The rest of the days were calm again.

Tsukasa Higashino went to and from class at his usual pace, and in the afternoon he took time to go to the studio to think about the draft storyboard of "Midnight Bell", and spent his evening time drawing "Midnight Bell".

After all, this thing is the capital for himself and Higashino Chihaya to settle down, and there is a lot of money in every word drawn, of course he has to work hard.

As for high school studies and homework?

Higashino Tsukasa always took Konoe Ryoka's homework to copy.,After all, it's all reborn.,You still let him memorize the ancient formula... Or a Japanese friend... Even the things of the Celestial Empire's ancestors, Higashino Division, haven't learned it all.

Then you might as well kill Tsukasa Higashino.

Of course, the most important thing is not only that, because Higashino Tsukasa found out that Ryoka Konoe, who had been drawing and not talking much beside him, was actually an honor student.

His academic performance hovers in the top ten of his grade all year round, and in the words of the Celestial Empire, he is a standard academic bully.

This didn't happen to Tsukasa Higashino.

This Konoe Lianghua, who has always been gloomy and gloomy, actually has this hand.

Sure enough, this is a mine treasure! You can keep digging deeper!

Tsukasa Higashino recognizes the other side of Ryoka Konoe, and Ryoka Konoe is also taken aback by this side of Tsukasa Higashino.

Because in her impression, Higashino Tsukasa is an all-powerful image, at least in this regard, she still thinks that the other party should not have any pressure.

After all... Higashino Tsukasa was published in "Bad Cold", and he also painted two oil paintings to participate in the Tokyo Youth Painting Awards.

People who can do these amazing things can't learn...?

This is something that Konoe Ryoka can't understand at all.

But no matter how much Ryoka Konoe doesn't understand, the days still have to go on, and the day when the results of the Tokyo Youth Painting Contest will be announced is getting closer and closer.

It was another usual afternoon.

In the studio, there are completely relaxed female students in the studio.

It's no wonder, after all, they have been preparing for the Youth Painting Award for a month or two, and every day they are tired of facing pungent paints and unchanging canvases.

And now that the task is finally completed, they only feel that the boulder pressing on their heads has been removed—the kind that will never animate the cloth without resting for two or three days.

Ryoko Okano obviously knew this, so she didn't show up in the studio much for the past two days, just deliberately giving them some time to relax and buffer.

And Higashino Tsukasa is naturally not as lax as them, at this time he is busy writing and drawing on the sketchbook, conceiving the draft of the storyboard of the fourth episode of "Midnight Bell".

But even though he was drawing a draft storyboard, he was still thinking about tomorrow.

The third episode of "Midnight Bell" can be completed tonight, and tomorrow I can ask the editor Hosokawa to come and pick it up...

He stopped his pen and looked sideways at Ryoka Konoe.

At this time, Konoe Lianghua is already a lot bolder than before.

Not to mention how much improvement there is in terms of drawing skills.

Just talking about guts, Konoe Lianghua is a lot bigger than before,

Her toning and coloring movements are much more open than before, and even have a vague taste of Tsukasa Higashino.

It's a parody.

In fact, in order to learn something, you must first imitate it, and then from imitation you can give birth to your own style.

In the transition process of this imitation, the painting method and brushstrokes will inevitably produce a sense of rigidity and rigidity.

After all, it's imitation, and I haven't learned the details of other people's drawings, so there's no way to be stiff and rigid.

Of course, if you are gifted, you can say that they only need to study it for a week or two to perceive the subtle details of someone else's painting.

"Hey..."Ryoka Konoe sighed quietly as she looked at the gouache painting in front of her.

She drew a picture of cherry trees in early spring.

The pink cherry blossoms flutter under the clear blue sky, and the whole picture looks lively and lively - as it should be.

But because of the subconscious imitation of Tsukasa Higashino, Ryoka Konoe always felt that something was strange.

It's as if the whole picture is gloomy, dead, and dull.

Obviously, the cherry tree picture is wrapped in bright colors and warm colors as a whole, but the whole picture makes Konoe Lianghua feel inexplicably gray and very depressing.

She gasped quietly again.

I'm a little skeptical.

Obviously, Higashino Tsukasa also uses the same painting method, but when it comes to himself, why doesn't he have any charm?

Konoe Ryoka was a little suspicious, but before she could finish thinking about it, a voice suddenly came from her ears:

"It's because you didn't learn home."

Ryoka Konoe turned her head stupidly, but found that Tsukasa Higashino had arrived at her for some time, pointing to her painting: "You only see the movements of my painting on the surface, and subconsciously imitate them, but you don't notice the deeper details." ”

As he spoke, Higashino held out his hand to Ryoka Konoe.

Ryoka Konoe was stunned, and then subconsciously handed the brush in his hand to Tsukasa Higashino.

It's really the kind of action that doesn't think twice.

Even Konoe Lianghua is a little incredible.

Why did you suddenly cooperate so much?

Before she could finish thinking about it, Tsukasa Higashino spoke again:

"Your painting is missing a little bit of detail, and it won't be like that if you complete those details."

"Look here, you subconsciously use warm colors here when the cherry blossoms are flying, but then there is no sense of contrast, but we can't lose the overall warm colors, so we can do some cold color edging on these cherry blossom petals close to the picture."

Tsukasa Higashino's brush rolled up with paint and gently pecked twice on the edge of the cherry blossom petals.

It's really just a two-click peck, and the whole picture is completely different in the eyes of Konoe Lianghua.

"And at the bottom, obviously cold colors are used a lot, but the superposition of gouache is not good, so I can only add more warm colors to other parts of the picture."

Higashino Tsukasa moves with a paintbrush on his wrist, his movements are free and easy, and he adds two sentences from time to time.

"And here... The light here is the same, and there can be some changes in the virtual and real here... In short, there is a little detail missing, and it's really just a little detail. You have to pay attention, Konoe-san... Hey, it's nice here, it's kind of interesting. ”

Under the explanation of Tsukasa Higashino, the picture of the cherry tree diagram changed again.

Of course, the painting is still the same painting, and Tsukasa Higashino didn't even move the sketch.

He just added a little detail to some places that were overlooked by Ryoka Konoe, causing the whole picture to change.

The dull and dead sense of the picture has completely disappeared.

The clear and easy-to-see contrast between warm and cold colors, and the relationship between light and reality deliberately created by Tsukasa Higashino...

It's not as mysterious as in the novel, what kind of verve and so on.

It's just a few simple brushstrokes, and what is drawn is much better than the hours that Konoe Ryoka painted.

In spring, the cherry trees are blown by the wind, like the green skirts of young girls, and the skirts are decorated with pink cherry blossoms.

This embellishment falls from mid-air and is caught by the mischievous spring light, near and far, far and small, and the hazy feeling of light in the distance...

"Konoe-san, that's just the slightest detail."

Higashino Tsukasa took the pen and said with a smile to Ryoka Konoe, who was already stunned.