Sanjie's book is indeed very well written, not only in the grasp of historical figures, but also in the portrayal of virtual characters. The official residence is indeed a rare masterpiece. Seeing so much talk about the women of Shen Hei Dog, I would like to briefly talk about my understanding of the portrayal of the characters in the Three Commandments.

１。 Ruohan

This is the ideal character, if this book YY, then Ruohan is the biggest YY (except for the assumption of that crossing, of course). From another place, Ruohan's shaping is also the key to this article, because without the financial support behind Ruohan's representation, Shen Heigou's so-called "ambition" is a castle in the air. In other words, this story is to a certain extent based on Ruohan's assumption, without which there would be no story. Therefore, it doesn't make sense to say that the black dog is not good to Ruohan, no matter from which point of view, everything the black dog has is because of Ruohan as the foundation. This is why Ruohan's shaping is the biggest YY. The three precepts have added almost all the beauty to Ruohan, how can this not make people not love?

２。 Rou Niang

This is a real-life character. Although many readers don't like Rou Niang, and I don't like Rou Niang either, in a practical sense, Rou Niang's shaping is one of the highlights of this book.

If there is only Ruohan, the black dog will be too unreal, and Rou Niang's existence neutralizes the YY degree created by Ruohan to a certain extent. This is not to say that it is compared with Yan Song, but because in the final analysis, the theme of the official residence is not a romance novel, but a life novel with some idealization. Since it is a life novel, Sanjie wants to create a black dog with typical representative significance, rather than a black dog that is purely piled up on the basis of YY. Ruohan's shaping is to lay the foundation for the development of the story, but if there is only Ruohan, that black dog will become a black dog based on pure YY. If this is the case, sooner or later, the story will definitely develop infinitely in the direction of more and more YY, which will be a fatal wound.

But with Rou Niang, on the one hand, the protagonist has a flaw, and on the other hand, the story has been pushed back to the track of comparative realism to a certain extent, because in order to survive and thrive in such a realistic officialdom, it is necessary to have a compromise with reality, otherwise it will really be the extreme of YY. Let's compare Yan Song, Yan Song, who is impeccable in his emotional life, has made unprincipled compromises in other places (which are actually more serious for officials). From the perspective of practical significance, this is the real officialdom life, because in such a life, there is absolutely no room for the pure sense of the high. Therefore, Sanjie let the black dog bring some flaws in his love life to make him more active in political life, and this arrangement is completely acceptable for the theme of the story.

But then again, one Rou Niang is enough, if there are more, then you have to slide to the other extreme--- ** novel.

３。 Su Xue

Su Xue is actually the true soul mate of the black dog.

As mentioned earlier, Ruohan is a YY character, and her shaping is the material basis of the whole novel. Without Ruohan, there would be no black dog in the book, and there would be no book.

But from another point of view, Ruohan is unreal, while Su Xue is. A beautiful and moving, but poor, but resolute and dignified, this is a typical description of the characters of the times. From a spiritual point of view, she is the half of the black dog who is truly like and is in harmony. Isn't the black dog himself such a handsome, resolute and dignified, but poor origin?

But from the perspective of realism, it is impossible for Black Dog and Su Xue to really cooperate, and their forcible cooperation can only be a tragedy. Su Xue can't give the black dog help in the real world, and the black dog (if there is no material foundation brought by Ruohan) can't give Su Xue any protection and care in real life. So, their tragedy is doomed.

Personally, I think that Sanjie's success lies in the fact that he did his best to write such a doomed tragedy into at least a tragicomedy. Although Black Dog and Su Xue are still destined to be separated, at least they have left some good memories in their hearts that can be remembered forever.

At the same time, from the perspective of realism, if we compare the stories of Black Dog and Ruohan with Black Dog and Su Xue, should we have more sighs about real life? (Think about it, if there is no Ruohan in a real world, but there are Black Dog and Su Xue, and they meet and know each other again, what kind of story will it be?) It certainly won't be a comedy ending anyway! ）

４。 Paintscreen

Although she is just a character who does not appear much, Sanjie's portrayal of the painting screen is also quite successful, which can be seen from the fact that many readers still remember her.

What the picture screen represents is another aspect of real life--- persistence and persistence in beliefs and ideals.

If Ruohan is a fictional life, Rouniang is a compromise life, and Su Xue is a dream life, then the picture screen represents a real life.

If there is no such story, nine times out of ten, the real black dog will marry a picture screen. Ruohan is too illusory, Rou Niang is too compromised, Su Xue is too dreamy, but the picture screen is real. A poor scholar married a rich girl with vision, ability and love, and then made a family history step by step, which is the most realistic story.

But of course, if this is the case, then it is unlikely that the black dog will have achieved what it is now, and the story will not be as magnificent as it is now.

Applaud Sanjie, the biggest highlight of the official residence is the portrayal of the characters inside, and Sanjie's ability to control the characters has really reached the realm of a real master.