On the third day of the agreement, Chen Jiru had prepared the pen and paper in the study, and the two of them didn't say anything, Guan Kunyu picked up the pen and didn't pause for a moment, and drew with the pen. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

In the past few days, he has already thought about what he wants to paint, and since Chen Jiru wants a painting with a sense of meaning, then give him an artistic conception.

Of course, Guan Kunyu does not think that the artistic conception of his villain and art painting in later generations can enter the eyes of Chen Jiru, a master. Guan Kunyu: To put it bluntly, they are blue-collar workers in the game field, who are only responsible for making the things they want, just like migrant workers who are engaged in decoration and wall painting can't say that they are master architects.

Compared with Chen Jiru and other masters of the Ming Dynasty, Guan Kunyu now has more painting techniques that have advanced by leaps and bounds for more than a hundred years in the collision of Eastern and Western painting concepts and technical exchanges, but after all, techniques are only hardware, and paintings with empty skills and no soul can only be called a good painting, and cannot be called a famous work.

(Actually, in Guan Kunyu's view, paintings that only have a soul and no skills - such as some so-called modern artworks that hurt from the egg, to be honest, are indeed a little interesting when you look closely, but no matter how interesting they are, they are not worth the money!! I don't know if his Guan Kunyu level is too low to appreciate. ）

But, isn't this kind of learning on software a purpose for him to apprentice Guan Kunyu, but it's a pity that he is not a person, and this Chen Jiru is not a teacher at all!

There is such a thing as artistic conception, which is actually present in anyone's paintings, but the artistic conception at the master level is different.

If you want to have a master-level artistic conception, first of all, you have to be diligent enough, otherwise the painting skills are insufficient, and no matter how good the things in your heart are, you can't express them with a pen, so diligence is clay.

Secondly, you have to be talented! Talent is a seed, and although it is not necessary to have a seed to grow into a towering tree, but if there is no seed, there will be no tree.

Finally, with soil and seeds, there must also be the nourishment of sunshine and rain, which is the guidance of the teacher, the surrounding environment, and luck and so on.

Guan Kunyu is not lacking in diligence, although the environment is a little worse, although the teacher is a little unreliable, but there is always something, the only thing he is not sure about now is whether he has that seed.

Anyway, in his previous life, when he painted for a living, he never found this kind of thing in himself, and the artistic conception he painted was actually the formulaic things taught in books, such as the formation of a triangle in composition, the use of different colors to create a variety of atmospheres, etc., but he never integrated these things like a finger, just a dull use.

This is the difference between a bricklayer in the art world and a true master.

Since Chen Jiru has always hoped that Guan Kunyu can work landscape painting, although Guan Kunyu's favorite is Xu Beihong's horse, and the most copied works are Xu Beihong's works, but at the moment he can only follow Chen Jiru's preferences.

Li Cheng of the Northern Song Dynasty wrote in "Painting Garden Supplement? "Landscape Jue" mentions that "all painting landscapes: first set up the position of the guest and host, then determine the shape of the distance, and then wear the scenery and arrange the height." ”

Guan Kunyu had already mastered these things, so after simply determining the location of the scene, he began to focus on a riverside willow as the main scene. According to Guan Kunyu's idea, he will add a small stream and a low waterfall around the riverside willow, and the surrounding trees will create a quiet and natural atmosphere.

Of course, if that's all, with Guan Kunyu's current technique, it is no problem to draw well, but it is absolutely impossible to create a smooth and natural artistic conception, and at most it can only be a bad work with blunt skills.

So why does Guan Kunyu still paint like this? The reason is simple, that is, he is very confident in his use of light and shadow! He may be at a good level in other aspects, but he is definitely a genius in terms of light and shadow!

In modern times, with Guan Kunyu's level, no matter how talented he is in light and shadow, even if he can reach the master level, but the level of other aspects is really reluctant, and it is difficult to get out in front of a group of strong people in the painting world.

In the modern painting world, masters can eat and drink with their paintings, but that is only a few, like Guan Kunyu, who only has one skill, and this is by no means the only person in the world, it is impossible to become a master, and in the end, he still has to compromise in the face of life, just like him, he can only honestly do his own character art.

But in the Ming Dynasty, Guan Kunyu was convinced that his "long" could be called unique in the world!

Soon, a well-behaved map of the forest stream had a skeleton, however, the rest of the things were troublesome - Chen Jiru prepared for him to be Shengxuan! And what Guan Kunyu has to do next is to use the effect of light and shadow to add artistic conception to the whole painting!

Shengxuan this kind of paper has strong water absorption and water resistance, and it is easy to produce rich ink rhyme changes, and it is often used in freehand landscapes, and it is also the mainstream painting paper of the Ming Dynasty.

But Guan Kunyu himself almost didn't need to be born or paint freehand paintings in his previous life!

In Chinese painting, Guan Kunyu loves Xu Beihong's horses very much, and often uses leather paper to copy, in addition to the use of familiar Xuan's fine brush flowers and birds, as for those freehand paintings that pay more attention to the use of ink, Guan Kunyu is really not good at it.

The reason is also very simple - although Guan Kunyu himself does the work of character design, he has also said before that this was originally just his hobby, he is actually a real science man! Science man! Science man! Say the important thing three times!

What is a common trait of a science man?

Preciseness!

The rigor of this kind of science man in his bones has also affected Guan Kunyu's painting style, meticulously crafted, striving for accuracy, but lacking an elegant "fairy spirit", and this is precisely where Chen Jiru is dissatisfied with him, Chen Jiru pursues this kind of "fairy spirit", which is free and easy, and what he despises the most is Guan Kunyu's kind of "stereotypedness......

Guan Kunyu will secretly regret it from time to time, this teacher is really a failure, Master Chen Jiru is indeed a master, how can there be differences in the fundamental concept.

How is Guan Kunyu, who has almost no freehand painting ability, doing it now?

He's simply painting on Shengxuan!

But he is not Master Wang Daoliang, and he has no ability to draw brushes on Shengxuan! In addition, he was sick again, and he was extremely careful with his pen, as if he was not painting at all, but was performing a delicate operation!

However, Guan Kunyu has the ability to do so after all, and after drawing seriously for more than half an hour, he finally drew the branches of the willow tree with some meaning.

But at this time, Chen Jiru was impatient and suddenly opened his mouth.

"Stop, are you going to paint until tomorrow?"