In Xue Yantuo's camp, in addition to Bazhuo and Yantuo Dudu calculating, Lu Mang and Chu Suiliang were also discussing together in Lu Mang's own camp:

"Ahh Lord Chu Suiliang, that day, under and Lord Chu Suiliang was at first sight, and later Bazhuo was not very polite to you, to tell the truth, under the influence of Confucianism in the Central Plains, knowing that the person who comes is the truth of the guest, not to mention, the sage cloud, there are friends from afar, and they are happy! Therefore, Lu Mang apologized to Lord Chu Suiliang again. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 On the one hand, Chu Suiliang heard from Xue Yantuo's subordinates that this Lu Mang is the son of the Hui sin girl, although he is the eldest among the sons of Yi Nan, the big leader of the Xue Yantuo tribe, but in the eyes of Yi Nan, the big leader of Xue Yantuo, I am afraid that it is only better than a slave, even if he has established some prestige among the tribe's tribes in recent years, in addition, he also got some information through the Qilin Secret Guard and Ashina Simo - the Hui tribe also secretly has some support for Lu Mang. However, this is just a drop in the bucket for Trolling. Trolling needs more support. So, Chu Suiliang smiled:

"Prince Reckless is polite, it's a great honor to be valued by Prince Reckless!" Chu Suiliang also gave a polite and false compliment to Lu Mang. Chu Suiliang and Lu Mang were talking, while looking at the decoration in the camp tent of Lu Mang, suddenly, saw that there was a landscape ink painting in the camp of the prince of Lu Mang, it seems, behind the painter's skills, looking at Chu Suiliang's distracted appearance, Prince Lu Mang gently shouted to Chu Suiliang:

"Lord Chu Suiliang, Lord Chu Suiliang! What are you looking at? Then, after the prince saw the scroll, he smiled at Chu Suiliang and said:

"Lord Chu Suiliang, the superficial work under the next makes the adults laugh." When Chu Suiliang heard that this painting was painted by Prince Lu Mang, he immediately complimented Prince Lu Mang and said:

"Oops! Prince Mang laughed, this landscape painting is majestic, it seems that Prince Mang has won the essence of our Central Plains culture! Chu Suiliang continued to inquire:

"Prince Lumang, I see you dressed in Confucianism, and you can draw such a beautiful picture, I don't know which famous master you are learning from?!" Please refer one or two for the following. Prince Reckless laughed

"Lord Chu Suiliang, it's not that I don't help the adults to introduce him, it's really that my master is like an idle cloud and a wild crane, he likes to visit the landscape, in order to enrich his paintings, he went to the Gobi to collect wind." Chu Suiliang showed a disappointed expression. Seeing Chu Suiliang's disappointed expression, Prince Lu Mang immediately said:

"Master Chu Suiliang don't worry, my master is only going for a few days, and I believe that it won't be long before my master can come back."

"Oh! I'll have to talk to him about it. You know, I'm also very interested in calligraphy and painting! Prince Trolling smiled as well.

Three days later, the master of the prince came to Chu Suiliang, and Chu Suiliang saw a dusty Han man with a disheveled hair come to him.

"In Xia Yan Lide, I don't know what to call the honorable driver?"

"Oh! In Xia Chu Suiliang, I saw Brother Yan today, I am glad to meet, I am glad to meet! Yan Lide ignored Chu Suiliang's politeness, and said to Prince Lu Mang angrily:

"I'm hungry, I'm hungry, I'll send some food and mare's milk wine to my tent at once, and I'll get a good night's sleep!" After Yan Lide finished speaking, he ignored Chu Suiliang and Prince Lu Mang, and walked directly to his tent. Prince Lu Mang apologized to Chu Suiliang and said:

"Lord Chu Suiliang, my master is used to wandering in our Xue Yantuo grassland, so his temper is a little strange and loose. Please don't be surprised! Chu Suiliang didn't say anything. After returning to his guest account, Chu Suiliang wrote to Li Jiancheng:

"Your Majesty, the minister Chu Sui Liang respectfully, the minister has come to the Xue Yantuo tribe safely, and the pearl Viga Khan gold seal and drum given by His Majesty personally sent to the hands of the Xue Yantuo leader Yi Nan, however, Xue Yantuo the big leader Yi Nan's words are ambiguous, Wei Chen saw that he was indecisive, and Wei Chen stayed in the Xue Yantuo tribe for a few days, and learned that the master of the eldest son of the eldest son of Xue Yantuo Yi Nan is called Yan Lide, as far as the minister knows, this person used to be an official in the Central Plains, and was later captured by the Turks, and, This person's painters are all landscapes, it can be seen that this person still has attachment to the Central Plains, the minister thinks that the son of the deadlock is in this person, please Your Majesty arrange for the Qilin internal guard to quickly find out the details of this person, help the minister to deal with things in Xue Yantuo, and the minister Chu Sui Liang looked at Chang'an from afar and kowtowed. After Chu Suiliang finished writing this letter, he took out the carrier pigeon he had brought from Chang'an from the cage, and then found a place where there was no one and released it. In Chang'an, after Li Jiancheng received Chu Suiliang's secret recital, he immediately brought Di Renjie, the commander of the Qilin secret guard:

"Huaiying, quickly find out the archives of the previous dynasty and the official archives of the ministry, and you must find this Yan Lide."

"Yes! Chen Di Renjie obeys! Soon, Di Renjie led people to find a similar person from the vast archives of the former dynasty and the archives of officials of the ministry. Li Jiancheng looked at Yan Lide's file - Yan Lide's name is good, the word is Lide, and the word is lined. A native of Yongzhou Wannian (now Xi'an, Shaanxi). He was the eldest son of the Northern Zhou Dynasty concubine, Shibao County Gong, Sui Dynasty painter Yan Bi and Northern Zhou Qingdu Princess. The grandson of Emperor Wu of the Northern Zhou Dynasty, Yuwen Yong. Born in a family of engineers, Yan Lide's paintings draw on the strengths of the previous generation of painters Zheng Fashi, Zhang Shengqiu, Yang Zihua and Zhan Ziqian, and are known for their figures, trees and stones, and birds and beasts. He once drove Emperor Yang of Sui and Yanmen, and then disappeared.

"Can you be sure that this Yan Lide is that Yan Lide?"

"Your Majesty, the minister has already asked Yan Liben, according to Yan Liben, his brother Yan Lide was in the former Emperor Yang of the previous dynasty, and he used to drive the former Emperor Yang of Sui and Yanmen to collect style, and later disappeared when the Turks attacked Yanmen! Believed, most likely it's him. ”

"Yan Liben! Yan Lide! "Compared with the Sui Dynasty officials to the Chaosan doctors, he will be a young eunuch. , Yan Liben's reputation and life Li Jiancheng is more familiar, because, Yan Lide is older than Yan Liben, and has been favored by Emperor Wu of the Northern Zhou Dynasty Yu Wenyong since he was a child, so he has deep feelings for the Northern Zhou court, Emperor Wen of Sui Yang Jian replaced the Northern Zhou Dynasty and established the Sui Dynasty, Yan Lide and his father Yan Bi naturally had resentment, but they could not do anything, so they had to send affection and landscape calligraphy and painting, and Yan Liben was different, he was younger, plus he was influenced by his father Yan Bi and Yan Lide, plus Yan Liben was good at craftsmanship, more ingenious, Gong Zhu Lishu, is very good at painting and architecture, and his brother Yan Lide learned painting together, first inherited the family learning, and then studied Zhang Seng Xuan and Zheng Fashi. It is rumored that he saw the mural of Zhang Seng in Jingzhou, and stayed under the painting for more than ten days, sitting and lying down to watch, reluctant to leave. Later generations said that he was a teacher of the Dharma monks, and the figures, chariots, horses, and pavilions all reached a very high level. Yan Liben is good at painting people, carriages, horses, and pavilions, especially good at portraits, and was called "Danqing Shenhua" at the time, but he did not look down on others because of his arrogance. Once, he went to Jingzhou to see Zhang Sengqiu's paintings, and felt that Zhang Sengqian was just "in vain". However, when he continued to look the next day, he found that Zhang Seng Miao was a "modern master" after all. On the third day, he looked at it carefully, and he really realized the true wonder of Zhang Sengqiu's works, and said with emotion: "There must be no false man in his name." So he continued to stay there for more than ten days, thinking day and night, "sitting and watching", and couldn't bear to leave. Natural painters are even better. Appreciated by Emperor Yang Guang of the Sui Dynasty, he was once an official in the Sui Dynasty and a young eunuch. Moreover, his painting Li Jiancheng has also seen, Yan Liben's "Emperors of the Past Dynasties", the whole picture depicts a total of thirteen emperors, this picture scroll contains a total of thirteen portraits of emperors: Liu Fuling, Emperor Zhaowen of the former Han Dynasty, Liu Xiu, Emperor Guangwu of the Han Dynasty, Cao Pi, Emperor Wen of Wei, Liu Bei, Lord of Shu, Sun Quan, Emperor Wu of Jin, Sima Yan, Emperor Wen of Chen, Emperor Xuan of Chen, Emperor Bozong of Chen Waste, Shubao of Hou Chen, Emperor Wu of the Northern Zhou Dynasty Yuwen Yong, Emperor Wen of Sui Yang Jian, Emperor Yang Guang of Sui. The first six of them are far away from Yan Liben's time, and the last seven are closer. Chen Shubao and Yang Jian's father and son, Yan Liben may have met in person, although Yu Wenyong is his maternal grandfather, because he died early, I am afraid that he has not seen him, but his understanding of him may be more real and specific. Yan Liben succeeded in portraying the personal character of the emperors. The painting not only shows the painter's understanding of them, but also the painter's evaluation of them. According to the records of the past historical books, Cao Pi, Emperor Wen of Wei, was well-read and talented. Emperor Sima Yan of the Jin Dynasty was deep and measured, and completed the cause of unifying the world. Emperor Wu of the Northern Zhou Dynasty, Yuwen Yong, was a rough and strong Liang and uneducated, but he was a very strategic and capable man, who regained power from his uncle and further unified the entire north. Emperor Wen of Sui, Yang Jian, was a well-known person who was peaceful on the surface, but scheming and suspicious in his heart. Yang Guang, Emperor Yang of the Sui Dynasty, according to the history books, is beautiful and smart, but he is exaggerated, fanciful, and enjoyable. Chen Wendi Chen Yan is also beautiful, knowledgeable, and capable, all of which are consistent with Yan Liben's performance. Each emperor has a list next to him, and some of them also record his reign and his attitude towards Buddhism. The painter not only paid attention to portraying the common characteristics and temperament of feudal rulers, but also successfully created the images of typical historical figures with outstanding personalities according to the political actions of each emperor and the different environmental fates, reflecting the author's evaluation of these emperors. Yan Liben's treatment of emperors such as Cao Pi, Sima Yan, Ziwen Yong, and Yang Jian who unified the world or contributed to the trend of unification not only showed their personal characteristics, but also showed a kind of solemnity that they shared. And Chen Shubao is the so-called king of the dead country, and Yan Liben handled it as a trivial attitude of covering his mouth with oil to show his contempt for him. As for the other emperors of the Chen Dynasty in Jiangnan, they all lack heroism, but Chen Qian in Jiangnan is an emperor who builds a foundation, and Chen Qian is an emperor who connives political corruption and has no way, and the two are also significantly different. Because the emperors in history are an accidental factor in the development of history, the behavior of individuals reflects the development of history within a certain range, and the different political situations such as unity, division, and partial security achieved by their hands have a great impact on the lives of the people, so Yan Liben's depiction of them is related to their political actions, that is, through the portrayal of personal character and trying to achieve the purpose of summarizing the vast life, such creation is based on the highest requirements of portraiture. Yan Liben strives to depict characteristic details to express a certain mental state of a certain character, such as Cao Pi's sharp and provocative gaze, which shows a very refined and aggressive aura. Chen Shubao's eyes were blank, weak and relaxed. Yang Jian's head was slightly chinned, his eyes were looking upward, and he had a deep and scheming look. The whole volume is drawn with iron lines, the clothing lines, beards, etc. are evenly and straight, the color is heavy, the smudge is significant, it is the superior work of ancient painting, and Yan Liben painted the "Taizong True Face" picture for Li Jiancheng, the image is realistic and expressive, and it is deeply loved by Li Jiancheng!

"Huaiying, you let me think about it, let me think about it!"