very much."

Tang Bohu rolled up the picture scroll, looked at Shen Jiuniang in the room, stroked his beard, and spoke in a deep voice for a long time, as if he was recalling something, and then laughed softly: "Hehe, the Tang Dynasty poet Cui Ya and the famous prostitute Li Duanduan in the painting are the foolish brother and your sister-in-law Jiuniang today." ”