Chapter Forty-Eight: The Battle of the Flowers: Four Wengs
Transferred to Tong Feiyan, it is a meat word.
This is also not right, Tong Feiyan's surname is best matched with yellow body, that is, considering that Tong Feiyan's calligraphy attainment is slightly poor, it may not be known, and it is not very suitable, so it should also be matched with that kind of withered vine body. However, where does Zheng Lang care about this, except for Jiang Xing'er's yellow font to take care of it, the other three are completely random.
So Tong Feiyan is Liu Ti in his hands.
Everyone also looked at the painting, at this time Zheng Lang's painting skills have not yet been completed, and it is not as good as his attainments in calligraphy, plus it is a relief, everyone only thinks that the bamboo pen holder has a painting and a word and a good poem, very elegant, and the others do not feel anything.
Moreover, although the Song people attached great importance to painting, they did not pay as much attention to calligraphy, and they did not pay much attention to the art of carving.
Of course, Zheng Lang doesn't think so, he likes it very much in his heart.
The words were also sung, so they watched the calligraphy together, and they were amazed together.
Zheng Lang pondered for a long time, and copied for a long time, and finally realized that the path taken by Liu Luoguo was still to please Qianlong, so he added fertilizer to Zhao Dong's font. However, Zhao Mengti's charm, he also disliked it. So he absorbed the Xiongqi of Yan Tizi. This change, the font is still mainly mellow, Xiongqi is gone, but some of the unique charm of Zhao Dongti and fat characters has also been reduced by seven points.
If you don't figure it out, it will be similar to it, and you can't copy it.
In the past two years, although it is not everyone, it is also a small family of calligraphy, and it has this qualification.
In fact, the calligraphy of Zhao Mengfu and Dong Qichang is not as unbearable as later generations say, but the words made Qianlong write badly, and he bore a lot of infamy for Qianlong.
But at this time, where is the calligraphy of Zhao Mengfu and Dong Qichang, so in Liu Zhizhou's eyes, it feels incredible, and at the beginning, it was the same idea as many people, a new font that was absorbed from the face. But after thinking about it carefully, I found that it was not.
The more you look at it, the more it is, and then you are at a loss, no matter what the word, there is always a origin, such as the words of your own descendants, carefully see, the structure of the word frame is the two kings, and the details are part, there are some techniques of the major families of the Tang Dynasty. Could it be that this kind of calligraphy jumped out of a stone?
With a suspicious mood, walking in front of Bai Yuniang is another funny word!
In the late Qing Dynasty, Xianfeng Tongzhi calligraphy master He Shaoji's back wrist font. This man was not only a calligrapher, but also a famous painter, who also tried to draw into words, so that calligraphy brings a unique sense of line.
His regular script is quite normal, the small lines are normal, and the big lines are weird, like scattered ancient vines crawling on the cylinder wall. If it weren't for the fact that she liked this word, and the novelty of this pen holder, Bai Yuniang almost threw it out at the beginning. I still sighed in my heart, making such a delicate thing, and writing such a graceful poem, and actually writing such ugly words.
But in Liu Zhizhou's eyes, this is not the case.
At a glance, you can see that this font is elegant, mellow and flavorful, and that kind of line gives people a unique aesthetic feeling.
The new font, I also want to find it, it evolved from that font, and I saw Yan Zhenqing, Li Yong, Wang Xizhi, and even some shadows in the inscriptions of the Northern Wei Dynasty. But if you look for it again, it's not like it. Thinking about Su Dongpo's super big head, he may not have thought that there is a writing method called the wrist method in this world. If you don't know this method, you don't know where the word comes from.
Isn't this specious thought tormenting?
couldn't help scratching his head, then turned his head and asked, "Zheng Xiaolang, how do you think of this kind of word?" ”
"Zhizhou, look at it in the future, it's about the same as the first font, try to draw the words."
"Yes, but where do these lines come from?"
"Is it an alternative way to hold a pen?"
"An alternative way to hold a pen?"
"I'll write a picture," Zheng Lang looked at Liu Zhizhou, if this mystery is not revealed, it is estimated that he will not be able to sleep well when he goes back tonight.
Bai Yuniang asked weakly: "This character is well written?" ”
Liu Zhizhou made her angry, and said: "Keep this thing well, these cylinders are worth at least 100 gold each, 50 gold for poems, and 50 gold for words." ”
Bai Yuniang stuck out her tongue. What is the 100 gold? What kind of concept is this? I have worked hard in the pavilion for a year, laughing, being insulted by guests, accompanying guests, staying overnight, and rewarding gold and silver jewelry by guests, at most two hundred gold.
But Liu Zhizhou does not refer to how good the words are, but to the novelty.
Since Ou Chu Yanliu, descendants have been making breakthroughs, but they have not succeeded, including Liu Zhizhou himself, who has fallen into such a desperate situation. So as soon as I saw Zheng Lang's words, I was immediately fascinated. How much ingenuity and wisdom does it take to make such a breakthrough?
But Baijin exaggerated a bit.
Before Song Huizong became the emperor, he used 20,000 yuan to ask the servants of Cai Jing's family to take out two folding fans written by Cai Jing for him to play with. There is no comparable surname, Cai Jing's words at that time began to have a great success, but there was Su Beihuang in front, which was considerable and invaluable. As a calligrapher, two folding fans cost 20,000 yuan, which is not high, and historians use this as evidence of Song Huizong's crime, and the belly is too small.
Therefore, although this character is not as good as Cai Jing's calligraphy, its value is higher than him, and it is new! Coupled with the height of the word, the elegance of the utensils, the painting and carving, and the background of the flower party, these elements are superimposed, and it is very likely that they are worth thirty or forty gold, or forty or fifty gold. But it will never reach 100 gold.
When Si'er heard this, his flesh hurt, and he said in Zheng Lang's ear: "Baijin." ”
"It's not worth it, I'll tell you when I go back." Zheng Lang is very clear. If you make another one, even if it's another font, it's not worth much! At most, exchange a few gold, and it's amazing. Is the Zheng family missing a few golds?
returned to Jiang Xing'er's table, asked for paper and ink, and wrote a drawing with his wrist. Just write a picture, or you'll see it. Said: "Zhizhou, isn't that so?" ”
"Yes...... Alas," said Liu Zhizhou, who also learned to write with a pen, not to mention it, let alone it, miserable! He laughed at himself and said, "Zheng Xiaolang, you are so talented, you can see it so quickly." ”
Regardless of how you know, you will be a genius in your next life!
Anyway, at this time, people have this thought, including celestial phenomena, once there is a catastrophe, no matter how good the emperor is, he will make an edict.
So he came to Tan Wan's table again and let out a "huh" again.
This kind of brick book is the lacquer book that later became famous, and it is also the trick of Jin Nong, one of the eight monsters in Yangzhou.
Tan Wan is also wondering, what kind of strange book style is this? Let's say it's a change-seeker, and it's clumsy. Let's call it clumsy, and it doesn't have the natural interest of some clumsy fonts. I can't tell if it's good or bad. It just so happened that Zhizhou came, so I will comment on it by the way.
Liu Zhizhou took a closer look and could see that some, mainly changed in official script, took some gestures of official script, and mixed the penmanship of regular script and seal script. It's not what Tan Wan thought, the font is vigorous, ancient and elegant, full of a majestic charm. It seems to be a contradiction, but this kind of word just unifies this contradiction. Those small hooks were added, and an aura was added, so that the words became frank and natural.
"Zheng Xiaolang, how do you see it?" Still can't figure it out. When you're old, save some poor brain cells.
"It's possible that it's carried by the millimeter." But if you don't write it again, if you write it again, smart people will associate it.
"Cut off...... It's an elephant," Liu Zhizhou muttered. Today, it has opened my eyes, and it can be written like this with a brush.
Zheng Lang added: "Zhizhou, according to the later life, is not only truncated, but also combined with the strengths of all bodies, the writer also tries to draw into words." ”
Another one that draws into words!
Liu Zhizhou couldn't help but put the four pen holders together.
Everyone looked at these four words, with different expressions, some were dumbfounded, some were stunned, some were shocked, and some were ridiculous.
Liu Zhizhou asked Jiang Xing'er's little maid, "Can you hear the accent of that old farmer?" ”
"Seems to be a local."
"How old are you?"
"About fifty years old."
"Well, almost, the servant is so old, and the master is older. Without such an age, he couldn't write such a Yayo poem, let alone create such a new style. But who are these four? Could it be four funny four brothers? ”
"Zhizhou is reasonable, not the four brothers, Shiyu's style will not be so similar, and the surname is noble, they are all funny hermits, so they don't leave their names, give a thing, and let the servants leave."
Not only are they four brothers, but they are also funny old men and hermits. After Si'er listened, he suddenly fell into Zheng Lang's arms, couldn't help it, and giggled.
It turns out that Zhengzhou's parents are also so funny.
ps: I added it last night, and I realized that the essence was gone, and I made up for it all on Monday.
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