Although I don't know if this sentence is covered up, but during the period when Chuan Kita was in charge of Chinese films, he was not strict with the Chinese, and he had to get by. It can be regarded as a rare moderate dove in the Japanese war of aggression against China.

And the cooperation between Zhang Shankun and Chuan Kita Changzheng has actually begun a long time ago. Since the Japanese invasion of Shanghai Tang, the violent war has been followed by mild cultural aggression. At this time, Chuan Kita Nagamasa began to make contact with Zhang Shankun. In addition, the China Film Corporation was set up in an isolated island, not in the area occupied by the Japanese army.

Because Kawakita Nagamasa's understanding of the Chinese is completely different from that of the Japanese military. He did not think that there was a possibility of reconciliation between the Chinese and the Japanese, and that the Japanese could enslave the Chinese. But all Chinese, whether living in the concession or in the Japanese-occupied areas, actually hope that the Japanese will get out. Unless it's a traitor through and through. But it turns out that there are actually very few such traitors. Most of the traitors are just wall-riding factions who run which side.

His understanding was absolutely correct. Therefore, it won a good impression from a group of filmmakers in Shanghai. On the premise of ensuring the normal existence of the Shanghai Tang film industry and the fact that Shanghai Tang filmmakers are not threatened by safety, Chuan Kita Changzheng guaranteed that all film expenses can be paid in advance, and all shooting equipment such as films and props will be provided by him.

Such a condition cannot be refused by Zhang Shankun. Therefore, since "Mulan in the Army", most of the movies shot by Zhang Shankun have been secretly supported by this Sichuan Kita Nagamasa. Like the rest of his life, he is completely invested by himself, hired someone to shoot, produces, writes the script by himself, and even sets his own scenery and makes his own profits, and only hangs the name of a Xinhua company, except for this one, there is no semicolon.

But because of this, Yu Sheng and Kawakita Nagamasa did not have any specific dealings. Although, from the information of later generations, he knew about these transactions between Zhang Shankun and Chuan Kita Nagamasa. However, in the eyes of the rest of his life, it may be a good thing to leave Kawakita Nagamasa. After all, if you are replaced by a person like Masahiko Gansu, the head of Manchurian Films, who kills people without blinking, and is a hawk from the gendarmerie, these filmmakers who are unwilling to join the Japanese in Shanghai will have to fall into bad luck. So, there is no nosy.

And Kawakita Nagamasa's gentle attitude towards the Chinese, and the way of handing over all the films and movies to the Chinese, and even the anti-Japanese Chinese. It still aroused strong dissatisfaction from the Japanese military, after all, the kind of film they wanted was the kind of film that preached the friendship of the Japanese people and the justification of Japan's invasion of China. Instead of all kinds of films, made by anti-Japanese people to borrow from the past and the present.

Therefore, in May 1941, Yu Sheng had just arrived in Hong Kong. Kawakita Nagamasa received a summons from the Shanghai Dispatch Army. The summons was very tough, demanding that Kawakita Nagamasa change the operating policy and product tendencies of Chung Hwa Pictures. At the same time, Manchurian Films and North China Films, which were controlled by the Japanese, began to criticize and abuse Kawakita Nagamasa lot, and Kawakita Nagamasa knew that the defense was useless, so he was ready to resign.

At this time, the reaction of the Chinese was completely beyond the long government of Kawakita. Chinese filmmakers, who have always been mild and only express their dissatisfaction in a metaphorical way, this time unexpectedly spoke out to the Japanese and proposed to the Wang Jingwei government that as long as Chuan Kita Nagamasa leaves, then they will all go to Chongqing!

These filmmakers naturally understand how bad it is to have a boss like Masahiko Gansu. Masahiko killed countless people during the Great Kanto Earthquake in Japan, and he would never mind killing two disobedient subordinates. Although these filmmakers have the heart to serve the country, most of them are not ready to take their own lives.

At this time, 80 percent of the films in China were made by these filmmakers in Shanghai, and once these people left, the Japanese couldn't even find anyone who made movies! Fans of Shanghai Tang must rebel! The people's hearts will also run to Chongqing's Lao Jiang's side. This is something that the Japanese will never accept! Therefore, the Japanese had to agree with the opinions put forward by Zhang Shankun and others, leaving Kawakita Nagamasa!

And there is this one. Kawakita Nagamasa's position in the Japanese strategy of cultural aggression suddenly increased. At this time, it happened that Li Xianglan was dissatisfied with Masahiko Gan of Manchurian Pictures and left Manchurian Films. Chuan Xiduo Changzheng tried his best to invite Li Xianglan to Shanghai Tang!

Li Xianglan, formerly known as Yamaguchi Shuko, whose parents were Japanese, moved to China in the early years, and her attitude towards the Chinese can be regarded as a moderate faction. Because he recognized his father's classmate Li Jichun in China as his adoptive father, he took the Chinese name Li Xianglan.

In 1938, when Li Xianglan was eighteen years old, she was photographed by the Manchurian Film Association, which was controlled by Japan, and sang Chinese songs such as "The Fisherman's Girl", "Zhaojun's Resentment" and "Meng Jiangnu" in the new program "Manchurian New Songs" on Japanese Broadcasting Station. Although it is not as famous as later, it can already be regarded as a star. Subsequently, Li Xianglan began to develop in the film industry, and her famous works were "Song of Bailan" in 1939 and "Night in China" in 1940. These two films follow the principle of Japanese cultural invasion of China, and say that the Japanese war of aggression against China is extremely beautiful.

In the early days of Li Xianglan's fame, she followed her adoptive father to Dongxinglou Restaurant for dinner and met Yoshiko Kawashima, who was already the founding father of Manchuria. Yoshiko Kawashima had also heard of Li Xianglan for a long time, and since both of them pronounced "Yoshiko" in their Japanese names, both of them felt very close. They are called brothers and sisters.

That's right, brother and sister. Yoshiko Kawashima has never considered herself a woman since she was harmed by her stepfather Kawashima Naniwa. Even the hairstyle is the same short hairstyle. Li Xianglan called Yoshiko Kawashima her brother. Although the name is strange, the relationship between the two is very deep. In that conservative era, there were rumors of lilies.

And Ye Wuguang has some blood relationship with Kawashima Yoshiko in the family tree, and Kawashima Yoshiko also went to Shanghai to visit Yu Sheng and Qing Xiaoyi. Although this matter is secret, those who have a heart still know it. Therefore, after Chuan Xiduo Changzheng and Zhang Shankun discussed, Ye Wuguang was arranged to be Li Xianglan's assistant in Shanghai.

Because they are all bloodlines passed down from the same ancestor, the image of Kawashima Yoshiko's men's clothing and the gentle and elegant dress of Ye Wuguang are actually three or four points similar. Kawakita Nagamasa and Jang Shankun, two uncles with impure minds, after comparing the photos of Yoshiko Kawashima and Ye Wuguang. Without objection, he arranged Ye Wuguang to Li Xianglan.

Presumably, with the love between Li Xianglan and Kawashima Yoshiko, Li Xianglan will feel at home.

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