Thank you for your collection recommendation ~Bow ~~

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After breakfast, Chu Feng helped Lao Zhang open the door panel of the store and open the door to welcome customers.

In the morning light, the people in the West Market come and go, most of them go to the teahouse restaurant, and there are naturally few people who walk towards calligraphy and painting when they open the door, especially to the remote places such as Fan's calligraphy and painting shop.

First of all, the calligraphy and paintings hanging and displayed on the store were sorted out, and they were arranged one by one according to the theme and brushwork, Chu Feng took a little rest, informed Lao Zhang, and went straight to the warehouse to clean up, leaving Lao Zhang alone to watch the store outside, and if there were guests coming, he would go inside to call him.

The warehouse is messy, and it is difficult to find things, so it is impossible not to clean up.

Chu Feng probably picked up a look and found that there were a total of one hundred and six paintings and calligraphy in the warehouse, of which the hanging scrolls were the majority, fifty-six, twenty-three pieces of various fans, and the rest were framed by the rim of the basket, and the materials of the rim were all kinds, such as willow and pine.

The most famous framing method in the Xuanhe period is actually Xuanhe mounting, also known as Song-style mounting, which is the most complex but also the most exquisite mounting method in the past dynasties. Generally speaking, the head of the sky is made of silk, the back of the petal is separated by yellow silk, the tail paper is made of white Song paper, and the painting body is a total of five sections. This Xuanhe mounting is mainly used in the collection of Huizong's inner house, so it will also be stamped with the seal of the inner house collection according to a certain variety. This mounting method is too complicated, and the folk rarely use it, and what can really be framed in this way are real famous and treasured products, not the treatment that ordinary calligraphy and painting can obtain.

Folk mounting is still a concise one-color mounting, beautiful and generous, the calligraphy and painting in the warehouse are also mostly framed in one color, and occasionally there is a "surprise swallow" at the head of the sky. The swallow is two ribbons, which flutter naturally when there is wind, and can scare away the swallow, so it is named "swallow". This kind of framed calligraphy and painting is generally placed in the main hall and living room, which has a unique elegant taste.

As for the themes of calligraphy and painting, there are all kinds of characters, landscapes, flowers and birds, and the calligraphy and painting are not too much different in appearance, which is not much different from those displayed in the front hall. The only thing that made Chu Feng curious was the seals on several paintings, which were quite high-grade.

Chu Feng took a closer look, and several square seals were all private seals, with different sizes. The smallest side is the seal script Yin text "Fan Zang", and the largest side of the idle chapter is engraved with a chic line of calligraphy, and the above is the four words "see the autumn wind rising".

Needless to say, the word "Fan Zang" should be Mr. Wenduan's own Tibetan seal at a glance. And the words "seeing the autumn wind rising" have a lot of origins.

Legend has it that during the Western Jin Dynasty, Zhang Han and Zhang Jiying of Wujun resigned and went into hiding, and the reason for his resignation was "seeing the autumn breeze rising, thinking of his hometown and sea bass", so he sighed with emotion "Life is expensive and suitable, how can you detain the eunuch for thousands of miles, in order to invite the name and lord", he resigned and hung up.

And also left a poem to spread to future generations, poems: the autumn wind rises and the leaves fly, and the Wujiang water perch is fat. Three thousand miles away from home has not returned, and it is hard to help but look up to the sky and grieve.

The story of Zhang Han's resignation and retreat was also written by a generation of calligrapher Ouyang Xun in the Tang Dynasty as "Zhang Han's Perch Post", which was rated as one of the top ten books in the world by later generations, ranking seventh. Chu Feng had seen and copied the Palace Museum in Beijing, so he was quite impressed.

Now this idle chapter is written with the words "see the autumn wind rising", Chu Feng is naturally very familiar, at a glance, you can see that it is borrowed from the penmanship of "Zhang Hansi Perch Post", just chic, strong and dangerous, although there is no original book with such a wind and thunder momentum, it is not far behind, quite enjoyable.

Chu Feng sighed with emotion, and then looked at the picture scroll with the "Seeing the Autumn Wind Rising" idle chapter, the quality was very ordinary, and he couldn't help but feel wonderful, thinking that if he considered it from the perspective of the art market alone, the selling point of this painting was completely in this idle chapter. Who carved such a seal?

After all, he was cleaning up the warehouse, Chu Feng pressed this question first, and after quietly sorting out all the calligraphy and paintings in the library, he took these two printed calligraphy and paintings to find Mr. Wenduan.

After knocking on the door and getting the reply of "come in", Chu Feng bypassed the screen and found that Mr. Wen Duan was facing away from him, and he didn't know what to do on the desk.

Hearing Chu Feng's footsteps, Lu Wenduan turned his head and said with a smile: "Chu Lang, wait a moment, wait for me to finish carving this stroke." ”

Chu Feng knew when he heard this, he didn't know how to engrave, but after all, he was also curious about these things, so he stepped forward lightly to take a look.

I saw Lu Wenduan holding a small carving knife in his right hand, holding a small clay mark in his left hand, and he dropped the knife very attentively, completing the word "hug" on the seal. Looking at the layout of the idle chapter, it should be a two-character seal.

After carving, Lu Wenduan took a closer look left and right, and nodded with a little satisfaction. Turning around and seeing Chu Feng's serious gaze, he smiled unconsciously and said, "What's the matter, Chu Lang is also like this?" ”

Chu Feng shook his head and said, "I don't understand, I just have some love." Looking at Mr. Wenduan's penmanship, he must be a master of this way. ”

Lu Wenduan put down the things in his hand and said with a smile: "A master is not a master, but he is the same as you and likes this way." ”

"Mr. Wen Duan is too modest." Chu Feng smiled and unfolded the two calligraphy and paintings in his hand, pointed to the small seal of "Fan Zang" and asked, "If the kid's expectation is good, this one should be from the hand of Mr., right?" ”

"Yes." Lu Wen got up, took out a small box from the shelf next to him and opened it, took out a Tian Huang chapter from it to show Chu Feng, and said with a smile, "This is still something carved in the early years, and it is not used much now." ”

This Tian Huangzhang is very small, but it is exquisite. Chu Feng took it with both hands, only to feel that his hand was heavy and slightly cold, he didn't understand jade, but even he could see that this material was a good thing, and the things used by Mr. Wen Duan were really good.

Not to mention the Yin script under the seal, Chu Feng took a closer look, and gently traced it with his fingers, admiring.

Seeing that he liked him so much, Lu Wenduan was also happy in his heart, and after thinking about it, he took out another rhino horn seal from the seal box and gave it to Chu Fengdao: "The old man has three good things in his life, helping people, carving seals, and appreciating calligraphy and painting. It's just that although I like calligraphy and painting, I really don't have enough talent in that field, I am a young fashion and like to wave ink, and now I only love to look at it. However, the old man has some confidence in this engraving. Although your kid met in Pingshui, the old man loves to fall in love very much, and this idle medal will be given to you! ”

Chu Feng was slightly startled, where did he dare to accept it, and hurriedly excused himself.

Lu Wenduan straightened his face and said, "The old man gave him something, but he didn't accept it?" Could it be that your kid looks down on the old man's seal! ”

Although he knew that Mr. Wen Duan was pretending to be angry, Chu Feng didn't dare to shirk anymore, and respectfully took it over to take a closer look.

The material of the seal is rhino horn, the seal is a thundercloud pattern, the word "fight for spring" is written by Han Li, the font is mellow and square, and there is the meaning of competition between the skimming, and these two words are very harmonious, Chu Fengsha is loved.

Lu Wenduan smiled and said, "Although you are young, you have a shallow and gentle temperament. Although this is not bad, but young people should be a little arrogant after all, otherwise, you will regret it when you reach the age of the old man! This 'fighting for spring' is what the old man wants to admonish you. ”

Chu Feng was grateful, since he was a child, there were not many people who really cared about him, and the old man's actions made him feel strangely warm in his heart, which was no longer something that could be expressed with a simple word of thanks.

has no intention of fighting for spring and being jealous of the whole group, but Chu Feng has experienced a lot since he was a child. He has some talent in Danqing, but more is the hard work and hard work of the day after tomorrow. But human nature is like this, for those who are higher than themselves, they will always look sideways and be jealous.

When Chu Feng was a child, he didn't understand this, especially after his parents divorced, he attributed all the problems around him to himself. He constantly diluted his sense of existence, but even so, it was still a stone out of the shore and a stream bound to turbulent.

Holding this "Striving for Spring" chapter tightly, all kinds of things flew through in his heart before, and all kinds of things rippled in his heart again, Chu Feng's nose was slightly sour, and he said with a smile: "'Scattered into mud and dust, only fragrant as before'." What Mr. said is that since it is 'all the flowers shake off the solitary beauty', even if there is 'the frost is deep and the night is cold'! ”

The two sentences of "Zhongfang shakes down Duxuanyan" and "the frost should be cold at night" are the sentences in the Northern Song Dynasty poet Lin Kui's "Two Songs of Xiaomei in the Mountain Garden", and the most famous sentence in the poem is "The shadow is sparse and the water is shallow, and the dark fragrance floats in the moon dusk", which is naturally known to Mr. Wenduan.

But after hearing this, Lu Wenduan couldn't help but raise his eyebrows slightly, and asked Nahan: "'Scattered into mud and dust, only fragrant as before'." This sentence seems to be the tone of "Fortune Operator"? Is there a word? Or is it an occasional fragment? ”

"It's a word." Chu Feng thought to himself, it seems that Lu You is a poet of the Southern Song Dynasty in the textbook, is it estimated that he has not been born at this time? But it's also interesting to say, the Mr. Wenduan in front of him is still Lu You's own family, all surnamed Lu, it seems that they were a family five hundred years ago.

Let's not care about these haves or not, Chu Feng thought, since he received a seal, he also had to give some gifts in return. Although his calligraphy is not as good as Danqing, he can barely get his hands on it, and Mr. Wenduan's main thing he wants to see is this poem, even if the words are ugly, there should not be much of a problem!

So he stepped forward to lay out the paper, held the pen and dipped it in ink, Chu Feng silently recited "Fortune Operator, Yongmei" in his heart, inhaled and hung his wrist, and wrote the whole poem in the beautiful and smooth font of Wang Xi's travel book.

Lu Wenduan watched from the side, and the more he watched, the more pleased he became. I originally thought that this kid would only appreciate and play with the way of calligraphy and painting, but I didn't expect that he not only knew calligraphy, but also wrote very well!

Looking at the momentum of Chu Fengyun's pen, Lu Wen said in his heart: Although this child's calligraphy is not wonderful, it is already good at this age.

Of course, Lu Wenduan didn't know that Chu Feng's calligraphy was just ordinary, and his most powerful technique was not calligraphy, but Danqing.