It is difficult to become an adult without poverty, and it will always be innocent without setbacks!

Human affection is like a thin piece of paper, and the world is like a new chess game!

No one asks about the poor in the downtown area, and the rich have distant relatives in the mountains!

If you don't believe it, but look at the wine in the banquet, and pay tribute to the rich first!

This poem was inspired by Meng Zixuan, Hanyu Snake Village seems to be a terrifying place, and it is a testing ground for human nature.

The 800 bhikshunis have been burdened with the sins of the past, but they want to covet eternal life.

The Kamiyo family has maintained mysterious and bloody sacrifices for generations, and the entire village has reached an extremely cruel level of indifference to this matter!

Whether it's someone from the Makino family who commits suicide because of the failure of the ritual, or the Miyata family's study of corpses.

In fact, it's all human nature that is doing the trick, and Tatsuko is just an introduction!

Akira Shimura walked out of the pit of Mt. Aishidake, and suddenly found a woman chattering in front of him.

This woman is an outdated star, her name is Nahoko Mihama, who was originally a big star, but when she got older, she was old and decrepit, and she could only take on some third-rate supernatural programs to barely make a living.

Akira Shimura held a shotgun in his hand and said, "Hi, passerby A, soy sauce party, what are you doing?"

Don't you know that a character like yours who has no sense of existence can easily hang up?

Well, the joke is over.

Akira Shimura may be an old man and began to preach to Nahoko Mihama: It's all that woman eight hundred bhikshunis, and she has always been alive!

Do you want to be like her, to live forever, Mother Tutu.

Mihama Nahoko smiled very awkwardly, and then said, "Although I have dubbed this character before, I don't understand who the eight hundred bhikshunis you are talking about are at all?"

In this way, Akira Shimura and Nahoko Mihama pass each other, just like Grandpa Niu and Tutu's mother pass by.

12:00 noon.

Kei Makino came to the vicinity of the accident-prone 333 Highway by mistake, and he was accompanied by Maeda Tomoko.

Maeda Tomoko is indeed a little expert in death, just because her parents peeked at her diary and ran out, and then she was involved in a strange time and space.

Makino Qing said to Maeda Tomoko: Little girl, it seems that you are not a serious person.

Tomoko Maeda said angrily: Why!

Kei Makino said: Who writes a diary for serious people?

Tomoko Maeda immediately counterattacked: Why don't serious people keep a diary?

Kei Makino said: Anyway, you wrote yourself out.

This is the end of your life, boy.

The road actually broke here, and the red mist in the distance swallowed everything, and the wind whistled around it like a knife.

This is where the alternate world meets the real world.

In the blood-red waters of the Mayu River below, many corpses are making a mysterious return to the sea, and their actions seem to be summoned by a mysterious voice.

Due to the large number of corpses rushing here, there is no place for absolute safety.

Takeuchi Tawen and Yasuno Iko, who escaped from the watchtower, came to the vicinity of the shrine, and at this moment, Takeuchi Tawen already understood that he was being pulled into another time and space.

It's neither reality nor illusion, and time here isn't linear.

Time here seems to be jumping, as if the time of existence is cut off in one scene after another.

Yasuno Iko is thirsty and wants to drink the water from the river.

This move was stopped by Takeuchi Duowen in time, and Takeuchi Duowen said sharply: Huangquan Huqi, you should have heard of this sentence, you can't return to the world after drinking the water of hell.

Anyway, wait here, don't get in the way.

Takeuchi Tawen left Yasuno Iko in place and left alone.

Akira Shimura walked forward aimlessly, and in a short time the sun was already set.

Akira Shimura looked at the scene in front of him, it should be the big character Polojuku, and in front of him was the Flame Watchtower.

In the past, this kind of lookout was used to observe forest fires, and every day there were conscientious lookouts on it to observe everything in the forest.

Akira Shimura climbed the tallest watchtower in the village, holding a photo of himself with the Takeuchi family when he was younger.

At this time, Iko Anno, who was chased by the corpse, shouted while running: Don't come here if you hate it.

Remember, this is also a negative textbook.

Shimura Akira saw this scene on the watchtower, and said in his mouth: This stupid girl is running and shouting, is it trying to attract more monsters?

It looks like a lot of out-of-towners are getting involved.

Akira Shimura threw away the group photo in his hand, this photo drifted away in the wind and rain, I don't know where it went?

Iko Anno was cornered by the corpse and ran into a mansion, and through the information left in the mansion, she knew that this was the Yoshimura family!

Here, Iko Anno accidentally picked up a group photo that Akira Shimura threw away!

Izuko Anno actually found Takeuchi Tawen when she was a child in this photo!

Akira Shimura finds Iko Anno, who escaped from Yoshimura's house, and the two move forward together in this dangerous time and space.

Akira Shimura is a good hunter, he gets an enemy with every shot, and his backpack is full of bullets, and he seems to be prepared.

Maeda Tomoko was separated from Makinokei in the chaos just now, and she came to a shrine in a panic.

Here Maeda's long-lost IQ is online again, and Maeda first shakes the shrine's bell to attract the attention of the corpse, while she runs to the road down the mountain.

On the highway, he used the horn of the car to lure away the remaining corpses, and finally managed to escape from the vicinity of the shrine.

Akira Shimura and Iko Anno also came to the end of the 333 Highway, and because they came relatively late, they saw the magical and terrifying scene of the return of the sea!

Akira Shimura said: This is the return of the sea, and after returning from the other side of the sea, it is no longer a human being.

Return to the sea, and return to the sea.

This is an ancient custom in the village, and I used to think that the sea came from in the mountains.

Akira Shimura said meaningfully: This village is over, and I must at least be free before I become a monster.

Yasuno Iko only heard a gunshot behind her, and when she turned around, she found it in horror.

Akira Shimura has committed suicide by drinking bullets.

The old man had been struck down by the facts in front of him, and had lost hope of living for the meaning of life.

The loss of children and wife has been like a heavy shackle for so many years, locked on this person's body.

Now that Akira Shimura has seen the truth of the matter with his own eyes, he no longer has the desire to live.

But is this really the end of Akira Shimura? Is it that easy?

It was soon getting dark.

Meng Haoran compared time in the dream of reincarnation, and found that the strange time and space of the Requiem Zone was really not linear in the narrative.

It's like a stage play pieced together from different times, and it's clear that it hasn't taken long on my side, and it's already dark on the Requiem side.

18:03 p.m.

Kyoya Suda and the young Kamiyomi Coconuts ran into the abandoned house, and Kyoshi Suda also expressed his doubts about what was in front of him: What did that guy mean by going over there?

Kamimi said, "You think it's strange to me?"

I hate this village so much, but don't worry, I don't take those disgusting guys in your head for a human being.

Suda Kyoya was even more confused and asked: Mei Coconut, what do you mean by your words?

Suda Kyoya also saw the beautiful coconut of Kamiyo, but he didn't answer the question, and he felt so bored and fell asleep.

When Kyo Suda was also asleep, Kamiyomi Coconut injected her own blood into it, using the most primitive exchange blood that cut each other's skin.