Section 3: Why Literature and Art Carry the Tao of Entertainment

Liu San took Su Mei as an apprentice, and this master did a more competent job than before.

"Filial piety to me in the form of sharing, I can collect thirty percent." One day, he said to Su Mei about the sharing, "I think that the real filial piety is in becoming a talent, not in the amount of sharing." ”

Su Mei still wanted to argue, but Liu Sanbian didn't give her a chance and stopped: "The thinking of art is profound, the form of art is entertainment, the master tests you, how can literature and art carry the Tao?" ”

After Su Mei digested it for a few days, she asked Liu Sanbian to review a program called "Entertainment Dao", and Liu Sanbian praised it happily: "There is a way to return, and the way to entertain!" ”

Su Mei seems to be a genius prodigy, and once she is enlightened, she can become a Taoist and soar.

Wu's mother was also quite surprised and rejoiced.

Su Mei's main performance form this time is Pingtan with Suzhou's local characteristics, and it is accompanied by beautiful dance. Liu Sanbian is not very familiar with this form, which can be regarded as an eye-opener.

Mother Wu played cheerful music and sang, although she was old, her voice was young, and her face had almost no traces of time.

The first situation of playing and singing slowly is that the mother is raising a child: a three-year-old child is well-behaved and well-behaved, always wants to be fast when he is not stable, and although the road ahead is healthy and Tai, he stumbles and worries.

While Wu's mother was playing and singing, Su Mei led a group of sisters to dance, with lively and cheerful faces, innocent and bright smiles, a pair of jade hands holding smiling faces, dancing briskly and intertwined back and forth, slightly turning her head to watch, pointing forward with great interest, dancing with broken steps, leaning forward, spinning one after another, one high kick after another, suddenly, the expression became stern and up, melancholy, worried, bowed forward, desperately pressed down, frightened and expectant eyes intertwined, The hands are protected by the child's children as if they are slightly spaced.

Liu Sanbian couldn't help but applaud.

The second situation in which Wu's mother plays and sings is to encourage the child: to be free and happy, to be careless and to fight, the child is brave and not to play tricks, and to be strong in the face of kicking the ground.

The corresponding dance is even more moving: Su Mei took the sisters to take the duck step, followed slowly with difficulty, the expression was nervous and happy alternately, and then there was a look of consternation, patting her chest, leaning down to look carefully, shaking her head, a little joy, waving her palms upward, nodding, patting the ground, as if gently putting the child's hand on the ground, helping him to get up slowly, and constantly encouraging, constantly applauding, as if carrying the childish child who stood up bravely to overcome difficulties cheered, proud, and proud together.

The third situation of Wu's mother playing and singing is to care about growth, the more she sings, the more excited she becomes, as if going back in time, the smoothness of her skin is more outstanding, and she is suddenly ten years younger, twenty years old, or even more: looking at the world, her eyes are open, all kinds of real light monsters are attracted, her head is lowered, and the scissors are sharpened for you to cut.

Su Mei and her sisters were also more enthusiastic and more radiant with unprecedented brilliance. Their dance moves are even more beautiful, from crawling and struggling to raise their heads, to being able to straighten up and look up at the distant and attractive future, spinning from squatting to standing up straight, and even more so jumping and spinning.

Then it was as if entering the realm of soaring clouds and fog, the clothes and ornaments were fluttering, the spirit was vibrant, everyone was smiling, everyone was blooming, the joy of discovering novelty, the irresistible attraction of Liulian, lost the direction of progress, seemed to fall into the clouds, falling rapidly, a face of panic, a face of remorse.

One by one, their heads were broken and bleeding, all of them were very wolf, all of them were in pain, one by one, they were struggling in pain, grinning and persevering, they took a lot of effort to stand up, trembling, rejoicing, self-appreciation, self-reward, self-celebration!

They struggled to leap, to spin, to rise, to the unprecedented clouds, their clothes flowed more openly, their smiles brighter, their spirits more flying, their expressions more comfortable, their more confident strength, their more shining wisdom, and their infinite glory.

They are like fish in water, fighting in the wind and waves, swaying freely between the peaks and valleys, crossing the dangerous beaches and fighting the evil waves, refreshed and high-spirited, they bravely accept the baptism of battle, bravely temper the wings of fighting in the ups and downs, their blood and the rushing water flow, they become extraordinarily strong, they become extraordinarily cheerful, they become infinitely masculine, and they face more brilliant brilliance.

Su Mei and her sisters are like a peng spreading their wings in space, light as a swallow, admiring the changes in the clouds, feeling the warmth and passion of the wind and rain, feeling the excitement and roar of the thunder and lightning, feeling the process of energy accumulation in the wind and rain and thunder and lightning, and appreciating the magical scene outlined by their wonderful cooperation.

Of course, they are not always happy and excited, they feel sorry for being too selfish, they sigh for being too liberal, they are too self-conscious and enthusiastic about the stupid things and stupid things that their relatives and enemies are happy about, they are saddened by the shameless behavior of unfilial children who are too unforgivable, they also feel powerless about the composition of the underworld, and they also regret the imperfection of the imperfect people who are destined to live.

Liu Sanbian could see it and was fascinated by it, especially the final performance of Su Mei and her sisters made him feel like he had fallen into the abyss, and he had the feeling of being tied up and escorted to the eighteenth layer of hell to ask for guilt.

Although Wu Ma did not know the specific situation of Liu Sanchang, it could be concluded from her rich life experience that a well-looking adult man, wandering and wandering the world, there must be something he didn't want to say, what else could Wu Ma do, she could only smile at Liu Sanbian.

Finally, the fourth situation played and sung by Wu Ma is a chic life: colorful life with multiple attitudes, persistent and enterprising, and heroic, devoting herself to the torrential sea, with a clear conscience in history!

Su Mei is indeed worthy of her rich imagination and pioneering spirit, which may have been subtly influenced by Liu Sanbian, she told the sisters to give full play to their most prominent artistic expertise, according to their own understanding of the life of understanding, the life of envy, the life of yearning and the life of not wanting to repeat the mistakes of the past to the fullest, the two to achieve a perfect combination as much as possible.

Liu Sanbian watched the dance of his new disciple Su Mei, with indescribable excitement, and just after the rehearsal performance was about to end, he couldn't help but walk over, hugged Su Mei, and hugged him tightly for a long time.

Su Mei's sisters were puzzled, why did Liu Gongzi, who has always been clean and self-conscious, behave like this?

And Wu's mother quietly beckoned them to gather around on the spot, and quietly told everyone: Liu Gongzi should have been a person with deep affection, but unfortunately, the planning of life made him take care of everyone, give up his small family, and take care of his career, and had to ignore family affection, and Su Mei started from her own family misfortune, deduced her own pain, diligence and self-improvement, thanked the society for its help and success, and gave full play to her talents, and selflessly dedicated her beauty to the audience and her parents!

When the sisters asked Mama Wu how she knew, Mama Wu's loud answer woke up Liu Sanbian, he let go of Su Mei, and thanked him: "Yes, I wrote the words of this commentary, thank you for your dedicated performance and deep understanding!" ”

Since then, Su Mei and Liu Sanbian have cooperated seamlessly, and have entered the golden early stage of artistic performance, and their fame is needless to say.