Chapter 22: The Game of Death
The sky of the chapel was covered with black clouds, and from time to time they formed various fantastical shapes, and the air was filled with the thick smell of gunpowder and the eerie smell of rotting corpses, in which the black giant-winged crows had taken over the carrion on the ground.
Giant hunchbacked orc-like monsters with huge bricks in their hands, their heads bowed, searching the ground like children who have lost their cherished toys, what may be their memories of being human.
The black leather gloves can show the slender and beautiful fingers, and the heavy stone door is carved with intricate patterns, waves, tentacles, and starry sky, and the brown stone looks full of sacred irony and suffocating oppression.
Meng Haoran opened the door with force, and in his left hand was a new type of revolver shotgun made in the real dream London Hunter's Workshop, of course, this was when Meng Haoran provided the drawings!
The thick body of the gun uses the latest steel casting process, simple, practical, reliable, hard, sharp, and the front end of the muzzle is specially installed with a three-edged spear spur that blends with the sound of the gun, and the gun reverse and visceral critical damage is done to the extreme.
In his right hand, he wields the latest whiplash, a weapon unique to the Hunter's Workshop, as it can only be crafted in the Hunter's Dream.
This is a true combination of a whip and a sword, a weapon that is extremely difficult to craft in reality.
Coming to the square in front of the chapel, a dilapidated carriage pulled a heavy coffin, and the horse did not know where to go.
The human catastrophe did not seem to have affected the surrounding trees, but they had been charred under the fire.
The tall clergy wore gray trench coats, white masks on their faces, and their huge heads were hidden in the hood of the trench coats.
The clergyman's huge staff seemed to hide a blade in it, and his hollow eyes watched everyone who dared to pass by, as if to destroy every living creature that could be moved to hide an unspeakable secret.
Sometimes there are things that both parties agree on, such as two hungry diners who haven't eaten breakfast on this smoky morning, and think of each other as their prey, perhaps soup dumplings or fragrant noodles.
The clergyman's huge body is like a tyrant, and his blood-stained staff is like a deadly stick! It seems that Meng Haoran can be sent directly to the ICU ward in the next second.
Meng Haoran instantly took out his shotgun, and the gun counter-this move has been used perfectly, the first shot knocked the clergyman out of a hard stun, and the second shot directly bullied the body and stabbed the blade into the body with a critical blow to the internal organs!
The gun counter move has been raised by Meng Haoran to the combination of cold weapons and hot weapons, combining the art of fighting with the art of explosion, when the cold blade pierces the opponent's body, followed by the explosion of scorching gunpowder, the internal organs instantly suffer a fatal blow.
Meng Haoran gradually named this close-range hot weapon battle as the Hunter Gun Fighting Technique during the battle, and made it into a skill through the Ninth Book of Art and placed it in the store for sale.
The emergence of the hunter gun directly stimulated the emergence of a new gang, which was really a group of hunters in London who believed that explosion is the art of developing a series of weapons based on the hunter gun fighting technique, and a new hunter gang was formed.
With two gunshots, the nearby crows seemed to be frightened, and the birds that fed on carrion seemed to have been in their dreams, and the giant-winged black crow seemed to be a crazy creature.
It seemed that the slightest sound could scare these huge black crows away, but in the next second, their red eyes would quickly transform into madness, as if the transition from fright to bloodlust did not need to be transformed in their bodies.
Unlike the crows in the game, the crows here are extremely bloodthirsty and aggressive, and more importantly, they can fly, attacking you directly from the sky.
In this open environment, facing the giant winged crow, if you hesitate a little, you will feel what is called a senseless death swoop.
However, this bloodthirsty crow has a weakness, that is, it is afraid of fire, at this time you need Molotov cocktails, fire charms, and torches.
Meng Haoran didn't entangle with these crows too much, and continued to walk along the steps, avoiding those tall priests as much as possible.
Meng Haoran hid his figure all the way, and he simply played the Blood Source Curse into an assassin's creed, and there were many carved birds and beasts on both sides of the steps up, and at this moment these stone carvings were looking at Meng Haoran with indifferent eyes!
Next, a large axe comparable to a door panel was suddenly swept by a powerful hand, which could be said to be unprecedented, and the clergyman's gray and white trench coat and black top hat were clinging to the wall like a sculpture.
This is a natural evil taste, such a tall body to be an assassin, just like a chef who has to play the art of war, giving people a very abrupt feeling of wearing a dragon robe and not like an emperor.
That giant axe had such a high range attack, even Meng Haoran didn't dare to hit its edge, once this giant weapon was hit, it would be instant death, there was nothing to discuss at all.
The Ninth Book of Art did not give Meng Haoran a digitized body, and the skill that Meng Haoran relied on to continue fighting was only attack to regenerate health, so he still had to be cautious in the face of this kind of giant creature with extremely high attack power.
Meng Haoran jumped backwards to avoid the direct attack of the big axe, and then used the whip blade to directly hook the big axe, pulling himself directly to the side of the giant priest, so that he could avoid the attack of the big axe.
Next, he used the whip blade to directly strangle the throat of the clergyman, and immediately cut off this vulnerable part and made up two shots with no worries.
Walking briskly down the stairs, there are two giant hunchbacked orcs who seem to have lost lollipops with huge stones in their hands, let's call them Brick Brothers!
Brother Brick and we fought awkwardly, neither huge size, nor flexible speed, and was directly beaten to death by the gun!
After killing two crows on the way, a sight of burning clouds began to appear in the distance, and the entire chapel area seemed to be red.
There was a slight movement in front of him, as if a huge creature was walking forward with extremely heavy steps, the gray-white trench coat was the same as the windy black hat, and the withered face was like a huge iron ball like Chen Guohan in his hand.
It all tells that this is a heavyweight opponent, and under the light of the sudden appearance of the blood-red moon, this clergyman, who is even more majestic and more lethal than a tyrant, reverently drags the huge iron ball in his hand.
When killing becomes a very formal ritual, every detail is filled with a sense of solemnity.
The clergyman's tall size, gray trench coat, and heavy iron balls accompanied by the blood-red glow of the blood-red moon, and the help of the fiery clouds rolling in the sky became the most eerie sight before the killing.
No creature is allowed to peek into the secrets of the cathedral, and those who dare to steal the authority of the Church will be condemned as heretics, and the hammer that symbolizes the justice and order of the Church will crush them into pulp.
This solemn feeling of this pious killing also aroused the feeling of killing in Meng Haoran's heart, when all the right and wrong can be corrected with iron and blood, it seems that life and death have only become a solemn game of dignity.
The scene in front of him reminded Meng Haoran of a sentence: Life is a game of waiting for death.