Gu Yanzhong concentrated on every mountain, every piece of snow, and every tree in "Yuan An's Lying in the Snow".

"This painting doesn't seem to be from Wang Wei." He paused for a while, "It seems to be from Wang Wei's hand again." ”

Ling Qianxiao looked at Gu Yanzhong with some confusion and asked, "Is this painting real or fake?" ”

Gu Yanzhong shook his head, frowned slightly, and said suspiciously: "To be honest, I can't tell with my eyes whether this painting is real or fake, it would be nice if there were professional instruments." However, some of his places are indeed not Wang Wei's hands. ”

He said very firmly: "However, there is no doubt that this snow scene is indeed Wang Wei's painting method. ”

"Why are you so sure that this snow scene is definitely not painted by Wang Wei." Ling Qianxiao asked.

"Do you like Wang Wei's paintings?" Gu Yanzhong asked casually.

Ling Qianxiao shook his head and said, "Although I can draw, I haven't been learning to paint for a long time. I have only seen the works of the Song Dynasty, and I have almost never seen the paintings of the Tang Dynasty. ”

"It would be good if Yan Sanniang was here, she likes Wang Wei's paintings, she is smart and clever, she will definitely be able to see the mystery of this painting. This makes me more sure that I am right. ”

Ling Qianxiao lowered his head, a little unhappy, a sour feeling appeared in his heart, he picked up Gu Yanzhong's waist from behind, and said, "Who is Yan Sanniang, is it the woman you like?" ”

Gu Yanzhong held her hand, pulled her to his side and said, "Are you jealous?" ”

He wanted to tell her that he had actually met Yan Shisanniang before he met her.

He looked at Ling Qianxiao's unhappy expression, but he swallowed the words anyway and shifted the topic to Wang Wei's painting.

"Wang Wei has a "Theory of Landscape Painting", which can be said to summarize the essence of Wang Wei's painting skills." He began to analyze the flaws in the painting.

"Yuan An Lying in the Snow" has snow scenes, snow-capped mountains, tree branches, and houses.

This picture is composed of an "open" and a "close", with a close-up view accounting for most of the paintings, a snow-capped mountain and a house in the distance, and the rest is the sky, with the inscription in the upper right corner.

Wang Wei's paintings have a very strong sense of layering, and Wang Wei's "Landscape Theory" writes about the theory of painting mountains, snow, winter scenes, and trees.

He first analyzed the painting method of mountains: all those who paint landscapes must press the four hours. Or said that the smoke cage fog lock, or said Chu Xiu Yungui, or said that the autumn dawn, or said the ancient mound broken monument, or said the spring color of Dongting, or said that the road is desolate.

Distant mountains shall not be connected to near mountains, and distant waters shall not be connected to near water. The mountainside is covered, and the temple can be safe; Broken bank embankment, small bridge small place.

Where there is a road, there are forests, where the shore is at the end, where the water is broken, where the smoke is trees, where the water is wide, where the sails are set, and where the forest is dense.

Then there is the snow scene: "Treatise on Mountains and Waters" is written like this: the viewer first looks at the weather, and then distinguishes the turbidity. The pilgrimage of the guest and the host, the majesty of the peaks, more is chaotic, less is slow, no more, no less, it is necessary to distinguish between far and near.

In spring, the fog locks the smoke cage, the smoke is long, the water is dyed blue, and the mountains are gradually clear.

The summer scenery is covered by ancient trees, green water without waves, clouds and waterfalls, and secluded pavilions near the water.

The autumn scenery is like water, clusters of secluded forests, wild goose Hong autumn water, Ludao satine.

The winter scenery borrows the ground for snow, the woodcutter bears the salary, the fishing boat leans on the shore, and the water is shallow and flat.

The most conspicuous thing in this painting is the tree: where the forest is painted, the distant ones are sparse, the near ones are dense, the leaves are tender and soft, and the leafless ones have hard branches. The pine bark is like scales, and the cypress bark is entangled. Those who are born on the soil have long roots and straight stems, and those who are born on the stones have bent and sharp fists. There are many ancient wood festivals and half dead, and the cold forest is sparse and sluggish.

The mountains must not be the same, and the trees must not be ordinary. The mountain is from the tree and is the clothing, and the tree is from the mountain and is the bone. The trees should not multiply, but the beauty of the mountains should be seen; The mountain must not be chaotic, and the spirit of the mountain must be revealed. If you can do this, it can be said that you can paint landscapes with famous hands.

Gu Yanzhong said and pointed to the tree and continued: "Most of the painting methods of this tree are similar, but I am very familiar with Wang Wei's snow accumulation method. ”

Wang Wei's painting of snow is different from that of later generations. The Tang Dynasty painted snow scenes with white powder, while later generations left them blank.

Blank space is to make the top of the mountain stone not stained, and after the dark part is rubbed, it is rendered with light ink.

The branches and leaves of the tree are bent in a contour, leaving some white on top of it, giving the feeling of snow accumulation.

The snow of the houses is the same, dyed from the outside according to the outlined lines, leaving for a white roof.

Dye the ink at least twice, the first time is to separate the light and dark of each part, starting from the contour line below, gradually working upwards, until it is completely white.

After the local part is dyed, after all the parts are dry, they are dyed in groups according to most of the parts.

Finally, the sky and water are dyed with light ink to squeeze out the white snow-capped mountains.

When dyeing, pay special attention to the appropriate amount of water, if it is too wet, it will soak through the contour line, and if it is too dry, it will not feel rendered, which will make the painting look stiff.

Generally, two pens are used, one dipped in ink and the other dipped in water, and the water is gently rendered around the ink line.

Around the snow scene, the "white" of the snow scene is often enclosed, and it is often rendered with ochre or light ink near the snow mountain.

"Yuan An's Lying in the Snow" depicts a winter day, with heavy snow falling, and the sky in the distance looks very gray.

"I still don't see any flaws in this painting." The more Ling Qianxiao listened, the more confused and confused she became, although she understood what Gu Yanzhong said, he still didn't see any flaws in this painting.

"There are some failures around this snow-capped mountain, obviously because there is too much ink and white powder is used to make up for it, so the white powder of this mountain is heavier, and the lower one is much better. There are other places where you see this......"

Gu Yanzhong said and pointed to another failure, saying: "The ink line of this stroke, with a broken pen, has been rendered. ”

"Wang Wei is not a saint, and it is normal to be a little defeated." Ling Qianxiao pursed her lips, still not understanding what was going on.

The corner of Gu Yanzhong's mouth smiled slightly, and he pretended to say deeply: "Insiders look at the doorway, and outsiders look at the excitement." Some of the failures, you look like failures, we seem to be really skillful, and some of the failures, you can't see it, we seem to be a very wrong way of drawing. ”

Ling Qianxiao still looked at him suspiciously, and shook his head gently.

"Let me explain it to you. For example, when we paint, it is a kind of flat paper, sometimes a corner is slightly wrinkled, it will be very distressing, but sometimes, when we draw the kind of rolling mountains, we will deliberately crumple the paper, so that the drawn mountains will have a sense of ups and downs. ”

"Also, when painting the smoke and rain in Jiangnan, Jiangnan will always give people a hazy feeling, some painters will spray water on the paper first, and sometimes add the painting method of splashing ink, when you see the painting, you will have the feeling of walking in the smoke and rain."

Gu Yanzhong said and walked to Ling Qianxiao's side, the other hand wrapped around her Qianqian's thin waist, and stretched forward with one hand, as if he had arrived in the Jiangnan alley, the sky was drizzling, he walked on the bluestone road, and said leisurely: "Holding an oil-paper umbrella, wandering alone in the long, long and lonely rain alley, I hope to meet a girl like a lilac." ”

Ling Qianxiao snuggled her head into Gu Yanzhong's arms and asked curiously, "What are you talking about?" ”

Her words pulled Gu Yanzhong back from the long rain alley.

"When I have time, I will take you to Jiangnan for a walk, and then you will know what I said today." Gu Yanzhong said and gently swiped over her nose.

"You just said the painting was fake, and then you said it was real? What's going on with this? Ling Qian looked at Gu Yanzhong suspiciously.

Gu Yanzhong deliberately lengthened his voice and said: "In my opinion, part of this painting was painted by Wang Wei, and some part should be the work painted when Wang Wei asked someone to copy his own paintings and teach others to paint." ”

As he spoke, he walked to the table and continued: "Zeng Bu's brother is Zeng Gong, Zeng Gong is one of the eight masters of the Tang and Song dynasties, and he loves calligraphy and painting, so it is not surprising that there is such a work. ”

"Tang and Song Eight families?" Ling Qian smiled and listened confused.

"Everyone doesn't know the eight Tang and Song dynasties, Han Yu and Liu Zongyuan in the Tang Dynasty, Su Xun, Su Shi, Su Zhe, Ouyang Xiu, Wang Anshi, and Zeng Gong in the Song Dynasty." Gu Yanzhong took a sip of tea, "Oops, this tea is cold." ”

"I'll go change a cup of tea for you, it's cold and frosty, let's have a cup of hot tea." As she spoke, she turned to the door and commanded the next man.

Ling Qianxiao turned around and asked Gu Yanzhong again, "Why are these people called Tang and Song Bajia?" ”

When Gu Yanzhong heard this, three big exclamation marks couldn't help but pop up on his forehead, and he suddenly reacted, this is the Song Dynasty, and this Tang and Song Dynasty is what the descendants call them.

He put it simply: "They were the central figures of the Song Dynasty Guwen Movement. So this is the posterity ......"

As he spoke, he changed his words and said, "It was the literati who praised them." ”

"Miss......" There was a knock on the door outside.

"Miss?" Gu Yanzhong was stunned for a moment, and a theory suddenly flashed in his heart, the dancing girls and courtesans in the Song Dynasty were all called young ladies.

Ling Qianxiao took the teacup from the girl outside, brought it to Gu Yanzhong's side, handed the teacup to him, and asked, "You just said that the painting Zeng Bu gave you is a fake painting, since he wants to buy you, why did he give you a fake painting?" ”

"Well, this one!" Gu Yanzhong stretched his voice again, and sat down on the bamboo mat steadily, "You have to ask Zeng Bu." ”

Ling Qianxiao turned his head to look at the painting, frowned slightly, and said, "I still feel that this should be a real painting." Otherwise, fortunately you came with me, if not, if this painting is fake, then it is really unclear, whether I changed it. ”

"Hahaha!" Gu Yanzhong laughed, "This idea is good, I didn't expect you to be so scheming." ”

Ling Qian glared at Gu Yanzhong with a smile, and his little face suddenly lengthened.

"I'm complimenting you." Gu Yanzhong said casually, smiled slightly at the corner of his mouth, picked up the teacup, took a sip of tea, raised his eyelids, looked at the painting, and slowly drank tea in his mouth.

Ling Qianxiao asked this question, which was also what he wanted to ask. It is impossible for Zeng Bu to also have the ability to predict, knowing that Ling Qianxiao has been conquered by himself.

Zeng Bu is reluctant to take out the real painting to buy himself? Still, he deliberately tested himself with fake paintings.

He exhaled a long breath and said silently in his heart: I can't guess, I can't guess.

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