One hundred and ninety snipers
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"Sniper!" Several of us subconsciously lowered our bodies. The boar looked at the bullet holes in the wall and then at the window, and said, "He didn't shoot when we entered the yard just now, maybe the trees are obscuring the view." He's not much higher than we are and it should be easy to find him. โ
I moved to his side and followed his gaze, and not far away there was a villa built on a hillside a little higher than here, and a part of the villa could be seen through the gap in the trees. Nine times out of ten, snipers are hiding there.
Due to the dense vegetation on Beverly Hill and the large trees surrounding this villa, the sniper can't see the full view of the villa we are in from that vantage point, so as long as we are careful, he is not much of a threat. So our priority is not to eliminate the snipers, but to locate our target and make a plan to get Angelia out.
Big Eyes asked Sato, "How far is this from your villa?" โ
Sato said, "It's about 800 meters further along this road. In between, you will pass two separate residences, a residential complex and a hotel. The hotel was already occupied by the militia when I escaped. โ
Big-eyed said, "We need to capture these buildings?" โ
The boar immediately said, "But we don't know about our opponents. I think it's better to think about James. Most of the people we brought with us are not familiar with each other, and it is easy to have problems in night battles, so we should send a few people in to meet with the people inside, tell them to break through, and by the way, investigate the situation. Our workhorse is the answer......... Fack! Drone! Shade quickly! โ
I glanced with my eyes, and sure enough, I saw a bright red dot piercing through the rain mist flying towards us from the canopy of the tree. That's the drone's navigation light. It seems that the opponent is not simple, and as soon as the rain becomes smaller, the drone is released for reconnaissance.
It was difficult to knock down such erratic things with rifles, so we didn't even think about shooting, but used the intercom to warn everyone to find shelter and not expose their targets, and then crouched down to make sure that they were not easily spotted from the window. But I didn't expect that drone to die, and it flew straight to our window, could it be that the sniper wanted to confirm his results?
This drone was sent to the door, so I can't help but fight. I took the shotgun from Marjora's hand, and when the red light flew less than twenty meters away from the window, I suddenly stood up and fired a shot at the red light. Immediately, the red light lost its direction and crashed into the canopy.
"The situation is uncertain now, and there are not many of us, so we must act as soon as possible," said the boar. Wait until dawn for fear that more drones will fly in the sky. โ
That's the truth. I said, "Or I'll take Sato and Marjola and Powell to sneak in and meet the people inside." You have your firepower here waiting to meet us. โ
Big Eyes said, "I'll go with you." โ
I said, "If we can't get out successfully, we still need you to bring someone in to pick us up." So you still stay. โ
So the big eyes don't say anything. We went downstairs together, Big Eye commanded everyone to improve their defenses in the villa, and the wild boar went up to the roof with his sniper rifle. I took Marjola, Powell, and Sato out of the villa with night vision devices and slowly moved forward under the trees. In the course of the exercise, we had to keep looking up at the villa on the heights, and there was a road leading to the villa in front of us, and the distance of three or four meters was unobstructed, and I stopped when I could see the villa clearly.
At the intersection lay the bodies of several armed men. Unlike the other places we saw, most of the corpses were one in the east and one in the west, and these bodies were densely collapsed at the intersection. So I could have chosen to cross the intersection from behind a tree on the other side of the road, but I felt that it was always unsafe to have a sniper overhead, so I wanted to kill the sniper, so I called out to the boar in the headset: "Did you find that sniper?" โ
The boar replied: "No target found." I'm sure the sniper was hiding on the top floor of the villa, just not sure which window was behind it. โ
I said, "Okay, then we're out, maybe he'll shoot." Find him. โ
The boar said, "Roger." โ
I gave the order to Majora in my headset: "Quickly pass the intersection." โ
The three of them nodded, I raised my hand, curled three fingers one by one, and then waved my hand, and all three of them jumped up at the same time and rushed across the intersection. No bullets came.
When the three of them found their own positions to form a cordon, I also jumped up and rushed into the intersection. The sniper may have just spotted someone passing by and may have pointed his gun at the place, so I had to make sure I didn't get killed, not by running fast, but by making sure that the sniper couldn't accurately estimate my speed and position.
Following the steps I had just planned, I bent down and took a straight step, then a step to the right, and then a step to the left, and I rushed to the tree in front of me. Just as I was about to pounce behind the trunk, the gun went off, and the bullets flew past my back. At the same time I heard another gunshot, and the boar told me on the intercom as I hit the trunk: "Sniper clear." "It's much more reassuring now.
I moved my body a bit to make sure I wasn't hit, and then with Marjora they were back in formation. There was a huge courtyard in front of us, but we touched the silence around us, and a living person also found it. After confirming that there was no threat in the yard, we continued on our way, approaching the other buildings and discovering armed men inside the building. Thankfully, it was raining, the armed men were all inside the house, and they didn't seem to have much military-grade night vision equipment, so we may have been spotted close and fired a few shots but we weren't sure exactly where we were. But we don't dare to get too close to them, far away from these places.
At 5:05 a.m., we went around a hotel and saw Angelia's villa. Not to mention, this villa is really different from other villas around. The first is that outside the fence is a large meadow, and there is a ring of thirty to fifty meters without even a single tree. This is to clear the shooting boundary in advance, and it is not surprising that there are dozens of corpses on the grass.
I patted Sato's helmet and said, "You guys are doing a good job, anyone who approaches the villa will be spotted immediately." But how do we get in now? โ
Sato also scratched his head and held back for a long time before saying, "As long as you cover me, even if you sacrifice your life, I will rush in!" โ
Depend on! People have a wide view from the roof of the hotel, as long as you have night vision equipment, you can see it immediately when you enter the lawn or street, and if you concentrate on the fire blockade, you really can't rush in. I asked Sato in annoyance, "Don't you have a walkie-talkie or something like that to talk to inside?" โ
Sato looked embarrassed: "I'm really sorry, I brought a walkie-talkie, but it was broken during the breakout." I'd better rush in. โ
What's the use of just you going in? I said to Marjora and Powell: "Each of them fires a flare at the hotel and then covers each other and quickly crosses the road into the villa." Sato was in front and contacted the people inside, and I broke off. โ
All three of them nodded, and Majola, Powell, and I replaced the grenade launchers with flares, and then I shouted one, two, three, and the three of them fired flares above the hotel one after another, and the flares exploded and illuminated the windows of the hotel, and I aimed my rifle at the figure behind the window and shot at it, shouting, "Sato, rush!"
Sato scurries up the highway like a mad dog and crashes headlong into the gate of a villa that has been hit by a car, while shouting in Japanese to prevent misunderstandings. Powell Jr. and Marjora then rushed across the highway one after another, using the broken car thrown at the gate as a cover to suppress the hotel.
More than a dozen guns were fired on the second and third floors of the hotel and in the attic, but the bright magnesium light would make the shooter's eyes uncomfortable and affect aiming, so the bullets fell sparsely. Fire also opened in Angelia's villa, not only with two machine guns but also with bazookas. The fire on the hotel side was a little sparse, and I hurriedly ran across the road and jumped into it through a hole in the fence that had been blown open.
There are two small conjoined buildings in the courtyard, and Sato beckons to us at a door. I hurriedly rushed through the gate with sandbags, and immediately saw a group of people, including several people I knew besides Angelia.