Chapter 41: Cultural Change
Niuniu is three months old, her birth weight is not big, she is still a month late, she still sleeps all day, and if she doesn't wake up, she will look for her mother. Zhang Chunzhen wondered if she had a developmental problem.
In order to lose weight and regain her body, Lizhi started various exercises again, and her recovery ability is much stronger than that of ordinary pregnant women. Neither of them found anyone to take care of the child, Lizhi made a pocket with warm fabric, either putting Niuniu on her chest or Zhang Chun's chest. The two of them began to go over the mountains and mountains in a circle, and when they rested on the road, they put the little one on their chests and lay on their stomachs. The pony will also follow them, and it learns to navigate mountain roads and jungles in search of food and danger. It actually learned to find mushrooms and eat meat. The first time I saw a pony holding a small lizard and eating it, it almost made Zhang Chun faint, who said that horses are vegetarians?
The pony was badly taught by Zhang Chun and his wife.
Similarly, the two of them often get some juice from wild fruits to feed the little girl, and laugh when they look at the little girl's wrinkled face. You must know that the fruit produced at this time is not something that ordinary people can eat, although it will be extremely nutritious.
However, the little girl is more adaptable than other children. It's not strong, it's not good, Zhang Chun suspects that the reason why Niuniu was born late is because the blood, immune system, etc. in Lixin's body contain too many things that are said to be aura or poison. This is also likely to be the reason why Lizhi is not easy to conceive.
It is also a miracle that the little girl survived and was born.
Now that Lizhi has returned to her previous exercises, she is afraid that she will be pulled too far down by Zhang Chun. So I'm afraid that her milk will be all-encompassing, and Niuniu still eats it as always. Even Zhang Chun had a toothache when he saw it.
This winter is still heavy in snow, and when the cold air comes down, it encounters steaming from forests and lakes. Snow is normal, but no snow is abnormal. The same is true of the increasing rain in the summer.
This climate change is to be expected. Rainfall is also increasing in Shaanxi and Suiyuan. The steppes and Gobi of South Baikal are said to have improved.
This made Zhang Chun and Lizhi a little anxious to take a look, but the little guy grew too slowly.
Students are often encountered on the road, and the forest structure of Xinmin is relatively perfect. Some trees are tens of meters high, with a canopy layer upon layer, each with a different flora and fauna. Even if these tall trees die, they are difficult to cut down because they occupy too much space. The vines that cling to it are very thick. There are supporting trees around the perimeter, and if you cut down the trunk, it won't fall down. So every time a dead tree is cut down, it's a huge project that requires hundreds, if not thousands, of people.
Of course. Such trees generally do not die, unless they are unlucky enough to be struck by lightning.
And such a tree, its root system can penetrate almost the deepest part of the entire mountain, as deep as the height of the tree. They absorb minerals and nutrients that are not comparable to those of small trees. And only they can exude aura.
Zhang Chun and Lizhen love this kind of environment. The little girl seems to like it too, and when she arrives in this kind of place, she wakes up and her big eyes are dripping and rolling. Let Zhang Chun and Lizhi be funny, you can't see it clearly.
In some places, especially in ravines, where tall trees don't stand out too much, some students built ladders around the trees, and they set up observation points on the top floor of the canopy. Some filming equipment was installed.
Some are manned, some are unmanned. Daily patrols are carried out by rangers.
However, these ladders are not easy to climb, because moss likes these dead wood the most, and even wood that has been treated with antiseptic treatment cannot stop these pervasive mosses and various climbing and parasitic plants. When the students see it, they will still call it Mr. Zhang. asked other Zhang Chun to deny it, and they would also cheat, and the students were used to joking with Zhang Chun.
Zhang Chun often smiled and said: "You have surpassed me, I am just a teacher, but you don't have to be proud, because when the little girl grows up, you will not be an opponent." ”
So when the students saw Xiao Niuniu, they teased her: "Grow up quickly, waiting for you to surpass us." ”
In fact, the little girl can only see the figure shaking, sometimes in a ridiculous squint state.
Zhang Chun and Lizhi resumed the habit of going to the academic halls of the Xinmin Research Institute once a week to listen to academic reports. From these reports, we can know which direction the students are working on. It's just that I've been running a little bit more recently to the Department of Social Sciences.
The idea of big industry, big intensification and related research is fading. The systematic management and limited use of forests, pastures, and lakes is a mixed system that concentrates the characteristics of public ownership and the flexibility of private ownership, and agriculture and industry must be subordinated to the general environment under the public ownership system of air, water, and resource utilization, and even have the attributes of private ownership, because it will recognize individual shares, patents, etc. It's just that the possession of patents now is often not a single person, but a large number of collectives. Due to the restrictions of the general environment and the continuous emergence of new technologies, almost no one can have a monopoly. Patents are not allowed to be bought and sold, what is yours is yours, and if you can buy and sell, you will not pay the patent.
The Xinmin Education Fund does not withdraw patent transfer fees, but draws education and scientific research funds according to a certain proportion after the reasonable distribution of researchers' patents. This batch of funds is used for scientific research by younger students, so no one opposes it, and the opposition is invalid.
Albert Einstein once asked if he could share a little more patent fees if he was a science and technology leader, mentor, etc.
But Zhang Ruoming refused, she asked: What are the reasons and standards for more extraction? Tutors already get more than the students, because the mentors get a shared patent fee for a systematic number of patents, while the students mostly only get one.
Therefore, Zhang Ruoming believes that if more patent fees are raised, it will exploit students, and in the future, an academic monopoly will be formed, which will discourage students' enthusiasm for research, and is not conducive to the development of science and technology.
Because of this policy, the scientific research of the Xinmin Research Institute is very active, and the students dare to ask new questions to the teachers, and even refute them openly.
The same is true in the social sciences, although the social sciences are not patents, but the Xinmin Education Foundation and the government will issue incentive funds. It's basically the same as a patent. It's just that it is difficult to obtain social science award funds. It's more difficult than the financial ones.
This has resulted in a very low number of people engaged in social science research. Of course, social science classes also have some advantages, that is, most of them will work in the government.
Xinmin Education Fund controls the distribution of such bonuses in the vast majority of schools in the jurisdiction, and it is very strong. Therefore, in the jurisdiction, an academic atmosphere has been formed in which science and engineering are the mainstay, and the liberal arts are supplemented.
This Chinese tradition is very different. The Department of History even has many papers detailing the solidification of national ideas and understandings by the rise of Confucianism in the Song Dynasty, which is the real reason for China's backwardness. It is also the so-called "scholar misleading the country".
The discourse and academic atmosphere in Wuhan made Hu Shi of Peking University, Zhang Taiyan of Nanjing University and others very dissatisfied, but they were helpless.
Even Chen Bui published an article arguing that Zhang Weimin was anti-traditional and severed the relationship between Confucian culture and Chinese culture. Nanjing even held an exhibition of calligraphy and painting by calligraphers from the Kuomintang and the CCP.
The photos that came back are indeed very interesting, and all the calligraphers and painters in the Guotong area are decent Yan Liuou and inscriptions. And the CCP under its jurisdiction has been seeking change on Wei Beibei since Liang Qichao, and when it comes to Mao Shishan and others, it has been completely liberalized and unscrupulous. This is especially true of the students' works, who pay attention to the overall charm and are not informal. From the oracle bone inscription to the big seal and the small seal Lishu, from Wang Xizhi to Zhang Xu, to the thin gold body of Song Huizong, anyway, they can use it as they feel comfortable. As long as it doesn't spoil the overall feeling.
Although the Kuomintang region strongly criticized this unregulated and undistant atmosphere, even Song Qingling and Liu Qing came over and said to Zhang Chun that it was time to take care of it.
You know, some Japanese calligraphers and painters also participated in this calligraphy and painting exhibition, and they are more Chinese than Chinese, and some beautiful and dangerous works are not comparable to people in the national unification area.
The paintings in the Wuhan government area are almost all realistic, and the splashed ink and watercolor are also all kinds of ordinary people and simple pastoral scenery. Liu Qing said that these things can be used as propaganda things, and they are far less artistic than those of flowers, birds, fish, insects, and ladies. In the huge jurisdiction, there is no one who is willing to engage in art.
Zhang Chun said with a smile, if art is flowers, birds, fish, insects, ladies and lobsters or something, don't do it. Art should be broader and functional. Something that is not functional will perish sooner or later. Of course, if the Kuomintang and the Japanese are willing to become painters and paint ornaments for the rich, it doesn't matter, each takes what he needs. Anyway, there are capitalists who raise it, and I don't pay for useless things.
Song Qingling and Liu Qing also laughed. (To be continued......)