Crazy men and women, national hatred and family hatred!

When Cui Niannu took over this thin book from Ximenqing's hand, from the beginning of turning the first page, all her mind was attracted by the strange woman Li Xiangjun of the generation depicted in it, similar talents and life experiences, all made her see the characters in the book as another self, with the twists and turns of the plot and unable to herself.

In the evenings of the past few days, Ximen Qing found a literate gentleman and recorded this "Peach Blossom Fan", except for the background of the times changed from the end of the Ming Dynasty to the beginning of the Western Jin Dynasty, the names of the rest of the characters have not been deleted and changed. Of course, the literate gentleman doesn't have the same literary brilliance as Kong Shangren, he just lays out the story and tells it down, but the twists and turns of the plot and the fullness of the characters still make Cui Niannu unbearable.

After a full hour, Cui Niannu, who had read the whole article, sighed long and obviously immersed in the story.

Incense fan pendant! Isn't that what you are?

Cui Niannu recalled the appearance and figure of Li Xiangjun mentioned in the book, isn't it just another self, could it be that this book was specially written for me by the man in front of me?

At this time, Cui Niannu's gaze at Ximenqing was different from before, Rao was a long-sleeved and good dancer, and her cheeks were red at this time, and her eyes seemed to be overflowing.

Where did Ximen Qing expect that there was such a layer of cause and effect, only when the other party was folded by this "Peach Blossom Fan", so he smiled and said: "Cui Xingshou, if a big drama is discharged based on this story, I believe that Cui Xingshou's reputation in this Bianliang City will be further enhanced, I don't know what you think?" ”

"Rehearsal?"

At this time, there were already some miscellaneous dramas in the hook column, which can be regarded as the origin of Chinese opera, but the story is not strong, and the emphasis is still on dance music.

Ximen Qing in his previous life, when he was a child, spent the New Year at his grandfather's house in the countryside, and he also watched some local operas in the courtyard of the barn at the entrance of the village, so he naturally had some impressions at this time. Seeing Cui Niannu's unbelievable expression, Ximenqing also carefully described it according to the appearance in his memory, during which Cui Niannu also asked some key points, and Ximenqing also answered them one by one.

This night, Shi Qian waited until the end of the day in a tile on Hutong Street to see Ximen Qing out of Xianyunju, and the news also spread to the corners and alleys of Bianliang the next day with the poem "Mulan Ci".

Needless to say, the name Ximenqing also had a certain influence in Bianliang City and the Great Song Dynasty literary circles.

Of course, I don't know how much news there is in Bianliang City every day, whether it is the news of the official ban or the anecdotes in the market, which day is less, but in half a month, the news about Ximenqing will naturally disappear without a trace.

In the past half a month, Cui Niannu found a Wang Zhangyi of the Teaching Workshop Division, and Ximen Qing made some money in the meantime, and found more than a dozen servants and musicians of the Teaching Workshop Division, and a group of people lined up the big drama in the Teaching Workshop Division.

has a specialization in the art industry, Ximenqing naturally will not join in the excitement, but will focus all his energy on the construction of the house on Quyuan Street.

On the one hand, the urgency, on the other hand, the salary given by Ximen Qing was fifty percent higher than that on the market, and the craftsman worked day and night, rushing for more than 20 days, and finally changed the original house into a unique tile.

Since coming to Bianliang, Ximenqing has been in operation for more than a month, and more than eighty percent of the 100,000 yuan of goods brought at the beginning have been spent.

On this day, Bianliang City was as usual, all kinds of shops opened to welcome customers, the streets and alleys were also full of people, a horse-drawn carriage came from the inner city, and stopped at the Suzaku Gate across the royal street. After a while, five or six beautiful women got out of the car, each wearing a white slit waist robe woven of Shu brocade, with a pair of fat and thin white trousers inside, and a pair of strange shoes of more than two inches, low in front and high in the back, swaying like that.

These women were originally good-looking, attractive, and dressed in fluttering clothes, swaying lightly, holding their chests and hips, which caused the flow of people to stop and watch.

The clothes and ornaments worn by several women are just the national costumes of the small countries of the Indochina Peninsula in the later generations, Ao Dai, with the later women** and high heels specially ordered by Ximenqing, which naturally makes the figures of these women appear more slender and straight.

If it is very different from the current Song Dynasty costumes, the dress naturally attracts the onlookers, and these women are also generous, sending the list in their hands to passers-by.

However, on the third and fifth days, the news that Cui Niannu, the head of the Tokyo trip, would perform the new drama "Peach Blossom Fan" on stage was broadcast throughout Bianliang City, and the name of Ximen Wazi on Quyuan Street was also spread by word of mouth.

Seven days later, the Ximen Wazi, which attracted the attention of the entire Bianliang City on Quyuan Street, finally opened. Outside the door, two rows of more than ten tall women with bee waists and hips, dressed in white Shu brocade Ao Dai, are undoubtedly a scene in Bianliang, and at least a ticket for ten runs is also staggering. However, there are countless wealthy families in this Bianliang City, not to mention such ordinary tickets, even if they are one hundred, the tickets closest to the stage were sold out two days ago.

Needless to say, Cui Xingshou's reputation in Bianliang City is too loud, and the preliminary publicity planned by Ximenqing is the icing on the cake. It's just a hundred times, and Cui Niannu, who can see the famous Bianliang with his own eyes, is really not worth mentioning for the gentry who has a huge family of money but no talent and can't enter the idle cloud house.

A "Peach Blossom Fan" is divided into five acts, and one scene will be staged every five days, during which there are all kinds of new things such as cross talk and "Journey to the West" storytelling, which makes every audience who enters the venue feel eye-opening and worthwhile.

However, this is only the beginning of the trend set off by Ximen Wazi in Bianliang City, the backyard part of the big mansion on Quyuan Street is still covered by a curtain, and every guest who enters the tile can't help but be curious, only to be told that it is being renovated and decorated, and it will only open in a month.

This method is somewhat similar to the so-called "hunger marketing" in later generations, but Ximenqing is not this consideration. He knew very well that stirring such a big tide in Bianliang City by himself would yield at least a thousand harvests a day, and he was afraid that it would not take long for such a big fortune to attract the attention of powerful people.

On the fourth day of the opening of Ximen Wazi, in the small courtyard on Mahang Street, Liu Wang, who had been running for Ximen Qing, finally brought good news.