Sun Shangxiang asked a series of "100,000 Whys" about the body odor on Ku Dong's body, although these questions were sharp, but the shrewd old Ku Dong could see that the reason why she asked so many questions was not because she disliked the bad smell on his body, but because she was really interested in the difference between the Chinese and Qiang body odors. [To see the latest chapter of this book, please go to Marshmallow]

To be honest, even Bitter Winter himself wondered why the Chinese had no smell on them, while the Qiang people ...... Including the people of the Western Regions he knew, and even the people of Anxi, who had a similar strange smell?

Why is that?

Because both of them were interested in the subject, they were not only awkward, but rather amused, as if they were exploring a great subject that no one else had ever touched on.

Luan Yi was afraid that Sun Shangxiang would refute Ku Dong's face, and he tried to interject several times to change the topic but failed, either he didn't talk a few words about the content of the conversation and went around to the body odor, or he simply couldn't interject.

Fortunately, the "discussion" between the two did not last long, and with a crisp bell ringing at the scene, Cai Yan stepped onto the stage, and the entire Grand Theater became silent for a while.

Sun Shangxiang also took the initiative to close her mouth, staring at the stage without blinking, and said to Luan in her arms: "Bao'er, look, isn't Zhide Niangniang beautiful today?" ”

As Sun Shangxiang said, today's Cai Yan is exceptionally beautiful. She combed the cloud mountain bun on her head, a vivid gilded phoenix hairpin stood at the top of the bun, the huge ruby of the phoenix head hung in the middle of Cai Yan's forehead, and the golden phoenix tail behind her spread along the hair, and the phoenix looked like a real one from a distance, standing on the top of the cloud mountain and the sea of fog.

This golden hairpin Luan Yi was given to Cai Yan last year, and she has been reluctant to bring it. It wasn't until today, the important day when Daqu was completed and released, that she took it out, which not only reflects her importance to today, but also shows her cherishing of Phoenix Hairpin and Luan Yi.

Cai Yan under the phoenix hairpin did not apply thick fat, but only a little powder, and this is what distinguishes her from those vulgar powders, makeup can certainly make a woman look beautiful, but at the same time, it also covers her own original beauty. (No pop-up ads)

As a forty-eight-year-old woman, time has certainly left scratches on Cai Yan's face, but she knows from the bottom of her heart that her beauty does not come from her beautiful face thirty years ago, nor from her mature charm twenty years ago. Her beauty is not in her appearance, but in her heart, her wisdom, her erudition, her dignified and elegant, her ability and integrity, her gentleness and grace...... Let the world fall for it and be impressed by it. She became an idol to the world.

Whether she was forty, fifty, or eighty, no matter how much time had destroyed her face, she firmly believed that her lover, the great emperor, would hold her in her heart and never leave her.

Therefore, she is confident, she is proud, she is radiant, and her inner beauty is revealed from the inside out, nourishing her countenance. Even if she appears without makeup, she can also embody a sense of beauty that is both confident and beautiful, arrogant and dignified—transcendent beauty.

She is the phoenix that landed on earth, and her beauty is an immortal myth - at least that's what Luan Yi thinks.

Contrary to Cai Yan, Diao Chan has aged very quickly in recent years. As one of the four beauties in China, she has obvious crow's feet and forehead lines on her face, an extra age spot at the corner of her eye, and a few tufts of gray hair on her head. Standing with Cai Yan, she seems to be much older than Cai Yan, but the truth is diametrically opposite.

In order to cover the marks left on her face by the years, she always wears heavy makeup every day and wears a wig on her head. However, although the heavy makeup did give her a beautiful face, Luan Yi always felt that the layer of incense powder was like a mask, and the person next to the pillow was a masked dummy.

Diao Chan made him feel fake.

Maybe all these years of jealousy have been troubled, and there are too many things to worry about. Diao's smart, seductive eyes become more and more dim with the passage of time, and sometimes the wandering gaze always makes people feel sneaky, as if they are coveting something. Combined with her weakening body, Luan Yi even had difficulty matching the Diao Chan in front of her with the one he knew.

Diao Chan has been out of shape under the tempering of time, and she is no longer the same her, both physically and mentally.

For Diao Chan's face is no longer there, Luan Yi inevitably stretches out a little disgust, but overall, pity is greater than disgust. He knew that the reason why Diao Chan became like this was mostly because of himself, because he loved himself, because he was worried, because he couldn't see him, because he married a wife and took a concubine, and there were more lovers one after another, so he was jealous......

She shrouded the first half of her life in gray tones of grievances, not as open-minded as Cai Yan, so she ...... Her narrow-mindedness backfires on herself.

Luan Yi has pity for Diao Chan, and this pity is increasing day by day as Diao Chan grows older, but on the contrary, this feeling of pity is devouring the initial strong love, little by little, imperceptibly devouring.

It is precisely because of the changes of Cai Yan and Diao Chan that Luan Yi found that he was becoming more and more inseparable from Cai Yan, and became more and more alienated from Diao Chan.

In the theater, Luan Yi saw Cai Yan on stage dressed in a costume, with a smile of approval, admiration, pride and excitement on his face.

Although Cai Yan couldn't see Luan Yi's expression in the box clearly due to distance, he threw the same smile at Luan Yi at the first time he took the stage.

The four eyes are relatively good, and the pulse is affectionate.

Restraining his excitement, Cai Yan stood on the stage and first made a speech.

Speaking of which, the content mode of the testimonials is rather old-fashioned, which is nothing more than thanking the ancient sages for creating elegant instruments and beautiful movements, thanking the musicians of the past generations for their efforts in the development of Chinese music, thanking His Majesty the Pope for his strong support for the development of music, and thanking everyone who has worked hard and hard to compose the song "Ni Clothes and Feathers".

She once again emphasized the importance of music to the country and the nation, and proposed that music not only gives people a feeling of beauty, but also reflects whether the country's ritual music system is perfect, whether a country's national strength is strong or weak, and whether civilization is prosperous or declining. Whether the people's self-cultivation is noble or vulgar.

"Your Majesty has a saying, 'the economic base determines the superstructure', poor and backward countries are not capable of studying music theory, and only strong countries can make the seeds of music bloom everywhere. At present, the era of the great Shengyuan era of Chinese civilization has come, and in this era of prosperity and strength, music is prosperous because the country is rich and the people are strong...... Let us listen to the next grand movement with eagerly anticipation, "Neon Clothes and Feathers", and witness the glory of the empire together. ”

The audience in the theater realized that Cai Yan was covered with a huge curtain behind him, and the curtain opened to a huge stage covering an area of nearly half an acre.

The first thing that catches your eye on the stage is the band on the west side, and there are hundreds of people in the band. Although a large number of them wore Chinese robes with left cardigans, it is not difficult to see that they are Hu people and even people from the Western Regions through their distinctive hairstyles and slightly different appearances from the Chinese.

They are foreign musicians funded by Luan Yi and hired by Cai Yan from the Western Regions and Saiwai with high salaries.

Due to the presence of foreign musicians, the orchestra in the theater used a wide variety of musical instruments, including bells, drums, gongs, cymbals, sheng, flutes, flutes, and liuqin, as well as pipa, horse-head qin, huqin, hu ji, and other musical instruments of the Western Regions and the Saiwaihu people. In addition to them, there are some strange musical instruments that no one has ever seen before.

For the time being, the real names of these instruments are known only to Luan Yi, Cai Yan and the musicians, respectively: cello, violin, clarinet and trombone that Luan Yi had studied in his previous life.

The pair of girls in the theater opposite the band basically knew each other, they were the choir in the Tianmen Cathedral in Luoyang, the empire, and they were the best choir group in the empire.

In the center of the band and choir is the stage, and at the back of the stage is a large hand-painted backdrop depicting a large green forest in the bright sunlight, and creatures such as tigers, leopards, elephants, bears, and deer. A glamorous female dancer poses in front of the backdrop, waiting for the moment to dance.

Where have the audience seen such bands, singers, and dancers on stage, and when they saw the scene on the stage, their eyes widened and they showed curious expressions.

At the same time, Cai Yan walked to the conductor's stage in front of the orchestra with elegant steps, and the baton on the music stand waved smartly and lightly.

The melodious music moved with Cai Yan's elegant manners, and with the accompaniment of the violin, the liuqin took the lead in making a cheerful and soft note, and the sound was like the wind blowing and the waves of the sea.

The choir of Tianmen Cathedral sang to the tune, "Heaven and earth are chaotic, and the master mother is coming; Seven days of creation, give me peace ......"

The dancing girl and the song twisted their waists and danced. Combined with the picture on the background board, one can see that the current section is depicting the scene of the Virgin's seven days of creation.

The melodious music is gentle and gentle, making people feel warm, happy and serene, as if returning to the mother's womb and being a fetus wrapped in warm amniotic fluid.

When people were deeply immersed in the enjoyment of this gentle and comfortable feeling, the baton waving in Cai Yan's right hand suddenly stopped, and the soft music of the liuqin and violin stopped abruptly, and was replaced by murderous drums, horns and trumpets.

Later, it was discovered that there was more than one backdrop behind the stage, and that there were wheels and tracks installed under each backdrop. With the sound of the drums, the backdrop of colorful natural scenery slid to one side, obscuring behind the curtain, revealing another giant painting of fire and killing battlefields.

Accompanied by the sound of war drums and horns, a group of dancing girls dressed in symbolic armor walked upstage and fought each other.

"Wars are everywhere, greed is at work; The communist sappers were defeated, and the pillars of heaven collapsed......"

It is actually about Zhurong and the Gonggong War, the story of the defeat of the Gonggong soldiers who knocked down the Tianzhu Buzhou Mountain, and the story of the Holy Mother mending the sky.

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