The poem is written in the voice of a woman. She was proud of her husband, who was a great hero of the kingdom and could serve as the vanguard of the king. However, the departure of her husband and the destruction of family life have made the woman's heart miserable. The emotions expressed by the poets are both restrained and authentic and simple.

In "National Style", the most concentrated poems are about love and marriage. At the time of the Book of Songs, in some regions, the restrictions on the interaction between men and women were not as severe as those of later generations. Thus, we can see in these poems the scene of young men and girls freely trysts and falling in love, such as in "Zhao Nan Ye You Dead Moose" (jūn): The wild land is dead and the white grass wraps it properly. The girl is full of spring, and the beautiful man is kind to seduce her feelings. In the forest, no one paid attention to it, and the dead deer in the field still gave gifts. The white grass is wrapped in the ground, and the girl is like a jade who belongs to you. What is the reason for the slow off skirt, don't touch the belt, sorry. Don't make the dog bark, the girl will follow you in this life.

A man hunting seduces a woman like jade in the forest, and the woman persuades the man not to be reckless, so as not to alarm the hounds, showing the subtle psychology of the woman's joy and fear. is also as said in "The Quiet Girl": The Quiet Girl is so beautiful, ask me to wait by the corner of the city. The sight is obscured and invisible, scratching his head and wandering nervously. The demure girl is so delicate, give me a new pen and a red pen tube. The bright red pen tube has brilliance, and the girl who loves her good face. Giving soft wattles from the countryside is admittedly beautiful and precious. It's not that the grass grows beautifully, and the beauties give each other affection.

A pair of lovers meet at the corner of the city, but when the boy arrives, the girl deliberately hides, until the boy scratches his head and hesitates, and the girl comes out and gives him a tong pipe as a token of love. The boy couldn't help but be pleasantly surprised, because Tongguan was given to him by his sweetheart, so he felt that it was extremely beautiful and unusual. But after all, with the development of the times, on the whole, the social constraints have gradually become stricter, and lovers have to be restrained on their own actions.

For example, in "Zheng Feng Jiang Zhongzi", it is written: Please, my Zhongzi, don't climb over the door of my house, don't break the wolfberry tree I planted. I'm reluctant to give up the tree, I'm afraid of my parents. Zhongzi, you really worry me, but my parents' words also make me afraid.

Nakako was her beloved lover, but she did not dare to meet him freely, and she did not allow him to climb trees and climb over walls, just because she was afraid of her parents. And, in the later narrative, it is mentioned that brothers are terrible, and other people's gossip is terrible. With so many formidable powers, what can lovers do? As a result, we saw a lot of love poems in "National Style", singing about confused and sentimental, beggable but unobtainable love. In the eyes of later generations, this may be a subtle and subtle artistic expression, but at that time, it was more likely to be the natural outpouring of the poet's suppressed emotions!

"What a bright moonlight, shining on your delicate face, your elegant and slender shadow, touching my affectionate sorrow!" The trees in Nanshan are big and tall, but they cannot rest and enjoy the shade under the trees. A good girl on the Han River, she wants to pursue but has no hope. The water of the Han River is surging and wide, and I want to cross it but I have a dream. The river is long and long, and there is no hope of crossing it on a raft. ”

The artistic style of all poetry is not formed for nothing. A bright and enthusiastic style must be the product of emotional freedom and unrestrainedness; And the expression of subtlety is always the result of emotional repression. In the early days of the development of literature, people at that time did not consciously pursue a variety of artistic styles, did not summarize so many techniques, and did not consciously use so many expression techniques. Therefore, such a poetic work tastes both real and rich and long. There are also many poems that describe the love life between husband and wife, such as "Tang Feng Ge Sheng", a wife who has died of her husband puts it this way: "The sun is scorching in summer, and the night is long in winter. A hundred years later, we will return together and meet you in Huangquan. ”

Admittedly, the woman's plight is sympathetic. But in "National Style", there are also many poems in which men are eager to abandon their wives. In that era when women had no status, the fate of abandoned women was even more tragic. "Gu Feng" in "Shao Feng" and "Hooligans" in "Wei Feng" are two of the most famous poems about abandoned women. "Gu Feng" is a kind and weak woman's grievance and cry, she said how she worked hard for her husband to run the house, and lived a poor life with all difficulties, and when the family situation improved, people also aged. Later, the husband turned out to be someone else and kicked him out of the house. When she left her husband's house, she was so inseparable, because she kept nostalgic for her original love.

What is depicted in "Gu Feng" is a typical image of a virtuous and tolerant Chinese woman. "Hooligans" recounts the painful experience of a woman from falling in love with a man to getting married and then being abandoned.

The poems written about love and marriage in the "Book of Songs" are some of the poems that sing about the love of men and women, some praise each other's demeanor and appearance, some depict the tryst between men and women, some describe the subtle psychology of women, and some lament the unfortunate experience of abandoned women. This part of the poems, rich in content and true in feelings, is the work of the highest artistic achievement in the Book of Songs.

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The table of contents of the Book of Songs is:

Wind

(1) Guofeng Zhou Nan: "Guan Ju", "Ge Tan", "Curly Ear", "Zhumu", "Mantis", "Taoyao", "Rabbit Yi", "Qianyi", "Han Guang", "Ru Tomb", "Lin Zhitoe".

(2) National Style: "Magpie's Nest", "Picking", "Grass Insects", "Picking Apples", "Gantang", "Xinglu", "Lamb", "Yin Qilei", "Ji Youmei", "Xiaoxing", "Jiang Youbian", "Wild Dead Moose", "He Bi Xuan", "Su Yu".

(3) National Style: "Baizhou", "Green Clothes", "Yanyan", "Sun and Moon", "Final Wind", "Drumming", "Kaifeng", "Male Pheasant", "Kuang Bitter Leaves", "Gu Feng", "Shi Wei", "Xuanqiu", "Jianxi", "Spring Water", "North Gate", "North Wind", "Jingnu", "Xintai", "Two Sons in a Boat".

(4) National Style: "Bai Zhou", "Wall Youci", "Gentleman and Elder", "Sangzhong", "Quail Run", "Dingzhi Fangzhong", "Scorpion", "Xiang Mouse", "Ganxuan", "Carriage".

(5) National Style: "Qi Ao", "Kaopan", "Shuoren", "Hooligans", "Bamboo Pole", "Xianglan", "Heguang", "Boxi", "Youhu", "Papaya".

(6) National Style: Wang Feng: "Huang Li", "Gentleman in Service", "Gentleman Yangyang", "Yang Zhishui", "Zhonggu Youbei", "Rabbit War", "Kudzu Root", "Cai Ge", "Big Car", "Mound Hemp".

(7) Guofeng Zheng Feng: "Tie Yi", "Jiang Zhongzi", "Uncle Yutian", "Uncle Yutian", "Qingren", "Lamb Qiu", "Zunda Road", "Female Chicken Song", "There is a Lesbian Car", "Mountain Fusu", "Zhu Xi", "Cunning Child", "Clothes", "Feng", "East Gate Pier", "Wind and Rain", "Zijin", "Yang Zhishui", "Out of its East Gate", "Wild Vines", "Qinwei".

(8) National Style: "Chicken Song", "Return", "Writing", "Oriental Day", "Oriental Unknown", "Nanshan", "Futian", "Lu Ling", "Edict", "Zaiqi", "Yiyi".

(9) National style: Wei Feng: "Ge Yuan", "Fen Fuhuan", "Garden with Peach", "Zhi Yuan", "Between Ten Mu", "Cutting Tan", "Shuo Mouse".

(10) National style and Tang style: "Cricket", "Mountain Hub", "Yang Zhishui", "Pepper Talk", "Silk Preparation", "Zhu Du", "Lamb Qiu", "Bustard Feather", "No Clothes", "You Qi Zhi Du", "Ge Sheng", "Cai Ling".

(11) Guofeng Qin Feng: "Che Lin", "Si Tuo", "Xiao Rong", "Pu Jia", "Zhongnan", "Yellow Bird", "Morning Breeze", "No Clothes", "Weiyang", "Quanyu".

(12) National Style: Chen Feng: "Wanqiu", "The Hammer of the East Gate", "Hengmen", "The Pool of the East Gate", "The Yang of the East Gate", "The Tomb Gate", "Preventing the Magpie's Nest", "Moonrise", "Zhulin", "Zepi".

(13) National Style: "Lamb Qiu", "Su Guan", "Xi Youchang Chu", "Bandit Wind".

(14) Guofeng Cao Feng: "Mayfly", "Waiting for People", "Pigeon" and "Xiaquan".

(15) National Style: "July", "Owl", "Dongshan", "Broken Axe", "Vake", "Nine Baskets" and "Wolf Trek".

"Ya"

(1) Xiaoya Lumingzhishi: "Luming", "Four Peons", "Huanghuanghua", "Changdi", "Logging", "Tianbao", "Caiwei", "Out of the Car", "Di Du", "Yuli", "Nanyi" (today), "Baihua" (today), "Huahuang" (today)

(2) Xiaoya Nanyoujiayu: "Nanyoujiayu", "Nanshan Youtai", "You Geng" (today), "Chongqiu" (today), "Youyi" (today), "Tatexiao", "Zhanlu", "Tonggong", "Jingjing", "June", "Caizhi", "Che Attack", "Ji Ri".

(3) Xiaoya Hongyanzhishi: "Hongyan", "Tingliao", "Shui Shui", "Crane Song", "Praying for Father", "White Horse", "Yellow Bird", "I Walk in the Wild", "Si Gan", "No Sheep".

(4) Xiaoya Jienanshan: "Jienanshan", "New Year", "Turn of October", "Rain Wuzheng", "Xiaomin", "Xiaowan", "Xiaoben", "Qiaoyan", "He Rensi", "Xiangbo".

(5) Xiaoya Gu Fengzhishi: "Gu Feng", "Tate", "Dadong", "April", "Beishan", "Wujiang Big Car", "Xiao Ming", "Drum Bell", "Chutz", "Xinnanshan".

(6) Xiaoya Futianzhishi: "Futian", "Datian", "Junpiluo", "The Dresser", "Sanghu", "Mandarin Duck", "Touben", "Che Xing", "Blue Fly", "Binchu Feast".

(7) Xiaoya Fish Algae: "Fish Algae", "Picking Mushrooms", "Horn Bow", "Willow", "Du Ren", "Picking Green", "Millet Seedlings", "Xi Sang", "Baihua", "Mianman", "Gourd Leaves", "Gradually", "Lotus Flower", "He Grass is Not Yellow".

(8) Daya Wen Wang Zhishi: "Wen Wang", "Da Ming", "Mian", "Yan Pu", "Dry Lu", "Siqi", "Huangyi", "Lingtai", "Xia Wu", "Wen Wang Yousheng".

(9) Daya Shengmin: "Shengmin", "Xingwei", "Drunk", "Bird", "Fake Music", "Gongliu", "Drinking", "Juan A", "Minlao", "Board".

(10) Daya Dangzhishi: "Dang", "Suppression", "Sang Rou", "Yun Han", "Song Gao", "Hao Min", "Han Yi", "Jiang Han", "Chang Wu", "Zhan Wei", "Zhao Min".

Ode

(1) Zhou Song Qing Temple: "Qing Temple", "The Destiny of Weitian", "Weiqing", "Liewen", "Tianzuo", "Haotian Destiny", "I Will", "Shi Mai", "Zhijing", "Siwen".

(2) Zhou Song and Chengong: "Chengong", "Hee", "Zhenlu", "Fengnian", "Youyu", "Diving", "Yun", "Zaijian", "Youke", "Wu".

(3) Zhou Song Min Yu Boy's Shi: "Min Yu Boy", "Visiting Luo", "Jingzhi", "Xiao Yu", "Zaiyun", "Liangyun", "Silk Clothes", "Drinking", "Huan", "Ran", "General".

(4) Lu Song Zhi Shi: "駉", "You駜", "Pan Shui" and "閟宫".

(5) Shang Song: "That", "Liezu", "Xuanniao", "Long Hair", "Yin Wu".