Lin Zixuan thought of the later "This Killer Is Not Too Cold", which talks about the hazy feelings between a killer and a little girl.

Of course, he wouldn't copy it like this, this era can't accept this kind of "Lolita"-style story, and even in later generations, this plot will be constantly criticized.

Perhaps only the French dare to deal with it so boldly, and they dare to do anything against morality in the name of art.

Lin Zixuan will deal with the relationship between the killer and the little girl as the attachment between father and daughter, which can be better understood by the audience.

This "Killer Leon" focuses on the topic of "redemption".

Leon is a reclusive and unique killer.

He is skillful and skillful in killing people, but he is very withdrawn, he likes to drink milk, likes to raise a pot of pothos, likes to watch movies alone in the theater, and lives a lonely and simple life.

Martina is an ordinary student at an all-girls school, she has a messy family, is at a rebellious age, does not like school, does not like the family.

Her father was a gangster in society, who swallowed a big cigarette from the boss, was found out by the boss, and killed his whole family.

At the critical moment, Li Ang, out of kindness, rescued Martina, who came to ask for help, and the two began a common life.

Lin Zixuan will not treat the police as villains, he has to consider the influence of the Concession Patrol House, if he really follows the script of later generations to discredit the Concession Patrol, the film is very likely to be banned in the Concession.

Although in this era of Shanghai, patrols are indeed corrupt and abuse of power, which is something that everyone knows, but you are asking for trouble when you make a movie.

Leon and Martina, two people with very different personalities, live together, one is silent and wooden, the other is lively and active.

The little girl, Martina, wants to avenge her family, while Leon teaches Horseshoe to practice shooting. They influence each other, gradually change, become more and more close, and are tied to each other.

In the end, Leon died, and Maina returned to the girls' school to continue her education.

"Why didn't both of them survive?" Ruan Lingyu, who read the outline of the script, was puzzled. "Don't the audience like to watch the happy ending?"

"Because tragedy has more power to move people's hearts." Lin Zixuan said.

In fact, he thinks this is the hypocrisy of the French, and the French think that such an ending is literary and connotative enough.

If a Hollywood director shoots this film, it will definitely be a happy ending, even if it is not a reunion, it will not let the actor die so easily.

This "Killer Li Ang" needs to be orientalized, and there are many changes that need to be made, and many bridges and lines have to be redesigned. It is necessary to conform to the conservative ideas of the Easterners, but also to take into account the acceptance of Western society.

Lin Zixuan has to polish the script seriously, and he has to discuss with Ruan Lingyu from time to time.

She's already on vacation, so it's okay to find something for her to do, and she can design some lines that are appropriate for her age.

As for the actor in the film, he decided to play it himself and play a ticket.

The focus of the film is to open up the European and American markets, and his popularity can be used to advertise the film.

Anyway, this killer is more ruthless. There are no facial expressions, and it is not difficult to interpret. The main thing is to watch Ruan Lingyu's performance.

Ruan Lingyu was very happy about this, actively participated in the creation of the script, and on the basis of the outline provided by Lin Zixuan, she came up with a lot of interesting plots, showing her talent in film creation.

She is sensitive at heart and needs to be recognized by others.

And. Ruan Lingyu felt like Martina in the script, who was rescued by Lin Zixuan and had attachment to him, which she had always hidden in her heart, and she suddenly realized it when she saw the script this time.

Is this just something like the attachment between father and daughter?

Her father died young. Mother and daughter depend on each other, have no chance to feel the warmth of father's love, and have always been in a state of insecurity, living carefully.

Until Lin Zixuan appeared in her life, with Lin Zixuan sheltering her from the wind and rain, she felt steady.

Maybe it's really just attachment!

Ruan Lingyu was lying on the bed, thinking about the story in the script, looking forward to starting filming as soon as possible, although it was fake, as long as she could play it with Lin Zixuan, she would be satisfied.

Thinking so, she fell asleep.

In the dream, she became Martina, living in the Chinese realm of Zhabei District, with an unreasonable sister and a lovely younger brother, because she was a daughter, she was often beaten and scolded by her parents, she was very disappointed in life and did not want to go to school.

Her neighbor is a strange man who is always alone and unsmiling.

Martina was curious about this neighbor and always wanted to know the man's secrets, until one day, her family changed dramatically and she lived with this man.

What happened next was very different from the script.

Ruan Lingyu woke up from her sleep, and she probably remembered the scene in the dream, and couldn't help but feel a little shy.

It was the first time she had such a dream, a little flustered, a little curious, a little overwhelmed, just an attachment relationship, she reminded herself.

When Lin Zixuan and Ruan Lingyu were exchanging scripts, the strike of female silk factory workers led by Xiang Jingyu was in full swing.

According to the agreement, the magazine under Vientiane Bookstore published a promotional article, and Lin Zixuan also spoke out to support.

It's just that, he can't do more, the Lin family is also a big capitalist in Shanghai.

The Lin family does not have a silk factory, but it is engaged in the textile industry, and there are more female workers in the yarn factory, this time it is the silk factory women who are on strike, and next time it may be the turn of the yarn factory.

This is a social problem, and even if the strike is successful, it is inevitable that the factory owners will settle accounts after the fall.

They can gradually replace these striking women workers by finding obedient new workers, and in this day and age, there are so many people who don't have jobs that the contractor can bring back a large number of women from all over the country with a single trip.

Strikes can only solve temporary problems, not fundamentally solve them.

Ding Ling naturally participated in the strike of female silk factory workers, she was an active member of social activities, and also participated in the cram school of Shanghai University in the yarn factory, and mingled with female workers.

Perhaps influenced by Xiang Jingyu, she is extremely enthusiastic about the cause of women's emancipation.

Lin Zixuan didn't say anything, everyone has their own path to go, this is everyone's choice, and they can't force it.

He just told Ding Ling to write more articles and not to be rusty.

However, this literary and artistic young woman who loves tossing also has her own emotional troubles, and she has a good impression of Qu Qiubai, the director of the Department of Sociology of Shanghai University, but Qu Qiubai married her good friend Wang Jianhong.

The most depressing thing is that she still has to live with these two people, watching the two show affection every day.

Who can stand this, it didn't take long for Ding Ling to return to her hometown in Hunan, and then boarded the train to Beiping and began her unreliable but wonderful life. (To be continued.) )