Because most of the TV supply has so far been handled by Lin Youde's production company, Xiaolu's travelogue has received unprecedented ratings in Germany, and the first three episodes have attracted crowds every time they are broadcast.

"Miss Lu is so cute" has become the consensus of the audience watching the film.

The French version was played later than the German version, but it also created a group of fans of Xiaolu in France.

Of course, when the TV movie set off a wave of fans for Xiaolu, the little guy had already completed his first walking tour for a long time.

Xiaolu looked at herself in the TV film and seemed to feel very novel.

"That's what I was like back then."

Novelty is novelty, Lin Youde has returned to Potsdam at this time, so Xiaolu has no intention of running out to play again, pestering Lin Youde all day long - yes, just like Nia and they were young.

Lin Youde was also happy to have his youngest daughter by his side, and he came back from the venue and began to make his first film after the end of World War II without saying a word.

After careful consideration, Lin Youde decided to make a war romance film. The current people have not completely freed themselves from the pain of war, and may not be suitable for making films that show the cruelty of war, after all, Lin Youde is not an artist, he makes movies to be a blockbuster, and only after selling out can his propaganda goals be realized.

What could be more touching than a battlefield romance? If you really want to make an anti-war film, you can wait until the pain of the war gradually fades and then make another one.

Lin Youde quickly finalized the main body of the story: this is too simple, the story of the Tiger King and the Polish War Queen is just there, and it is a sin not to use it to make a movie.

After nearly a year, Lin Youde was immersed in film shooting.

In order to shoot this movie, he personally drew hundreds of story plates, and if it weren't for his ability to complete the paintings at an astonishing speed with the blessing of the plug-in, the number of story plates alone would be enough for him to paint for more than a year, without even thinking about shooting. But Lin Youde's painting of these story versions only took a fraction of the time of ordinary people, and he still had enough time and energy to shoot, which also made the entire crew admire Lin Youde and think that he is an amazing genius.

The storyline of the movie is actually very simple, so simple that people wonder "Nima is also the main storyline".

At the beginning of the story, the heroine recalls the "crimes of the Russian army" during the Russian occupation of Poland, which suddenly sets the tone of the film, followed by the Poles desperately resisting the Russian attack, fighting bloodily in the face of a large number of Russian troops, and then the German army galloped to the aid of the stars to help the Poles resist the ferocious Russian invaders.

Of course, this part is all historical facts, but Lin Youde deliberately highlighted the brutality of the Russian army in order to set off the greatness of the German troops. He borrowed a lot of movies from later generations to bury the villain Russian from various cruel perspectives. Lin Youde's tendencies can be seen just by casting, the actors who play the Russians are all fierce and vicious, and the actors who play the German army are all handsome guys.

This obvious tendency, even Viola, who made a movie with Lin Youde, couldn't help but complain: "You just give Russia a little handsome, at least give them a little vicious handsome." ”

In addition to the small actions in casting, Lin Youde also moved a lot in the overall art of the film, such as when the Russian army appeared, the entire background must be arranged in dim cold colors, and no warm colors are allowed to appear in his shots.

Although Lin Youde is not from a film class, he inexplicably became a well-known film critic on a famous film review website due to fate. I didn't expect that now these self-study contents have come in handy, and they have become quite effective with the blessing of his artistic costumes.

A good movie is already making a fuss in terms of the overall tone. For example, the color tone of youth films is generally very bright, and the hue is basically warm, and even if there is a cool color, the cool color will be placed under a bright light source to make the cool color match the overall color tone.

If the picture of a youth film looks all cool and you don't like to play bright lights, then you have to be careful, this youth film may be a melancholy work.

For example, Iwai Shunji's "One Qiē About Lily Zhou", although the content of the opening shot is a little fresh meat playing with a little freshness in the green grass, but Iwai Shunji shot this shot very darkly, and deliberately chose to shoot when the sky was gray. This opening shot sets the tone for the whole film, and all the shots that appear after that will have warm colors, but all of them will be shrouded in a layer of gray.

As another example, Hollywood sci-fi films are generally full of shades of white and light blue to highlight the sense of technology. In the famous sci-fi series Star Trek, a variety of different departments on the battleship are set to wear different colors of clothes, among which the uniforms of the most cannon fodder departments are bright red, which is probably the root of the disease when the development of film and television art was not perfect in the past, but in the latest theatrical version of Star Trek filmed in Hollywood, the director adjusted the saturation of the uniform color and other elements to forcibly link the uniform color with the overall color of the film.

In short, a good work of visual art must already be "conveying" what the photographer wants to express from the beginning of the color.

Therefore, it is very important for the director to draw the story version, especially the story version with color designation.

What is the difference between a director who can't even control the color of the film and a watercolorist who doesn't distinguish between red and green? Of course, there are also phases in the development of visual arts, and there is no way to ignore the color tone in the embryonic stage of color films, after all, you can't ask directors who have just moved from black and white films to the era of color films, right?

But if in the era when visual arts have been relatively perfect, and you can't do these basic things, you can only shout to the director, go to ****. For example, a domestic tomb robbery film in another time and space, a film with the theme of tomb robbery, is it hairy to come up so bright? Does the director have any basic color knowledge? And then the actors wear clothes, so bright and bright colors are frizzy? Director, don't you think the bright red clothes spoil the artistic conception of tomb robbery?

Of course, it is impossible for Lin Youde to make such a mistake - in fact, it is quite difficult for him to make such a mistake, because in the color films of these years, the color is processed into color film by technical means after shooting, unlike the color that was shot in later generations, so that some directors will forget to control the color.

All in all, Lin Youde played with color control in his film, and as soon as the Russian army appeared, it was a variety of depressing colors, and the appearance of the German army was accompanied by warm light and warm colors, and the overall tone of the film was warm and bright, so he rendered the Russians into big villains with color alone.

After the filming of the whole film was completed, Lin Youde first showed it to his harem, and as a result, the girls expressed their eagerness to enter the movie to kill the hateful Russian.

Lin Youde is quite satisfied with this result, you must know that he is showing a version that has not yet been accompanied by music. Next, Lin Youde spent several months adding music to the movie.

So the color war romance masterpiece "Tiger in the Mud" was born.

The film was released in 1950 within the framework of the Human Reinvention League, and immediately achieved unprecedented success. Kali Woods and the Polish goddess Veronica have become a well-known heroic couple, and not only that, but the weapon as the two's car has also become a well-known "star".

Lin Youde was very chicken thief and registered the two numbered cars used by Otto and Veronica's magic armor, and then issued genuine model toys within the scope of the Human Innovation Alliance to desperately collect money.

A few months after its release in the Alliance for Human Renewal, the film landed in the United States.

The United States in this era already has the style of a film empire, but although Hollywood in this era has the concept and thinking of commercial films, it has not yet formed a complete and industrialized genre film shooting line. Hollywood in this era still has craftsmanship, but they are a little more commercial than their European counterparts, and it is this little bit of commercial element that makes Hollywood defeat its European counterparts and become a film empire.

But Lin Youde is different, Lin Youde has been running for business from the beginning, playing with art or something, and what he brings is mature commercial film narrative techniques and lens language use. In his films, there are a large number of spectacular and grand war scenes shot with models and real weapons, there are story plots of wild fights, and deliberately created beautiful love.

Among them, the scene where Veronica's actors play the violin under the moonlight of the battlefield, many of the expressions used in it are actually played badly in later commercial romance films, especially Japanese-made commercial romance films, such scenes abound. But in this era, such a scene can be regarded as a palace-level famous scene.

In short, this work, which has all kinds of hot shots, bloody scenes and beautiful love, immediately set off a movie-watching boom after landing in the United States. At the beginning, only a few dozen theaters released this film, and in this era, you can only go to the cinema to watch a movie, so the film is in a state of hard to find. But the cinema businessmen, who soon sensed the business opportunity, began to release the film in the United States.

As a result, young people in the United States, like their European counterparts, began to wear the badges of German armored soldiers, and learned to wear hats crookedly like the actors who played the Tiger King, while young girls began to learn to play the violin. R1148