How much fun Gu Xue had with Miss Mihara that night. [← 8 [← 8 [← read [← book, .2↘

How painful it was the next day.

After all, what she has to face next is no longer the beautiful Miss Mihara, but a group of very "cute" ...... But an animator who looks like an otaku.

The day after the voice actor selection, the production of the first episode of "Embracing a Better Tomorrow" officially began.

In the first episode, in addition to the storyboard, Gu Xue also acted as a performer, so at the painting meeting, she had to explain her intention to design the storyboard to a large group of people, and also explain the specific content of each shot to them.

For example, in the scene where a protagonist is crying sadly, Gu Xue just drew a very simple crying expression on the storyboard.

In the actual painting, in order to set off the sadness of the male protagonist, what is the specific background of the painting, how should the male protagonist cry, whether the tears should flow continuously or should the tears fall down one by one, is it Kaneki's sadness or vomiting out of the soul...... And so on, these Gu Xue need to be conveyed to the painters, and after the painters finish painting, she also has to check the drawings they actually handed in.

This is the job of the show, of course, it is okay to say that it is the director of a single episode, but the performance does not have much say and decision power on the story, because the storyboard is set, and the person who draws the storyboard will generally convert the text into a picture according to the intent and instructions of the supervisor.

This is the reason why people like Hiroshi Misawa who have a lot of ideas are reluctant to just take on the show.

This is also the reason why many supervisors are still called the soul of the animation even though they are not involved in the actual painting.

Of course, Gu Xue's situation of supervising herself to draw storyboards and perform is another thing, and the two positions of general TV animation and storyboard performances are separated.

Gu Xue, as the supervisor, was responsible for the storyboard performance of the first episode, which was to set a benchmark for other staff members and other episodes. 9 8 9 8 9 Read] 9 Books, .2 ≧ ↗

But it also means she has to pay more.

The atmosphere inside the CDD Animation Studio is also different from that of Yuki Studio.

During the painting meeting, Gu Xue was obviously talking to the original artists very seriously.

But the gang always felt like they were sleepwalking.

His eyes were glazed and his expression was glazed.

Gu Xue couldn't help it, and shouted, and the other party would wake up like a dream with an "ah", and then followed by a sentence: "Supervisor, what you say is what!"

It's speechless.

Whatever I say is what I say, but you listen carefully.

Gu Xue said such things a dozen times.

If it weren't for the fact that this would only happen when they first met, and then Gu Xue reminded them, they would have reined in, and Gu Xue really couldn't stand it and wanted to be angry.

What kind of people are they?

Look at our yuki studio...... Well, it's all talented......

Bumps and bumps along the way, the painting meeting did not go well, at least for Gu Xue.

But in any case, it's over.

The first episode goes into the painting phase.

And Gu Xue, after dealing with the urgent work, also took time out on the third day and sat in her place, ready to start drawing the original painting.

……

The first episode of the anime.

The footage that Gu Xue is responsible for is mainly a series of fight cards after the protagonist trio goes to the dungeon and passes through the misty forest after encountering Warcraft.

Gu Xue drew her own storyboard, and of course she knew very well what kind of picture she wanted.

But I don't know if I'm so busy that I'm so busy that I'm so busy that I'm going to reduce my

Gu Xue sat in her seat and stared at the original drawing paper for more than ten minutes, without putting down her pen or having the slightest clue.

"emm......" Gu Xue found that she couldn't remember how to draw anyway, so she simply dropped her pencil and went to the toilet to wash her face.

After coming back, Gu Xue found the headphones again.

When he put on the headphones and the soothing music sounded, Gu Xue barely calmed down.

Picking up the pencil again, Gu Xue bent down, supported the desktop with one hand, and finally drew the first stroke on the paper with the other hand holding the pencil.

And then it went smoothly.

The back of the protagonist was quickly outlined by Gu Xue.

The card she is drawing now is a picture of the main character's trio entering the misty forest and then encountering Warcraft.

You should be able to guess when you hear Warcraft.

The worldview that Rina Shirakawa portrays in the manga is very traditional.

It's the kind of very cliché Western fantasy world.

There's magic, there's knights, there's kings, there's commoners, there's a lot of races.

After calming down, Gu Xue drew quite easily......

After all, before on Earth, she did this kind of animation the most.

There was hardly any stagnation, and Gu Xue drew the card l/o plus a original of the protagonist and his party entering the forest.

This time, "Embracing a Better Tomorrow" is a TV animation, check L/O alone, even if Gu Xue has no opinion, the other staff will also have an opinion, and in the end Gu Xue compromised.

Since she has compromised, Gu Xue is not maverick, and as a supervisor, she personally went out to draw the original painting, and it is estimated that few people dare to say what is not working......

After checking the original painting of the card a little bit, Gu Xue put it aside.

Flip the storyboard a page.

Gu Xue thought about it and didn't rush to put down the pen.

The card that was just drawn is actually not very difficult.

The real trouble with this anime is the fight cards.

Because of this traditional Western-style fantasy worldview, it is difficult for the original author to construct a credible and self-justifying combat system if he does not have enough ability.

After all, there are so many races, so many professions, and it is both magic and sword skills.

So does Rina Shirakawa, the author who looks like a blonde half-breed dog have enough ability?

The answer is no.

She can't control it at all, in fact, the most criticized comic of "Embracing a Better Tomorrow" is the combat power system.

When Gu Xue was reading comics, she also complained a few times.

In the manga, Rina Shirakawa uses a very simple and crude way to build a combat power system.

Magicians can attack from a distance, and their ability to swoop is extremely strong, but their weakness is that they can't be close because they are very weak.

Warriors are physically like Superman, high-ranking warriors can even catch fireballs on their faces, their hair is not curly, their sword skills are another type of magic, and their only weakness is that they are easily kites.

Most of the combat power systems in the comics are built on the basis of these two points, and all combat plots are also based on these two points.

The Divine Skill of the Divine Officer is another kind of magician, the Knight is another kind of warrior, and the Warcraft is a combination of a warrior and a mage...... At first, I didn't think there was any problem, but after watching it for a long time, almost every time the battle started, Gu Xue could guess the ending......

This kind of combat power system is also very unfriendly for animation production, because the master releases magic, and the warrior rolls around to dodge, and then launches a sword technique that is still magic in a sense, which is really boring.

It's okay to do it once or twice, but more of it really gives people a turn-based feel.

So.

Gu Xue in order to look good.

added an element that she felt was necessary to this combat power system that she didn't know how to complain about, and that is.

Velocity. 11. Baidu: "Good Wishes for Animation Production", the latest chapter of Jiezhong Literature, read it for free for the first time.