Splashing ink with a big hand, Xia Shang is called a bold! Unlike Ouyang Mustard's meticulous carving, Xia Shang's palms rose and fell, but what was left on the paper was a few very rough outlines.

To be honest, Xia Shang seems to be free and easy, but the ink marks left on the paper are not very elegant, and they are not even good-looking, but it can be clearly seen that what he painted is a few stones on the table. And Xia Shang's skill is limited to drawing an outline, after all, Chinese painting is not his former major.

After a few dashing strokes, Xia Shang made a gesture of please.

Everyone could see that he hadn't finished painting, but judging from Xia Shang's chic movements, he felt that he had the ability to paint more finely, and since he deliberately painted halfway, he must have a deeper intention.

As the party concerned, Ouyang Mustard Qin was the first to understand what he meant, and walked to Xia Shang's position just now, Ouyang Mustard Qin looked at the drawing paper, and then at the stone, and a cold sweat broke out.

There are several seemingly random outlines in the painting, but there is no deviation in the process of overlapping each other, whether it is the size and shape of the individuals, or the interval between each other, there is no mistake in any small detail, as if the stone is directly printed on the paper.

Gradually, the audience next to him also discovered the key point, and stood over curiously, curiously looking at the gap between the painting and the real scene, and there was really no deviation.

If you don't do any foreshadowing, you may not be too surprised to see Xia Shang's paintings, but with Ouyang Mustard Qin paving the way, Xia Shang's random strokes are even more vigorous.

But the most powerful thing is not only that, the works of two people in a piece of rice paper are side by side, and the contrast between them is unobstructed.

On the left is a delicate carving, with each stone delicately warped, while on the right is a rough outline with no detail to speak of. But for some reason, since this rough outline appeared in the drawing paper, it completely washed away the painting scroll formed by the previous five stones. Originally, it looked like a painting that contained five stones, but after seeing Xia Shang's works, Ouyang Mustard's works became five paintings, each containing one stone.

This feeling is very subtle, and the five stones that originally seemed to be one suddenly became their own formations, and compared to Xia Shang's five stones, they had a completely different feeling.

"It's weird! How did it happen so wonderfully? Li You scratched his head and looked puzzled.

The doubts were instantly transmitted to everyone, and even Ouyang Mustard Qin was confused, thinking that it could be that this person would use witchcraft?

If it is to be explained, this is the most fundamental perspective problem in painting.

A painting is a whole, with only one point of view, following the basic perspective principle of near and far small, and using the eyes and one's own thinking and understanding to complete.

The most important thing is to understand, only those who have studied perspective can understand that there are often errors in what the eyes see, because every time you look up and look down, it may lead to a change in the viewpoint, and the perspective of the whole picture will change slightly. The birth of perspective is to solve the error of the eye, which is a science that originated in Europe. Almost all of the masterpieces of ancient China have the problem of perspective confusion, but the difference between serious and not serious.

Famous artists can't guarantee the accuracy of perspective, let alone a girl who is unknown in history? Ouyang Mustard's mistake was very serious, because the five stones were very simple, without too many references and comparisons, plus Xia Shang said that he would draw them on paper as they were, which was very misleading, so that Ouyang Mustard Qin devoted himself to the details, observing that the five stones did not follow a whole, and the five stones had five points of view, and the deviation of perspective expanded infinitely, so that it could not be integrated in the drawing paper.

Xia Shang is different, perspective is the foundation of modern painting, and the first section of the drawing course is perspective. Perspective is something that goes deep into the bone marrow of modern painters, and naturally it is not comparable to Ouyang Mustard.

This is a very complicated problem, Xia Shang couldn't explain it to everyone slowly, but simply used a few strokes and a few more auxiliary lines to mark the vanishing point of the perspective.

"Miss Ouyang, you haven't found your own problem yet? If you determine the position of each object from the beginning and then work your way up the line, you won't make a similar mistake. ”

Seeing the auxiliary lines, everyone felt that there was something in Xia Shang's paintings, and the mistakes of Ouyang Mustard's paintings were exposed under these auxiliary lines, which were not covered by everyone present, and several auxiliary lines were full of power, giving everyone present a dull hammer.

The people around him didn't know where the shock came from, Ouyang Mustard Qin thought about it, and felt that a few simple lines on the painting paper were sharp swords that pierced the heart, and like a few small holes in the window, through which you would see a new world that had never been touched.

"This time I lost. I'm sorry. Ouyang Mustard apologized respectfully, bowed deeply, and under the surprised gaze of everyone, she didn't feel any shame, on the contrary, she was a little grateful and a little happy, although we didn't know what we had learned, but we felt that we had gained something.

The sincere apology made Xia Shang's good impression of her improved, and he smiled and didn't say anything.

At this time, noon has passed, the game has not yet been fired, the time is too late, and it takes a lot of time to barbecue the game.

Heap and dismantle, make a fire, and divide the meat.

Everyone joined the event.

There is not much difference in ancient picnics, and the boys present also like to gather around and barbecue by themselves, and it doesn't really matter how it tastes.

No one brought spices, so even Xia Shang couldn't make anything delicious.

This kind of barbecue depends on mastering the heat.

The meat is usually placed on the side of the flame and cannot be burned, but it takes a long time.

Gu Liufang knew this well, built a grill with tree branches, quickly set up deer legs and rabbits, and even wrapped the deer's head in thin mud by the water and buried it deep in the fire.

Xia Shang saw it in his eyes and immediately felt that this person had some level. But now is not the time to wait, and all the knives worn by the guards are being asked for them.

No one knows what Xia Shang is doing, Gu Liufang is busy with barbecue, but he, the cook, is holding more than ten steel knives.

But it didn't take long for Xia Shang to tie more than a dozen steel knives together with vines, and the blades were very smooth, forming an iron surface. It was then propped up with four branches to form a tin sheet that resembled a teppanyaki. Placing it above the fire, the blade was quickly hot, and everyone seemed to understand something and came over curiously.

"Xia Shang, what are you?"

"Teppanyaki."

"What?"

"Teppanyaki, the food to be eaten is divided into very thin slices, put on an iron surface and roasted, and it will be cooked quickly."

After looking at the tools and listening to Xia Shang's explanation, the usefulness of this sweet leather board became clear.

This is a new thing, and a few sons and brothers quickly gathered around, and called Xia Shang to demonstrate it.