The floating blade surrounded the demonic beasts that were eyeing each other.

In the anime, this is the sword topping.

Is this magic......

emmm……

Gu Xue didn't know either.

Anyway, in the original work, this kind of warrior's skill is called sword skill, so let's call it sword skill, regardless of whether he is magic or not.

Just be handsome.

Drawing a key frame of a long sword that was crumbling and spinning in a circle, and then drawing the tip of the sword against the demonic beast ready to attack, Gu Xue drew a few more strokes around the first long sword, and also outlined the positions of the other long swords.

Every long sword makes Gu Xue draw unrealistic, and it is also very inefficient, the long sword is the same, but when the perspective is different, Gu Xue draws the key frame of a long sword, and then hands it over to post-processing, which will save a lot of worry and effort.

After sketching out the approximate location of all Unreal Swords.

Gu Xue flipped through and checked the original painting that had been drawn, and found no problems, so she took out a new original drawing paper and buckled it on the positioning ruler.

Now comes the tricky part.

The calm male second handsomely released his sword skills, so that the monster did not dare to act rashly.

But just an adult, the male protagonist who saw Warcraft for the first time didn't have the mentality of the second male, she took the first step excitedly, regardless of the dissuasion of her companions, and began to run towards Warcraft.

It's just that this wild run is a bit of a problem.

After the male protagonist rushed up.

According to the storyboard drawn by Gu Xue, it will be three people with Warcraft as the main body and start to fight against Warcraft wheels, this is a very continuous shot, but this kind of rotating shot is really not easy to draw.

The most troublesome thing is the background.

The background and the original painting are different jobs, and they are done by two groups of people, the former is a still picture, and it is simply impossible to realize the camera movement and change.

If you want to solve the background problem here, the most labor-saving thing is to use the flow back.

Flowing back is a streamlined background, with different colors, but the performance effect in animation is almost the same, in animation, it is often used when the characters move too fast and the background can't keep up with the characters, which is a performance method, but sometimes it is also a disguised compromise.

For example, if you don't use this method, the background will be troublesome because the background is just a picture and cannot change according to the movement of the character.

Here, what Gu Xue envisioned at the beginning was also to use the flow back.

But now she doesn't think it's a good fit.

The main thing is that she feels that the effect will be very bad.

In this battle, the camera will rotate with Warcraft as the main body, not only to explain the combat system that I don't know how to complain about, but also to show the tacit understanding and feelings of the protagonist trio, which is very important.

But if Gu Xue really goes all out, there will be new problems, and this is only the first episode......

If you hit your back in the face in the first episode, will it increase the pressure on the staff in charge of the next episodes, and if the subsequent episodes are not ideal, will the audience feel that they have watched the wrong animation or something......

These are concerns.

When Gu Xue did "Uncle Ben" before, she could be free and easy, and when she did the eleventh episode of "Invasion", she could also be free and easy, that is, she painted back and forth, that is, she wanted to smash her face with all kinds of paintings, but this animation can't do this, because she is the supervisor of the animation and the person in charge of the whole work.

Gu Xue looked at the original drawing paper on the table,

Somewhat tangled.

Tangled and entangled, Gu Xue began to play with her mobile phone......

More than ten minutes later.

"Nope."

Gu Xue woke up suddenly, she put down her phone, patted her soft face with both hands, and began to try to convince herself.

"Or ...... I'm going to be stricter and ensure the quality of the next episodes? No matter how bad it is, it shouldn't be much worse. And after the audience watched the first episode, as long as the second episode was horizontally online, after the plot unfolded, they should soon forget the first episode, and I just need to control the quality of the second episode more strictly, right? ”

"How can there be a person who is afraid to do animation, what is the difference between that and salted fish!"

"I don't care, I'm going to trick the audience in first."

A trifecta of persuasion.

The results are remarkable.

Gu Xue had already picked up the pencil again and bent down.

When Gu Xue drew the first stroke on the paper, the situation was out of control.

The drawing speed started to pick up, and I couldn't stop at all.

First of all, the preparation for the male protagonist to start, and the outline of the characters in this scene was quickly sketched out by Gu Xue.

In this scene, Gu Xue placed the camera in a somewhat tricky position, just placed on the side of the protagonist trio, including all three.

Here, Gu Xue wants to set the position of the camera in this way, for the sake of coherence, and to have a reference to highlight the speed of the male protagonist.

The shot conceived by Gu Xue is not complicated.

The male protagonist leaned back at the waist, charged his strength and ran out, the wind blew the hair of the second male and female protagonist Alice, and the two of them looked helpless, but the camera will not stay in place, but will quickly skip these two people, catching up with the male protagonist who has been in the camera all the time, but as he runs and stretches the distance, the figure has become a male protagonist with a small black dot.

There are many advantages of designing the lens in this way, you can directly draw the reactions of the other two protagonists in this shot, and you can maintain the coherence of the shot of the male protagonist running wildly, so as not to say that after the male protagonist escapes out, a shot of the reaction of the other two people will be added.

Of course, there are drawbacks.

If you do this way, the original painting will be difficult to draw, and the staff who cut the painting in the middle of the painting may strike......

Footage with tricky angles and high-speed movement also has a background animation.

It's disgusting to think about.

The most important thing is that this is just the beginning, according to the storyboard drawn by Gu Xue, the later shots will only be more troublesome.

The male protagonist approached the Warcraft and was thrown away by the tail to destroy the environment. The male protagonist stood up and rushed towards the monster again, and Gu Xue planned to use the first perspective. Finally, there is a rotating shot of the three protagonists starting to alternate wheel battles with Warcraft as the main body......

It's hard to draw.

But after Gu Xue put pen to paper, all her worries were forgotten.

What the second episode, what animation staff will strike, what staff in charge of the next episode will increase the pressure, she forgot everything, she wants to draw the original painting now.

This is the last time! Really for the last time, and next time...... And the next time I show off my skills, I curse myself and let Miss Mihara sit on her lap for three hours! Three hours!

Gu Xue viciously swore a poisonous oath in her heart that she currently considered the most vicious to herself, and then began to go all out to draw the shot of her own responsibility with peace of mind.

……

Just when Gu Xue went all out with the momentum of "I don't supervise~" and began to draw the key shots of the first episode.

The other end of the CDD Animation Workshop.

Sengoku, who was in charge of the storyboard and performance of the second episode, is drawing the storyboard...... But before he put down the pen, his eyelids began to beat wildly, he put down the pencil, rubbed his eyebrows, and looked at the storyboard paper with some concern that only drew three shots today, and vaguely sensed the smell of danger.

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