Chapter 180: A Stroke of the Pen!
Ideas, ideas, you have to think before you can find a way.
Wang Yang was like this, he looked at the three of them, killed a large number of brain cells, eliminated one reason for persuasion after another in his mind, and finally finalized several methods.
One, know it with courtesy, move it with affection, and express their thoughts clearly and thoroughly to them, indicating that their thinking is still too shallow, and they can mix it up this year, and maybe it can be next year, but in another two years, this place will be barren.
Second, build a beautiful blueprint and tell them that as long as they cross 108,000 miles and experience 9981 difficulties, they can reach the paradise of happiness.
Three, Wang Yang is thinking about the third point.
A few days later, another batch of rabbits and civets was born, and the numbers increased again.
Orthopedic scientists are getting more and more confident, look, if you don't eat it, it will be flooded.
And the reduction of food also increases the anxiety of the repellent's judgment, and the constant complaining that if you don't hunt and store, it will be gone!
Xiaohong is more calm and relaxed, sharpening her knives, and it is not far from the moment of catching and eating.
The passage of time has not weakened their beliefs, but has become stronger and stronger, and there is a trend towards stubbornness.
Wang Yang couldn't wait, and if he didn't explain it now, he wouldn't be able to listen to anything he said at that time.
He convened the Nth meeting of the discussion of the urban development plan and the future direction of mankind, and this time all the participants could express their opinions and put forward their confusion and incomprehension.
The mood of the people at the meeting was very high, and the response was great, shocking the world.
Wang Yang invited everyone to the sand table and said the first thing he said...... Wrong. The first picture made everyone's eyes widen.
He drew a canyon that looked like a canyon where people lived. There are also houses inside.
But there is no grass growing inside and outside the canyon, and the houses have decayed and collapsed. Scattered aside, the cave is uninhabited, desolate and dilapidated.
Everyone looked at it, but they didn't particularly understand that this painting had no beginning or end, and it was deep in the clouds.
The meaning is still very clear, the picture is so desolate and ruined, there must be no one living in it.
What they don't understand is, why is there no one living there? I don't remember this scene. And it doesn't seem like that's going to be the case in the future.
The chasers and others were puzzled, pointing to the crowd and then to the small animals in the canyon, asking what they meant. Why aren't the people in the painting? Animals aren't in the painting either?
Yes, they were very confused, but they never questioned Wang Yang's painting level, and the paintings he painted were currently only slightly comparable to Li Si, and they were masters among the people.
And for the content of the painting. The crowd didn't even question it, because Wang Yang didn't like abstract paintings or unrealistic landscape paintings, so he wanted him to paint a chrysanthemum to appreciate. It would be better for him to think about the theory of relativity.
So, all along, what he draws is very practical. It's all happening around him, but he often uses a special perspective to show different things to everyone.
Those things often amaze everyone. It's too whimsical and whimsical. Marvel from time to time.
And Wang Yang seems to be able to predict the future, when he heard the mammoth cry for the first time some time ago, Wang Yang immediately drew a picture of an elephant for everyone.
Everyone had never seen an elephant, so they didn't understand it, but when they saw the mammoth, they were all surprised, why did Wang Yang know so much?
This time Wang Yang painted a very different painting, which really made them scratch their heads, is this to indicate something?
In the face of everyone's doubts, Wang Yang appeared unhurried, and he enlarged the painting to paint an image of the surrounding canyon.
Those places were supposed to be forests, but this time Wang Yang left a large blank space, and one or two old trees occasionally appeared in the blank space.
There were ravens flying in the sky, and white bones scattered on the earth, and those bones were human skulls.
He painted bigger and bigger, even to the point of two mountains, and finally the painting became a panorama, covering a considerable area.
Everyone looked at each other in amazement, not knowing what to say.
What terrible thing happened here to make it look like this?
Obviously, they believed in Wang Yang's painting, and panic and fear flashed across their faces, as someone who had shocked them countless times, no one would doubt it.
But they don't understand, so they want the process.
This is the difference between them now and the past, in the past, they didn't need a process, they didn't need to explain, what Wang Yang said was what it was, and every time Wang Yang said it.
And now they have more to think about, to know the process, to know how to deduce it.
Wang Yang is showing affection to them and reasoning, which he has thought of in the past few days.
But there is a difficulty, they have no idea of the time of the picture, they don't know how many years from now, and some people even think that it will happen in the near future.
Wang Yang wanted them to understand that the painting he painted had a time span, so one painting was not enough to explain.
He didn't erase the painting, the painting still had to be used, and it served as a benchmark.
Then he went to the mouth of the cave and sprinkled sand all over the cave, drawing the whole cave with the help of the people.
He painted another picture, in which the whole area was still around, but there was a very dense forest, with fruit trees, wolves on the left hill, dire cats on the right hill, and wild boars in the primeval forest in front of him.
There were no orchards outside the canyon, no houses in the canyon, only about two dozen people, one holding a large wooden stake and carving a wooden barrel, and the other little guy squatted aside and watched intently.
As soon as this painting came out, everyone laughed, this is a memory they have, it belongs to a few years ago, when the tribe was still very small, still using clumsy stone tools, and the food was mostly based on fruits, unlike today's big fish and meat.
And that memory is impressive, because in that year, everyone encountered a crisis of insufficient storage, and as a result, Wang Yang stored food early and buried it in the ground.
The person who was making the barrel should be Wang Yang, and the person squatting next to him should be Zhang San.
Seeing that everyone understood, Wang Yang continued to draw.
This is still a panorama of the canyon, the difference is that there are few fruit trees outside the canyon, and a team of about ten people is walking in from outside the canyon, everyone with wooden spears in their hands, excited, they have caught a wild boar.
It is also evident in this picture that this was the beginning of the hunting of animals.
Wang Yang painted again, this time he painted the people using nets to hunt, and at the same time there were fewer fruit trees outside.
After that, he drew several pictures in a row, in which the people raised small animals in the depths of the cave, built a chicken coop, and then opened an orchard and moved all the small animals out of the cave to raise them.
also drew the blade-toothed tiger, the fool was caught by everyone.
Everyone looked at the past and thought it was so interesting, but they didn't expect that the same scene could have multiple changes.
Moreover, they gradually realized that this is a picture of the occasion of time, starting from the earliest period, picking the most striking events to show the time, and slowly passing.
This effect is what Wang Yang wants, using their own memories to label the pictures with time.
But in the later paintings, the focus is not on the canyon, not on the living conditions of the people, because the people spend a lot of time hunting in the same way.
He began to use his surroundings as a benchmark to quietly change the center of gravity of time.
He drew that the original forest had many small animals, such as snakes and so on.
After that, the snakes made their way into the primeval forest, and the fruit trees began to dwindle.
Then another cascade of other animals withdrew, and the fruit trees became fewer.
In the end, all the animals left, and in this boring picture, suddenly a surge of life poured out.
A herd of stoats migrated from the north, and they attacked the tribe.
During this period, everyone fought with the wolves, and with this as the dividing point, there were lynxes, reindeer, cave lions, and cave bears that followed.
And the mammoth that appears at the end.
It's like a cycle where the old all leaves, the new gradually comes, and then it flourishes to the top and disappears again.
Finally, Wang Yang drew the picture in front of him, and the chaser, Xiaohong, and the orthopedic surgeon quarreled with each other.
The three of them were embarrassed, and the others laughed for a while, and finally drew it now.
Wang Yang raised his eyes and looked at them, without any hesitation, and continued to paint.
This time, it's three paintings side by side, three canyons, but all happening at the same time.
That is, the theory that the three of them firmly believed.
He drew the thoughts of the exorcists and stored the food. I also drew Xiaohong's idea, catching and eating, and then drawing the osteologist's idea, eating the small animals raised.
The three of them had no objection to this, and at the same time, they found that Wang Yang was helping their ideas depict that this is the future!
First of all, the expulsors, in the first year, the people were well fed and stored, protected from starvation, but the migratory procession never stopped, and was still heading south.
The following year, the last migratory team was finally hunted.
In the third year, the old ones were gone, and the new ones were no more, and the people began to eat the little animals that they had kept without storage.
In the fourth year the people endured hunger and some died.
In the fifth year, the people were forced to move south, while the corpses rotted and stinked under fewer and fewer trees.
In the sixth year, I happened to arrive at the location of the picture painted by Wang Yang, which was desolate, with white bones scattered all around.
The exorcist was silent and panicked, he had never thought about something for such a long time, but now that Wang Yang drew it, he understood that this method would not work.
Then, Wang Yang began to paint the little red ones, and after a while, the osteologist's.
Each painting is so heavy, and the smiling faces of everyone, who were originally hip-hop, gradually solidify, and finally become dignified.
By the time the osteologist's painting was drawn, everyone could already reason about what was going on, and even Li Si took Wang Yang's branch and helped him draw it.
All possibilities point to the last picture of desolation.
The cave was quiet at this moment, and everyone's faces were somewhat panicked and depressed, which was a sign of destruction!
They looked at Wang Yang as if they were asking for help, every time at this moment, Wang Yang would stand up, and this time, they wanted him to stand up.
He didn't say a word, with a stroke of the pen, he moved south! (To be continued......)
PS: All kinds of kneeling begging!