It's a friend of Hirokazu Kore-eda, and there are poor dicks like Shinichiro Ueda, but in fact, there is no shortage of normal directors.

But this kind of normality is not so normal in the neon film market.

Looking at the annual box office rankings of neon movies, most of the ones that occupy the forefront are two-dimensional movies.

"Detective Conan", "Doraemon" and so on.

Live-action movies are weak, and the cost is not low to any extent, but the box office results have hit the streets, which has made the directors of the neon generation change careers one after another.

Most of Hirokazu Kore-eda's friends are normal directors who are unwilling to change careers, or who have failed to change careers.

They soon discovered that Du Qixi was not a fool.

I won't call you a brother just because you have a few sycophants.

The soundtrack is comfortable for him, it's purely crooked, and Ueda Shinichiro did go to the movie, and he really likes the soundtrack in the movie.

"Shanhai 1" is a big production, with a cost of 400 million, almost 6.4 billion yen.

This movie is not like a normal big production.

Many big-budget movies give money to actors, and actors' salaries account for fifty or sixty percent, and exaggerated ones can even reach eighty percent.

The 400 million in "Mountains and Seas 1" is really used for the cost of actors, which is only less than 20%.

The price of Anxi is not high, five million after tax.

Huang Da'an even made it clear that he could star in a zero-paid role-it's a beautiful idea, our boss said that free things are the most expensive, so Du Qixi finally gave him a salary of 8 million after tax, almost breaking Huang Da'an's record for the lowest salary in recent years.

So, where is the remaining eighty percent spent?

It's all spent on the blade.

In order to do a good job in the soundtrack, Du Qixi found several masters in the Chinese music scene to compose classics together.

Compared with picture photography, the soundtrack is what he is most proud of.

However, after the release of "Mountains and Seas 1", it was overwhelming to blow up special effects, blow up costumes, blow up pictures and photography......

Anyway, it's all kinds of blow-ups.

As for his most proud soundtrack, only a few said that the soundtrack of this movie is really comfortable to listen to.

The more you listen to it, the more flavorful it becomes.

In order to listen to this soundtrack, I watched the movie three times, and secretly recorded some classic clips with my mobile phone.

Caviar to the general.

Shinichiro Ueda was completely scratching his itch.

There is a saying that there is a huge gap between Huaxia and Neon in terms of music.

If the fault line is the main culprit of the gap, then the traditional habit of emphasizing words and ignoring the rhythm of sound from ancient times to the present is also to blame.

Music is only a subsidiary skill, and the ancestors did not put music to a high level.

The racial talent of the Han people lies in writing.

The poems and songs of ancient times are all works of God, and we rarely hear the tunes of ancient times.

The "Qin King Breaking Array Song", which needs to be performed in a grand scene, is preserved in neon with the existing score, which is a return gift from the emperor to the neon envoys in the Tang Dynasty.

It is undeniable that the Tang culture has a profound influence on the neon nation.

So what we hear now, the relatively large Japanese national orchestral music, always has a feeling of the heyday of China.

For example, the soundtrack trilogy of "Maritime Silk Road" of the Divine Thinker, "Poseidon", "Garo", and "Waltz of Tea" has a very obvious style.

Japanese music's inheritance of tradition and the exploration of new production techniques and styles have reached a level where they are as good as being obsessed.

In a large amount of Japanese-style music, we can hear a refreshing pentatonic arrangement.

Neon's late-stage level is also among the top ranking.

Not because of how good their equipment is, but because they have pursuits.

And ordinary Huaxia directors will not spend their energy on this at all, it is better to ask Dong Chou to come over and sing a song.

Du Qixi is a person who likes to brag very much.

He felt that he should do something different from others.

So, he searched for the best composers in the Chinese music scene, and spent tens of millions of tinkering for two months to have the beautiful soundtrack of today's "Mountains and Seas 1".

Especially the soundtrack of the ancient qi practitioners working together to isolate the two worlds, tragic and passionate, not losing masterpieces, Du Qixi's mobile phone ringtones use it.

So, Shinichiro Ueda got the investment.

Let's see what other people are doing.

Good special effects?

Isn't this nonsense?

The top team of meow eye visual effects is in charge, and it is repeatedly carved regardless of the cost.

The picture is good, the photography is good, and this is all a rehash of the same old tune.

It's good or bad that everyone can see.

And the one who said that the female number one is really beautiful, why are you smiling so obscenely.

What are you thinking?

Cheap!

Not to mention that Lao Tzu never touches actors, even if Lao Tzu touches him, Lao Tzu will never touch Anqian.

Among a group of directors of all kinds, Du Qixi quickly locked on a target - Harada Masa.

Harada is not one of those people who swarm around and slap on the back.

This belongs to Hirokazu Kore-eda's true old friend.

The 68-year-old Masato Harada was all the rage in the 90s, and was named one of the top ten directors of the film newspaper and one of the top ten directors of the Blue Ribbon.

At the Neon Academy Awards, he was nominated five times for Best Director and three times for Best Screenplay.

In the year that Lin Dong traveled over, he also won the Special Jury Prize at the 35th Montreal International Film Festival.

The reason why Hirokazu Kore-eda invited him over was not simply because he had movies to invest in.

He wanted to see this young director who has been popular in China in recent years, and he couldn't help but be a little disappointed after seeing it.

In his twenties, there is no trace of youth.

I can't see anything powerful in my speech and demeanor.

It's hard to imagine why such a young man made so many movies with a good reputation and very high grosses.

The movie "Mountains and Seas 1", in the eyes of Harada Masa, does not have much profound intentions.

The structure and plot are not very good.

The director's technique is distinctive, but it is not to the point of admiration.

But the neon young people applauded.

There are even rabbit cubs who spray directly, saying why our neon doesn't have such a director, why there is no such a big production.

Have you directors eaten?

There's really no way around it.

The most complete industrialization of film in the world is undoubtedly Hollywood. In terms of big-budget films, no country can compete head-on with Migo, whether it is a simple competition for production standards, or a competition for global marketing capabilities, or other aspects of the film industry.

Therefore, based on national characteristics, it is the strategy chosen by countries in the face of the impact of Hollywood.

Neon has been very successful in this regard.

Looking at the neon box office list, Hollywood "blockbusters" can certainly sell well, but various anime theater versions and TV theater versions of neon characteristics also sell well.

has done very well in the field that he is good at, so why take a huge risk to make a "blockbuster" and fight Hollywood head-on?

Neon is not Huaxia, neon does not have such a large film market, and it can't stand this scale of burning money.

"My new film, I'm going to work with Takuya Kimura." Harada came back to his senses and answered Du Qixi's question.

"Oh, it's really ape dung, when I used to go to school in No. 8 Middle School, I was called Saicheng Takuya." Du Qixi