Originally, the four Wan brothers thought that this "Daughter's Love" was just a game for the rest of their lives to win the laughter of beautiful women. Unexpectedly, the animation produced by fifty painters for the rest of his life was actually more popular than "Gao Laozhuang", which was supervised by the other three brothers except for Wan Gu Toad. This made the Wan brothers quite ugly, even if "Gao Laozhuang" still got a huge box office as expected, it was still not a success.

Moreover, although the entertainment industry in Shanghai is not as chaotic as later generations, there are still rumors rife. The reputation of the rest of his life was too strong, so he suppressed the light of the four Wan brothers. For a time, rumors of envy of the good luck of the four Wan brothers spread, and the achievements of the four Wan brothers were wiped out.

Therefore, the four Wan brothers strongly asked Boss Yu to rest well this time, and the work should be handed over to the four Wan brothers. The four of them also swore and swore that they would slap their chests and promise that the next few films of "Journey to the West" would definitely be filmed. Even if it is double-opened like this one, it will definitely be done perfectly.

The wedding date for the rest of my life is approaching, and all the trivial things must be prepared, and I am very busy. Just happy to be idle. He agreed to the request of the four Wan brothers. Yu Sheng still wants to double open this time, and start working on the two classic stories in "Journey to the West" at the same time. One is "Three Dozen White Bone Spirits", and the other is "Iron Fan Princess"!

The team of painters recruited by Yu Sheng and the four Wan brothers now has as many as 300 people. After the run-in of the three classic animations of "Havoc in the Heavenly Palace", "Gao Laozhuang" and "Daughter's Love", the team is already very mature. It's also much more efficient than ever. Even if two large-scale animations were produced at the same time, it was expected to be completed within a year.

Yu Sheng is actually very relieved about the production of these two cartoons.

The creation of "Iron Fan Princess" was originally in the concept of the four Wan brothers, and most of the ideas in the book conceived by Wan Laiming were aimed at "Iron Fan Princess". Moreover, in real history, this "Iron Fan Princess" is also a milestone work of Chinese cartoons.

"Iron Fan Princess" was not only the first Chinese animated feature film, but also the first long-running animated film in Asia at that time. In the history of world cinema, it is the fourth large-scale animated art film in the United States after "Snow White", "Lilliputia" and "Pinocchio".

In later life, Osamu Tezuka, the originator of Japanese anime who created "Astro Boy", said after watching this film: "(This cartoon) can clearly understand that this is a work that embodies the spirit of resistance, and the Japanese army that brutally ravaged China was attacked by the concerted efforts of the Chinese people, and the intention of this film is clear." ”

And Komatsuzawa, who is also Japanese, also mentioned in an article that at that time, in "Iron Fan Princess", "Sun Wukong called on the people to rise up against the Bull Demon King, which was actually a satire of the Japanese army's aggression against China." ”

With the characters and story perfect, it's strange that this cartoon didn't succeed. Not to mention, after the baptism of the three classics of "Havoc in the Heavenly Palace", "Gao Laozhuang" and "Daughter's Love", the movie "Iron Fan Princess" will inevitably be more than a step stronger than the original ideas of the four Wan brothers in terms of character design and other technical aspects.

The rest of my life worries about the section of "Three Dozen White Bone Spirits". The plot of "Three Dozen White Bone Spirits" is actually far more complex than "Iron Fan Princess". The relationship between the characters in it is much more difficult to deal with than the single fight of the three-tone banana fan Sun Wukong in "Iron Fan Princess".

Sun Wukong will not only have a fight with monsters, but also experience his own doubts about his loyal master Tang Seng. This kind of questioning stems from the knowledge and the unknown, as well as from the difference in concepts. Moreover, in this section, Zhu Bajie, a person who seems to have an undiminished mortal heart, begins to shine. actually knew how to use the radical method to persuade Sun Wukong to come back. Let Sun Wukong and Tang Seng and apprentice get back together.

In addition, it also involves the relationship between Heaven and the Nether, and Kui Mu Wolf privately went to the Nether Realm and robbed the princess. And there are plans to eat Tang monk meat. It stands to reason that his crimes are much greater than those of the powerless and powerless bones. But the endings of the two monsters are completely different, the white bone spirit was killed by Sun Wukong with a stick, while Kui Mu Wolf interceded and was rescued back to heaven.

And, there is this that can be distributed. In "Journey to the West", everyone who has something to do with Heaven survived under Sun Wukong's stick, and some of them embarrassed Sun Wukong a lot. Among them, there are the Buddha's maternal uncle, the Bodhisattva's mount, the carp raised by Guanyin, the green ox and boy raised by Taishang Laojun, the jade rabbit raised by Chang'e, and so on. Carefully calculated, Tang Seng's ninety-nine eighty-one difficulties, among which half of the monsters are from the background of the heavenly court.

And the monsters who don't have a background in the heavenly court, even if they are six-eared macaques who are scheming deeper than Sun Wukong and whose skills are as big as Sun Wukong, they just end up dead.

Therefore, the rest of his life intends to use the derivation and diffusion of this kind of refraction of traditional Chinese culture to say that sentence with the help of the mouth of Monkey King. This has made a classic that satirizes this era.

The 86th version of the TV series "Journey to the West" in later generations, in the section of "Three Dozen White Bone Spirits", did not delete much of the plot of the original work. Therefore, for the rest of his life, he didn't have to worry about the Wan brothers changing the section of "Three Dozen White Bone Spirits" to a different appearance. As long as there can be some ironic themes and meanings, everything will be tossed by the four Wan brothers.

In addition, for the sake of insurance, Yu Sheng added a new theme song to the sections of "Iron Fan Princess" and "Three Dozen White Bone Spirits". That is, the theme song of the sequel to "Journey to the West" starring the original cast of the 86th version of "Journey to the West", which was released 2,000 years later, "The Avenue to Heaven is Wide and Wide".

I just captured a few demons, and then a few demons were subdued. How can there be so many ghosts! (White: Eat my grandson!) Kill your soul, and throw it away. The gods also trembled, and the ghosts trembled, so that the wolves, insects, tigers and leopards had nowhere to hide!

I just captured a few demons, and then a few demons were subdued. How can there be so many ghosts! (White: Eat my grandson!) Kill your soul, and throw it away. The gods also trembled, and the ghosts trembled, so that the wolves, insects, tigers and leopards had nowhere to hide!

Just crossed a few mountains and crossed a few rivers. Bumpy and bumpy how it is so much! (White: My grandson is going too!) you, the mountains are more dangerous, and the water is more evil. I have encountered difficulties, I have also endured hardships, and I have walked out of a wide and wide avenue.

Just crossed a few mountains and crossed a few rivers. Bumpy and bumpy how it is so much! (White: My grandson is going too!) you, the mountains are more dangerous, and the water is more evil. I have encountered difficulties, I have also endured hardships, and I have walked out of a wide and wide avenue. Go to you, the mountain is more dangerous, and the water is more evil. I have encountered difficulties, I have also endured hardships, and I have walked out of a wide and wide avenue.