Then the coffin was transported to the ancestral temple by axle car. Put the weight with the nameplate in the front, after the weight is the lay, after the lay is the fire candle, after the fire candle is the coffin, after the coffin is the fire candle, and then there is the bereaved owner and relatives.

When I arrived at the ancestral temple, I carried the coffin from the west steps to the main hall. The funeral is set under the west steps, according to the position of the coffin, facing east, with the north as the first place, and the mourner follows the coffin, and then walks up to the main hall. The woman also followed her up to the main hall, facing east. The masters took their places at the foot of the eastern steps. Straighten the coffin between the two pillars and place the coffin on the bed of the corpse.

The mourner stands on the east side of the coffin and looks west at the coffin. As in the funeral palace, the emphasis is placed on the third of the atrium. Take the mat and go up to the main hall and lay it on the west side of the coffin. Then, the sacrificial seats were set up as before, and covered with towels to ward off the wind and dust, and the people who set up the memorial walked up and down the main hall from the west steps. The mourner wept, patted his chest and cried, did not count the time, walked down the main hall, and thanked the guests; Take your seat on the east steps of the hall, weep, pat your chest and weep, and put on your clothes. Housewives and relatives of great merit and above passed through the south side of the coffin and walked up the east steps and took their positions to the west.

Pull the car that the deceased was riding in before his death into the ancestral temple, and align it with the east wing of the roof, and the wheel of the car faces north. At dawn the next day, the candles were extinguished. Those who have been removed from the table walk up the east steps to the main hall, and after removing the old foundation, they go down to the main hall from the west steps. Then, in order to move the ancestors and set up the ancestral memorial in the hall, and the same as the previous set up, the people who set up the foundation walked up to the main hall and walked down the main hall from the west steps. The mourner weeps and pats her chest when the mourner goes to the church, and the housewife weeps and pats her chest when the mourner walks down the main hall.

Then lead the horse into the ancestral temple, the tassel is made of red, white, blue three colors of silk rope, the entrance to the north back, the reins of each two horses are knotted together, led by the left and right sides of the horse keeper. The driver stands behind the horse with a whip in hand. The mourner wept and patted his chest and wept, and the man who led the horse turned to the right and led the horse out of the house. The guests walked out the door, and the mourners were sent out the door.

There is a division to ask the mourner for instructions on the time to set the ancestral memorial. The mourner answered, "When the sun is setting in the west." When the mourner came in, he exposed his left arm. Carrying a coffin on a locomotive. The mourner weeps, pats his chest and weeps, and does not count the time. After the coffin is tied on the locomotive, the mourner gets dressed, and the priest takes down the laying table of the ancestors and sets it up next to the front beam of the locomotive.

Shang Zhu decorative locomotive; There is a bamboo "pool" hanging in front of the coffin, the four sides of the coffin are called the curtain with white cloth, the upper part of the coffin is covered with white cloth, it is called the barren, the "button" that connects the curtain and the barren is red and black in front of the back, and there is a "button" on the left and right sides before and after, the round cover at the top of the locomotive is made of silk fabrics of 3 colors, red in the middle and white in the bottom of the green, and supplemented with flocculents, so that it is raised and there is no shellfish decoration. Two "drapeds" are set on each side of the coffin to fix the coffin.

Tie the ends of the beam in front of the locomotive with a long rope, and then let people tow it.

The funeral utensils for the deceased were placed on the west side of the ride. First, put the utensils "folded" horizontally on the ground, and then put "anti-wood", 3 horizontal and 2 vertical. Then add 3 "anti-mats" made of reeds on top of the anti-wood. and added the "Yin" for the coffin on top of the anti-mat. Yin's cloth is dyed light black, with edges, and it is also two vertical pieces and three horizontal pieces. The burial utensils are displayed, and the woman takes the south end of the westernmost row as the first place, and arranges them in order from south to north and from north to south. First Yin, then two reed buns with lamb and pork.

Then there are 3 baskets made of straw, one is used to hold millet, one is used to hold millet, and one is used to hold wheat. Then there are 3 pottery urns, one for vinegar, one for bean paste, and one for "crumbs", which are covered with a cloth of great power. There are two earthenware (wǔ), one for sweet wine and the other for wine, covered with a cloth of small work. A wooden frame is placed underneath each pottery, and each object is covered with a lid. The utensils used in daily life are: bow, arrow, 耒 (lěi), 耜 (sì), two dun, two bowls, pan, 匜 (yí). Place it on a plate, with the mouth facing south. There are no sacrificial vessels, but there are utensils for feasting and drinking, and for playing music.

The weapons were, in order: armor, helmets, shields, and bamboo quivers. The utensils used to recuperate the body in idleness are: staff, hat, and large palm fan.

After the above utensils were placed, the sacrificial table was removed, and the scarves and mats that had been removed were placed on the west side to wait for the ancestral memorial to be set up. When the mourners entered, the man wept and patted his chest and wept, and when he went out, the woman wept and patted his chest and wept, and the mourner bare her left arm. Shang Zhu took the gong cloth and commanded the locomotive to turn outward as the beginning of walking. The mourner wept, patted his chest and wept, got dressed, walked slightly south to the coffin and stood. The woman descended the main hall and took her seat between the east and west steps. When traveling, the front of the locomotive is turned, but the various equipment on display does not have to move the direction.

Zhou Zhu took the nameplate and placed it on Yin. Two men lift the weight and turn to the left, turning the weight from facing north to facing south. There was a priest who spread the mat on the southeast side of the locomotive, and set the ancestral foundation on the right side of the corpse and the east side of the locomotive, as before. When the mourners entered, the man wept and patted his breast, and went out, the woman wept and patted his breast. Then he came in with the horses he was driving, and the etiquette was the same as the previous one. The guests go out, and the mourners send them off. At this time, the priest asked the mourner for the date of the burial, and the mourner came in after answering and returned to the east of the coffin under the hall.