Eighty Red Theory: Shi Xiangyun

Shi Xiangyun is one of the twelve hairpins of Jinling, the daughter of the four major families, the niece and granddaughter of Jia's mother's family, Baoyu's cousin, and Jiafu is commonly known as Shi Da girl; In the poetry society, the nickname is "Pillow Xia Old Friend", and Yuan Jia's mother mentioned that when she was a child, "Pillow Xia Pavilion" broke through her sideburns and rose; Her parents died early and she was raised by her uncle and aunt, but her uncle and aunt treated her badly, and she had to do almost all the needlework by herself; Because of her open-minded nature and Jia's mother, she is deeply liked, and often comes to Jiafu to live, so it can be said that Jiafu is not only her haven but also her growth paradise. Pen "Fun" Pavilion www.biquge.info

Since ancient times, there has been a saying of "deep resentment of women", and life is difficult in terms of material resources, so there are few girls in "Dream of Red Mansions" who do not complain, and Shi Xiangyun is one of the few of them. In the seventy-sixth episode of "The Sadness and Loneliness of the Couplet Poems of the Concave Crystal Pavilion", when she comforted Daiyu, she said, "I am also like you, I am not as narrow-minded as you", which is what is called "big heart" and "big heart" in daily life. Comparing Daiyu's complaint of tuberculosis and princess disease, Shi Xiangyun is like the peony flower in the sixty-second episode of "Han Xiangyun Drunken Sleeping Peony Medicine", which is not a peony but brilliant, if it is not a plum blossom but a bright spring is a bright one, as if the rose still retains its brilliance in late summer and autumn, which is an aspect of human virtue. From the philosophical point of view, when people appear or dominate a social phenomenon, they do not want to find reasons to deny it from past theories, but to find out the reason for their existence from reality to adapt to it, so that people's so-called resentment may be reduced, and their positive attitude towards life and happiness may increase.

In the fifth episode of "Wandering Fantasy Land Refers to the Twelve Hairpins", Shi Xiangyun's judgment has the sentence "Chu Yunfei passed away in the Xiangjiang River", and the characters in "Dream of Red Mansions" have always asserted that "the benevolent see the benevolent and the wise see the wise", if "Xiang" is regarded as "Xiaoxiang Concubine" Lin Daiyu, and "Chu" is regarded as "Pillow Xia's old friend" Shi Xiangyun, then in the first thirty-six episodes of Baoyu and Daiyu are indeed "Chu Yunfei". At the end of the twentieth episode, "Lin Daiyu's pretty words" Shi Xiangyun and Lin Daiyu joked with each other, and in the twenty-second episode of "Listening to the Qu Wen Baoyu Wu Zen Machine" Shi Xiangyun and Lin Daiyu lined up each other's tongues, the thirty-first and thirty-second episodes because the golden unicorn summed up Bao Dai's emotional story, and the thirty-sixth episode was because Shi Xiangyun thanked Bao Chai and Daiyu for not hearing Bao Yu's dream words to determine Bao Chai Dai's fate, so Jia Baoyu, Lin Daiyu, Xue Baochai, Shi Xiangyun These people are fate, love is love, knot is knot, and return can be said to have their own points, but this "eyes are hanging slanting." "One sentence, watching the sunset", "Chu Yun scattered", I don't know when.

Shi Xiangyun and Jia Baoyu are a "tomboy" who dares to break through, and a "pseudo-girl" who can't stand the blow is very contrasting, and it is very clear in Jia's mother's eyes. In the thirty-first episode, Baochai said with a smile: "My aunt doesn't know, he likes to wear other people's clothes even more." I remember that in March and April of the old year, he lived here, put on Brother Bao's robe, put on his boots, and put on his forehead. He stood behind the chair, and the old lady just called out, 'Baoyu, come here, and be careful that the tassel of the lamp hanging on his head draws down the ashes and blinds you.'" He just laughed and didn't go over. Later, everyone couldn't hold back their laughter, and the old lady laughed and said: 'It's good to look like a man upside down'", this is Shi Xiangyun; And in the fiftieth chapter, it is written, "Before I could say a word, I saw a person wearing a big red scarlet felt turn out from behind Baoqin." Jia Mu said: 'Then that girl again?' Everyone laughed and said, "We are all here, that is Baoyu." Jia Mu smiled, "My eyes are getting more and more dazzling." 'Between the words, coming to the front, it's not Baoyu and Baoqin", this is Jia Baoyu; Cao Xueqin's book in this way contrasts some of the content of human nature behind the image.

If you intercept some of Shi Xiangyun's poems, such as "But the poet is tireless, willing to make loneliness go to the morning?" "The lust to Chang'e, there is no moonlight in the void corridor", "The proud world is also because of the same smell, the spring breeze and peach and plum are not drowned", "The autumn light is disappointed, and it is relatively appropriate to cherish the yin", she is different from Baochai's vigorous and enterprising and Daiyu's poignant and disparate atmosphere, and retains the meaning of breaking the situation, which also represents the relatively positive side of "Dream of Red Mansions".

2016.10.30