Chapter 35 I didn't know that old age was coming

In the entire Lu family's calligraphy and painting shop, there are only three people.

Mr. Wenduan is the owner, Brother Zhang is a miscellaneous worker, and Chu Feng is a knowledgeable guest.

Chu Feng discussed with Mr. Cheng Yuan and visited Tianluo Village every three days, so it was inevitable to delay the business in the store. This is also something that Chu Feng has been faintly worried about.

According to Mr. Wen Duan's temperament, he naturally wouldn't say anything, but would be happy because Chu Feng was able to worship a famous teacher, but Chu Feng himself couldn't help but feel a little ashamed.

got the grace of saving his life, and repeated troubles, not to mention living here, on the seal carving, there is no name of master and apprentice between the two but there is already a master and apprentice...... There are all kinds of things, Chu Feng doesn't know how much kindness he has given Mr. Wenduan, where can he not repay it?

Originally, I was thinking about how much help I would have in the business of the calligraphy and painting shop, but if it was a round trip every three days, the business here would naturally be delayed.

Although Tianluo Village is not far away, it will take at least half a day to go back and forth, and if it is rainy and snowy, I am afraid it will take longer. How should I repay my kindness for such a small Taoism......

Although it has been cold and clear in the past few days, and it is also an ink and wash meeting, Chu Feng's practice has not fallen.

It is still two times a day in the morning and evening, and "Beijing Wine Post" is also practiced once in the morning and evening. At the same time, there is also the engraving of the mud seal, which Mr. Wen Duan said will be checked after he comes back, and Chu Feng naturally does not dare to forget it.

Today, in order to go to Tianluo Village, some things were delayed, and when Chu Feng finished copying "Peach Blossom Picture", the sun was already slanting westward. He rubbed his slightly reddened fingers, didn't dare to delay longer, and then continued to study the "Beijing Wine Post" again with the unused ink.

At this point, Chu Feng has studied "Beijing Wine Post" more than a hundred times, and he has gained a lot in his chest, and he has become more and more handy when copying. It's just that just like everything is in a bottleneck period, Chu Feng has also encountered such a problem now.

Although he has been studying "Beijing Wine Post" seriously in the past few days, he has not entered the country much, and because of aesthetic fatigue, he has a somewhat impetuous mood in his subconscious, which makes Chu Feng very unhappy. He is a perfectionist at heart, and if he bothers to copy it with effort and time, but he can't get any results, it will make him extremely uncomfortable.

There is an urgent need to break through this bottleneck, but what can be done?

There was no teacher around to guide him. Chu Feng thought about it, and suddenly remembered a sentence from his teacher a thousand years later - if one day he felt that copying a certain book too many times, no matter how much he practiced, it would be useless, so he tried to use the method of backing.

The opposite of the back-and-forth. Advent is ordinary copying, according to the calligraphy or paintings, to pursue self-improvement. And backing is like writing silently. Not only should the text of the book be written down silently, but also the pen and ink should be exactly the same as the original post, which requires more ability and skill from the person who came to the book.

Thinking of this, Chu Feng was overjoyed, and without much delay, he immediately began the first back of "Beijing Wine Post".

In the middle of the back, Chu Feng really felt the difference from the other side, every time he felt that a certain word had been precipitated in his mind thousands of times, but when it really came to the details, he couldn't help but hesitate. Is there a hook at this point? Is this vertical hanging needle or hanging dew? There are more and more questions, but Chu Feng feels more and more happy!

Sure enough, such an approach was the right one. If you just blindly advent, the growth of calligraphy will definitely be delayed. Although it takes more time and energy, the greater the benefits, and it is just right for you to reach the bottleneck!

Chu Feng was not in a hurry or impatient, and after steadily reciting the entire "Beijing Wine Post", he re-unfolded the original post, confirming it word by word, to see where he wrote it wrong, which word was wrong, and which word was wrong, he couldn't help but have a sense of sudden enlightenment.

Then, Chu Feng didn't stop there. Instead, with all kinds of problems that came back, I carefully faced it again. It's like memorizing words, you need to memorize them just now to deepen your impression, so that you can get twice the result with half the effort.

In this way, although the time spent was twice as long, the income from calligraphy was much higher than double, and Chu Feng was very pleased.

In life, the most troubled thing is not fame and profit, but ignorance!

As for painting, Chu Feng also has a lot of gains.

In his previous life, in order to prepare for the art exam, his kung fu in two or three years was basically used on sketching and gouache. This is also something that cannot be helped, because although Chu Feng wants to take the Chinese painting major, most of the school entrance exams are for subjects such as sketching. Of course, this is also related to the decline of Chinese painting itself.

Naturally, ink and blue are not in his hands, but compared with the initial time of being completely out of interest, as the exam time is approaching, Chu Feng's time for painting has become shorter and shorter.

The reason why I went back to study the museum's "Sitting Alone" was because the school that was going to take the exam next month added Chinese painting to the entrance exam. Otherwise, it is very likely that the entire senior Chu Feng will have no chance with the ink Danqing.

In painting, Chu Feng has talent, and after so many years of immersion, he also has ability. But due to the constraints of economic conditions, Chu Feng has not experienced one-on-one detailed counseling in the real sense. Except for the teachers of later generations who often pointed him out some places, there is no long-term detailed guidance. And now, this kind of study, guidance, re-study, and re-guidance is completely something that Chu Feng has dreamed of but has never been able to ask for. Nowadays, nature is doubly cherished.

Mr. Cheng Yuan's "Spring Peach Picture" for him is not difficult in terms of brushwork, it is a small pattern painting, a square silk book with a square ruler, peach branches and peach blossoms, not a panoramic view of peach trees. This is the foundation of flowers and birds.

Although it is the foundation, Chu Feng does not dare to underestimate it, he knows the importance of the foundation, and he also understands the intention of Mr. Cheng Yuan to choose this painting for him. This small freehand "Spring Peach Picture", in the peach blossom painting method with a brush, and the painting of clouds and mist has the same magic. The teacher arranged this way so that he could experience it carefully.

Copied the calligraphy and picture scroll, and carved two words according to the fan surface of Zhang Youzhi.

Chu Feng was so busy that he was busy until nightfall.

It wasn't that there weren't no guests in the afternoon, but they just walked around the zoo and then left, and no one really bought anything. It's just that these people looked at Chu Feng with strange eyes, either looking at them from a distance, or examining and talking, as if they had something in their hearts. Chu Feng knew in his heart that these people must have heard something in the Ink Society, and they could be regarded as "admiring it".

But on the other hand, he came up directly and asked Chu Feng if he was the author of the "Smoke and Rain Picture of the West Lake", but there was no one. This is also due to the fact that Chu Feng is too young, and he doesn't look like a character in calligraphy and painting. Although Liu Zhengqing said something like "the painter is very young", most people think about it and always feel that this is a character who can enter the eyes of Mr. Cheng Yuan after all, and the so-called youth is probably around thirty.

This matter itself is naturally related to Chu Feng's knowledge of calligraphy and painting. No one would associate a little waiter with a painter. It's human nature.

Therefore, most of the people come here as if they are looking at flowers, come in and look around, and ask "Is there anyone else in your store", or "is your owner available" and so on, and after getting a negative answer, everyone feels that they have run in vain, shake their heads and sigh and leave, and they are slightly depressed because they have not seen the real Buddha.

Chu Feng could guess their intentions, but he couldn't just say to people, "You are looking for the author of "The Smoke and Rain of the West Lake", right?" I'm just", it's too embarrassing.

Besides, he himself is also a little selfish. Chu Feng originally didn't like the excitement very much, and he had little interest in fame and fortune, if he really caused onlookers around him, he would definitely be uncomfortable.

Some people are born to be in the spotlight, but unfortunately, Chu Feng is not that kind of person.

He is "unambitious" and likes to live this kind of quiet and quiet life. Every time I have a feeling, I happily forget to eat. So that he was temporarily self-sufficient, and he did not know that old age was coming...... This is what Chu Feng is pursuing, and it is also the little life he is enjoying now.

There may be some lurking dangers. To put it mildly, the rebellion of Fangla and the shame of Jingkang. To put it mildly, the profitability of the calligraphy and painting shop, the potential threat from the Li calligraphy and painting shop, and so on. There are all of them, but since they haven't happened yet, and there are no enough ways and means to solve it for the time being, there is no need for Chu Feng to think too much.

There is nothing in the world, and mediocre people disturb themselves. Chu Feng didn't want to be that kind of person.

Chu Feng looked at the "Spring Peach Picture" in his hand, and couldn't help but smile, thinking: Small pattern, just small pattern!

At this time, it is the moon and the wind is clear.

The moonlight is soft and soft like a thin veil, blown by the warm and cold night wind, rising and falling in the night.

The moonlight fell on the cornices on the second floor of Li's calligraphy and painting shop, the arches of the mortise and tenon, the ridges that leaned out obliquely, and the two owls that stood there forever on both sides of the ridge.

The owl's kiss looks like it wants to fly, and the silver light falls, which is moving.

"The owner forgives the sin, the little one begged each other, and Chu Langjun still refused to borrow it."

Zheng Chaofeng looked aggrieved and secretly observed Li Liangji's face.

"Bastard!" Li Liangji was furious, flicked his sleeves and threw the tea cup in his hand to the ground, and it shattered open. The green tendons on his forehead throbbed twice, and he was angry, "I didn't move him in the face of the Lu family before, but now he is so rampant again!" What a thing I don't know how to do! ”

Li Liangji was extremely angry, wandering around the house with his negative hands briskly, his body trembling faintly: looking at Yuehua outside the window, he roared: "Grandpa, I will take someone to smash his shop tomorrow!" ”