Chapter 167: Feminism

"Well, what are you going to ask them to do? It won't be for them to accompany someone," asked Pyvopolova, with an ugly face.

Shakru smiled dumbly, slapped Pivopolova's **** and said with a smile: "What are you thinking about, how can I let your classmates let them do that kind of work to serve people, and isn't this also a waste of their skills, I asked you to come over to do security." If you think about such a large hotel, it will still be mainly to receive high-end customers in the future, how can you do it if the security force is poor, these classmates of yours not only have good skills and strong skills, but also can make me more relieved in terms of loyalty. And with a group of beautiful escorts, it's much better than those bearded old men! ”

Knowing that her classmates and sisters back then were able to reluctantly apply what they had learned, Loverova was very happy, but when she thought that she had misunderstood Shakru just now, she blushed a little and said: "I'm sorry, boss, I misunderstood just now, but don't worry, you don't need them to serve others, then they will serve you."

Before she could finish speaking, Shakru smiled and said, "I still like you to serve me." With that, he pressed Pivopolova under him.

Just when Shakru was busy with the decoration and design of the new hotel, Lakuma ran over and complained: "Boss, you should also take the time to care about our new drama, this has not been seen since the start of filming to the completion of your big boss, you have to take time to go to this premiere!" (Thirty minutes of battle description omitted here)

Sha Kelu said aggrievedly: "I also said that I don't care, I wrote the script framework of this movie, and the two leading actors were also selected by me, this is not called caring, what is it called caring, and I'm not busy during this time, don't worry." I'm sure I'll be there at the premiere, and by the way, remember to bring a few more of Kadrow's relatives to our premiere town. ”

Rakuma nodded and said, "Don't worry, wasn't that the purpose of our invitation to Kazol here, of course." Through this play, I found that her acting skills are also quite good. And we don't have to worry about this matter ourselves, Kazol is also very satisfied with the filming of this drama herself, so she has offered to invite her parents and grandparents and uncles to attend the premiere. ”

Sure enough, Kadrow's grandfather Sashada Mukoheji, father Summ Mukoheji, mother Tanuga Mukoheji, aunt Nudan, grandmother Shubona Samashi and cousin Joey Mukoheji all came to the premiere, which was the first time they attended the premiere of Kadrow's film, but they were really taken aback by the opening of the movie.

Because the beginning of the movie is a scene of Kazol dancing to the music wrapped in a bath towel after taking a bath, although this detail reflects and explains that Kazol in the film is a modern girl who grew up in England and is very less bound by traditional Indian ideas, but this is for Indian films where kissing and nudity are strictly restricted. Definitely a very bold attempt. Fortunately, the bath towel is wrapped tightly enough and there are no leaks, otherwise the audit will not pass at all.

Although there are no such exciting scenes in the following episodes, the themes promoted in it still make all audiences, especially female audiences, feel very fresh and bold. When he learns that he is going back to India to marry a man he has never met, Kazol asks his father to go to the continent for a month. When making the application, she repeatedly mentioned "one and only", "life". Sentences such as "never have a chance again" actually reflect the helplessness of being bound by tradition as an Indian woman. And when traveling in Europe. Encountering Shah Rukh makes Kadrow's mind begin to change. She drinks and gets drunk, goes wild, and messes around in the swimming pool, just to be happy to do what she hasn't done, which is a kind of inner liberation. Kazol is not a weak, submissive girl at heart.

After returning from Europe, my father insisted on returning to India because he did not understand, which pushed the contradiction between tradition and freedom to a climax. "Let her cry, her fate cannot be changed. She should learn how to accept it. Let her cry enough. Father's words reflect the irresistibility of tradition.

In fact, it is not uncommon in India to see such a family, in which the traditional father has the right to speak in the family, and the mother, as a typical female figure, is obedient to her husband and tradition, and takes care of the family and children wholeheartedly, on the other hand, she is well aware of the sacrifice of women in marriage and family, but has no ability to change.

Kadrow's mother is actually a very important character in the movie. When she first tried to persuade Kadrow, she said: "When I was a child, my father told me that there is no difference between men and women, and that we all have equal rights. But when I grew up, I realized it was just a lie. I couldn't go to school because it was more important for my brother to go to school than it was for me. That was just my first sacrifice. Then, every step I take, whether as a daughter, as an older sister, or as a wife, I have to sacrifice my own happiness.

But that was once upon a time, and when I held you in the palm of my hand for the first time, I vowed never to let what I experienced happen to my daughter, whether as a daughter, as a sister, as a wife, without more sacrifices every step of the way. Even if she is a girl, she can live her life as she wants. She wants to live happily. But I was wrong, I even forgot that a woman has no right to swear such an oath, she was born to sacrifice for men. For the sake of their women, men will not make sacrifices, whether they are able to do it or not. So I advise you to give up your own happiness. This passage itself is already the whole interpretation of Indian women's own life - sacrifice, sacrifice for men, and self-sacrifice are also things that Indian women have regarded as traditions and even virtues for thousands of years. In Indian culture, women have always existed as an appendage to men.

Later, after seeing the relationship between Kador and Shahrukh, Kadrow's mother made another move and persuaded her daughter and Shah Rukh to leave: "I was wrong, Kazol. My daughter doesn't have to sacrifice her happiness, she doesn't have to sacrifice her love. Shahrukh, take my daughter out of here. Take her away and I'll take care of everything. ”

It can be said that throughout the movie, the role of Kadrow's mother has been pushing the story forward. The change of the mother was originally a change in thinking in the process of pursuing the status of women from her time to the time of her daughter. Although such a change is not all smooth sailing, although such a change is full of entanglements.

The same change was seen in Kadrow, but not so much in her change as in her release. The release when you travel in Europe and encounter Shah Rukh is a release of your inner freedom. Then he agreed to marry after returning to China, but when Shah Rukh went to Punjab to find her, he asked Shah Rukh to take her to elope, and the release was one step closer, not just the seed of inner turmoil, but began to actively pursue his own happiness. And at the end of the movie, Kazol, who is still wearing a traditional Indian bridal dress, with the support of his mother and sister, runs to the train station, determined to go with Shahuk. Her father grabbed her wrist so hard that she cried and begged him almost desperately: "Let me go, Daddy." Shah Rukh is my life, and I can't live without him. Let me go to my Shahrukh. Such a confession has pushed all the emotions in her heart to the peak - for the sake of her own happiness, no arranged marriage, no sacrifice like her mother or more women! As a woman, you also have the right to pursue your own happiness!

Of course, as a movie, the ending is perfect and happy. Kadrow's father figured it out and decided to fulfill his daughter, so the moment his father let go, Kador was stunned. And it was at that moment that it was the victory of women's rights that Kazol and her mother fought for. Kador ran to the moving train, and Shah Rukh reached out to her. Everything was as they met!

PS: This chapter elaborates on some of the connotative things of this movie, so there may be a little more words, but please rest assured that there is no charge for the next few hundred words, and it is still the cost of a chapter of 2,000 words. (To be continued.) )