Outside the world Xianshu looks at Daiyu (5)

Things in the world are complex, and man is not an all-knowing and all-powerful God, so most of the time people use speculation to find answers to their questions. Although the pen & fun & pavilion www.biquge.info is not Sherlock Holmes, but he does not need to know the whole picture of things, as long as he can connect them, and deduce the results of things in a single scale, like looking at the flow of water potential, or like finding a path in a chess game.

In "Dream of Red Mansions", as described by Yan Zhai, Cao Xueqin uses the method of "grass snake gray line, thousands of miles of veins" to outline the fate of her characters, so it seems that the chapter of literature and science is full of fog. The first time he said that his book "was read in the mourning red xuan for ten years, and was added and deleted five times", it can be imagined that Cao Xueqin is holding a pen like a knife of inquiry, and he has increased and subtracted the shadow of his dead heart between the words again and again, and he doesn't know whether it is the Yiren or the heart that has been cut off. For example, in the thirteenth chapter, Fat Yan Zhai bluntly said in retrospect: "Today Qin Keqing Tuo (missing 13 words) Li Ning Mansion (missing 13 words) Fan (missing 16 words) in Fenglong Forbidden Captain (note: Hu Shi got less than half of the book, and here is even more missing half of the page), writing is the depreciation of praise, hiding the section of Tianxianglou, I can't bear to write", at the end of the reply, he said: "'Qin Keqing obscenity mourns Tianxianglou', the author uses a historical pen. The old decay has two things to do with Sister Feng's Jia family, and it is that people who are rich and honorable can't think of it. Although it has not been done, its words and its meaning are sad and convincing, forgive it, because of the order Qinxi to delete", the eyebrows said: "This time there are only ten pages, because of the deletion of the Tianxianglou section, four or five pages are missing." And so on and so forth.

Therefore, we look at Daiyu's fate because it is related to Baoyu's mother, Mrs. Wang, the dead are compared with the living, the heavenly Yiren is compared with the loving mother around them, and the hidden stories are even more unknown. Listening to Hong Kong artist Teddy Robin's "True and False", looking at the couplet on both sides of the too illusory realm, "When the fake is true, the truth is also false, and there is nowhere to do nothing", how important it is to sigh, but to think about it in detail.

Daiyu's life is basically clear, and in the fifth episode of "hanging in the jade belt forest" has been decided, here is a look at the cause and effect of "the soul of the bitter pearl returns to the hated sky". As mentioned earlier, Xianshu came to the world, lost the nectar to recuperate, and the forty-fifth chapter of the book said that he only relied on ginseng and cinnamon in the world to continue his life. So how did the forcible decision "three hundred and sixty days a year, the wind, the frost, and the sword force each other" come about? Although this matter is not pleasant among people, I am reluctant to say a thing or two.

In the sixty-third chapter of the book, there is "Don't complain about the east wind and sigh to yourself", you must know that whether it is Jia's mother or Baoyu, they are doing their best for Daiyu to be born in Jiafu. However, Daiyu's temperament is not in line with the hearts of his subordinates, and his psychology is not in line with the aspirations of the upper echelons of Jiafu, so he can be regarded as "talented and powerless". The fifth time said, "Daiyu is lonely and self-professed, and her eyes are not dusty", so she can't be heartfelt; In the seventy-fourth episode, "Mrs. Wang sighed: What you said is not true, but from the perspective of the public, your sisters are also very pitiful. There is no need to compare far, just say that now your sister Lin's mother, when she is not out of the cabinet, how pampered she is, how precious she is, that is like the body of a young lady", in this Baoyu's mother Daiyu's mother is compared to Daiyu's sister, which means that if Mrs. Wang and Daiyu get along with each other as mother-in-law and daughter-in-law, the result is a copy of Cao Zijian's poem "Boiling Beans and Burning Beans". And Mrs. Wang advocates frugality, and analyzes the tone of the book when Mrs. Wang married into Jiafu, Daiyu's mother Jia Min had not yet left the cabinet, and whether there was a conflict between Mrs. Wang and Jia Min, who managed Jiafu, was not explained in the book, but Mrs. Wang had an opinion on Jia Min's extravagance. However, even if Mrs. Wang always has inconvenience in her heart, she can only suppress it when she takes care of Mother Jia. If there is Daiyu again, if you are in your heart, what it will look like to erupt, just look at Daiyu's shadow Qingwen.

In the past, marriages in the old society were often collective marriages, and the marriage of the children of the Houmen family maintained the interests of the entire family. Seeing this, Baochai put herself in the position of Jiafu Bao's second grandmother from the beginning, rather than Baoyu's "confidant lover". This is the beauty of the love between the three of Baochai Dai. Readers' support and support are like reading Wang Shuo's novels: they like "Stewardess", but they don't necessarily like "Flame Sea", after all, people are drowning in love and not burning in love.

The forty-fourth chapter of the book, "Lin Daiyu saw the "Male Sacrifice", so she said to Baochai: 'This Wang Shipeng is not very clear, no matter where he sacrifices, he must run to the riverside to do something!'" As the saying goes, 'see things and think about people', the water in the world always comes from the same source, and you can scoop a bowl of water and look at it and cry without limiting it. Bao Chai did not answer. Baoyu turned around to give a hot wine to Sister Feng. "Readers open their eyes, what did Baoyu do before returning to the book? The forty-third episode of "not being in love for the time being", see the subtle knowledge, if you know each other, you can see the whole picture, so Daiyu knows, Baochai also knows. Maybe they judged as quickly as Sherlock Holmes: Baoyu had a frosty face and a slight sweat, and rode out? There is regret on the face, sadness in the eyes, what day is today, who is worth crying? Muddy marks on the side of your boots, ever been to the water's edge? With the wisdom of the two of them in 0.1 seconds, it can be inferred: Jin Chuan's position is not comparable to me, but his intimacy has been better than me since childhood. But the choices of the two are diametrically opposed, Daiyu chooses to comfort her lover and ...... with her future mother-in-law; Baochai should not be silent, this matter should not be said, should not be said, should not be said; Baoyu wine toasts Sister Feng'er, and is grateful to Daiyu in my heart. Reading so far, everyone knows why such a stroke is written at the beginning of the forty-fourth chapter, Baoyu is grateful for her mother's love and Daiyu's affection, and it is just such a small rebellion in the book.

Since Daiyu has chosen so, there are no taboos in the "Wind Sword and Frost Sword" in the hands of Jiafu Hefu. The fifty-second chapter of the book is not explicitly written, but the slight exposure of the knife is already terrifying. In the text, Baoyu wanted to talk to Daiyu about bird's nest, but Aunt Zhao walked in to see Daiyu, and Daiyu made Baoyu look at him and Baoyu ordered him to leave. The reader's taste may occasionally feel the cold wind and ice inside, and it is not difficult to guess whose heart is cold there.

It's a pity that Bao Dai still can't realize himself in the sixty-second chapter. Daiyu said: "Although I don't care about things, my heart is always idle, I calculate for you, and I will go out more and enter less, and now if I don't save money, I will not take it back." "It can be known that although Daiyu doesn't care about her family, she understands the situation in Jiafu. Baoyu said with a smile: "If he doesn't take it back, he can't shorten the two of us." After a few words, the two ignored it. is not in charge, which is also the deficiency of the two. At that time, there was no literary world as a safe haven for Bao Dai and the others, and the career economy was the way out for Bao Chai, and Baoyu was a first-class figure of Li Houzhu and Song Huizong, which could be understood there.

Regarding the ending of Daiyu, everyone in the society often infers from "Funeral Flower Yin": Jiangzhu is Qin Fang's soul returning to hatred. From the perspective of literature and psychology, it is an aesthetic choice, and readers can recognize it as one, and Cao Xueqin's arrangement of Daiyu is not true.

2016.5.11