Animation production in Japan is basically prepared at the beginning.,There's no one episode a week.,Say it's doing it while playing.,When it's officially released, it's basically sound effects.、Special effects, backgrounds、Color, this kind of mid-to-late stage sweeping work.,There are few production companies that haven't solved the original painting.、OP、ED when it's released--after all, who can make a whole episode of animation in a week? How spicy does that have to be?

At this time, seeing the speed of Tsukasa Higashino's original painting, Yano Ryuichi finally believed that the other party really wanted to start the reproduction of "Winner is Justice".

Since Tsukasa Higashino didn't mean to joke...

Yano Ryuichi lowered his head in thought, and after a while he nodded, "I understand, Higashino-sensei... No, it's President Higashino now, and I'll let them know about it later. ”

"You don't need to call me President Higashino." Higashino Tsukasa smiled and waved his hand: "If you are not used to hearing it, just call me 'Higashino' or 'Higashino Sensei'." ”

After all, with the word 'president', Tsukasa Higashino always felt as if he was a vicious big capitalist, which was really unaccustomed.

"Okay, Higashino-sensei." Ryuichi Yano quickly got to work, and began to introduce the remaining staff of PW Animation Production Company to Tsukasa Higashino.

There are three supervisors who have supervised one or more animations, one of which is Ryuichi Yano, and two special effects artists who are in charge of post-production sound effects and animation special effects.

In the past, there was one animation producer in charge of checking the entire animation process and proofreading, but now he is lying in the hospital with burns, so he can be transferred from one of the three animation supervisors to do the same.

There are five experienced original artists, three original artists who are being trained, no script writer (Yuto Okuni, now deceased), one financial general affairs in charge of water and electricity management, and two supervisory assistants.

Even if you add in the three original artists who are being trained, this is only 16 people...

This production lineup at a glance makes Tsukasa Higashino probably understand why Ryuichi Yano said that there is a shortage of people.

There is a real shortage of people... The original painting is okay to say, after all, there is Higashino Tsukasa to fill in.

But there are few special effects artists in the post-production, there are few supervisors, and there is no one in charge of animation production with the hardest work and the most work.

It's no wonder that Ryuichi Yano said that it was difficult to make "Winner is Justice".

The number of people is indeed a bit small.

The PW Animation Production Company arson case not only burned "Winner is Justice", but also burned a lot of PW Productions' weak foundations.

Tsukasa Higashino groaned: "One of the three supervisors will be selected to join the animation production team, and a supervision assistant will also be selected to assist in the animation production. ”

"The two supervisors are responsible for color and painting respectively, and the two post-production special effects artists are enough, and there are no fight scenes such as lightning or burning in "Winner is Justice", and I am responsible for the original art supervision, so that I can carry out the reproduction of "Winner is Justice".

Tsukasa Higashino made a bold move, and very decisively divided the production lineup, and handed the list to Yano Ryuichi: "That's it, there shouldn't be any problems, right?" ”

"No... No problem. Yano Ryu next to him was also a little surprised when he saw that Tsukasa Higashino divided the list of production personnel so simply and clearly.

Tsukasa Higashino should be considered the first time to take over the work of animation production, how can he be so cool?

Sensing Ryuichi Yano's surprised gaze, Tsukasa Higashino also replied with a smile: "When I was in the production team of "Midnight Bell" before, I learned a lot of common sense about this under the supervision of Hiroshi Motohashi. ”

Yes, when he was assisting in the production of the original painting for "Midnight Bell", Tsukasa Higashino was next to him, and he learned a lot about the distribution of manpower from the pair of gold supervisors of Tobashi and Toda, so he had a good idea of the number of people needed for each position.

"Okay, I see." Yano Ryu nodded, and his heart was inexplicably confident.

Tsukasa Higashino's backbone now seems to be very stable, and he belongs to the type that can be held, which makes him feel a lot more relieved - although he hasn't said it, he is actually a little worried that Tsukasa Higashino doesn't know anything about animation production, and he also asks them to forcibly complete some impossible tasks.

Now it seems that the production of "Winner is Justice" may really have a chance to end before its release in October?

He gained confidence and began to discuss with Tsukasa Higashino about the disposal of the remnants of the old site of PW Animation Productions... Although a lot of it was burned at the beginning, there are still a lot of hardware facilities that can be used.

Yano Ryuichi said here, and Tsukasa Higashino on the other side waved his hand, smiling and handing over the handling of this matter to Yano Ryuichi.

This moved Ryuichi Yano very much... He actually won the trust of Higashino Tsukasa in this way, so he nodded vigorously and said that he would definitely deal with these things.

Looking at the appearance of Yano Ryuichi's promise, Higashino Tsukasa also secretly sighed... This tool is really easy to use...

Then it was the work policy of the small studio of Tsukasa Higashino, a small studio of sixteen people.

In this regard, Tsukasa Higashino simply said that this studio is his personal property, and he only needs to take over the production of his works internally, and no one can undertake any external animation production in the name of the studio except him.

Of course, if the staff in the studio wants to make extra money, they go outside to help with other animation productions... Tsukasa Higashino won't stop this.

But when Tsukasa Higashino has a job here, the studio staff can't use the animation production of an external company as an excuse to slow down the animation production process of Tsukasa Higashino's studio, which is considered a breach of contract.

This is indeed a very liberal clause.

Ryuichi Yano looked at the documents handed over by Tsukasa Higashino, and couldn't help but look up, glancing at Tsukasa Higashino from time to time.

But Yano Ryuichi has been in society for seven or eight years, and he is an old fritter, and he has been surprised enough today, and he has been able to stabilize his mentality, and he has vaguely begun to feel... The thinking of the Higashino teacher in front of him is indeed a bit ahead of his time compared to other studios or companies in the industry.

Tsukasa Higashino did not answer his doubts one by one, this contract was a contract drawn up by his lawyer in his previous life Miyazaki's studio,

This way of operation is still very good.,It's a 'quiet and inactive'.,Troublesome and difficult things are handed over to Yano Ryuichi, a tool man... Partner, Tsukasa Higashino only needs to go over from time to time to help draw the original art, and he doesn't have to worry about anything at all.

"That's fine, I'll take the contract back and print it later, and let all my colleagues sign and seal it." Yano Ryu put the contract in his briefcase, stretched out his hand and shook it with Tsukasa Higashino: "Please take care of Mr. Higashino in the future." ”

"Mr. Yano is too outside, let's take care of each other." Tsukasa Higashino smiled and reached out to shake Ryuichi Yano.

As for the reciprocal reciprocal reciprocal reciprocal... Naturally, Ryuichi Yano won't take it seriously

signed and stamped, he is even a thug under Higashino Division, Higashino Tsukasa is his boss, how can he still need him to take care of Higashino Division?

It is still the safest to hold on to Higashinojima, the evergreen tree and pillar of Urashima Publishing House! As for making small moves... Yano Ryuichi didn't have much idea about this.

Tsukasa Higashino just doesn't seem to care much on the surface, but in fact he is very shrewd, and there are a lot of solutions for passive sabotage in the lenient agreement just now - Ryuichi Yano really doesn't think Tsukasa Higashino looks like a high school student.

So Yano Ryuichi just had the idea of seriously completing his own work and then following the big army to mix up.

As for the tasks assigned to him at the beginning, Tsukasa Higashino was a bit too much... This is also in the realm of understanding.

After all, Tsukasa Higashino had just taken over PW Animation Production as a studio, and there was no one available under him, so he could only rely on him.

In the future, when the studio becomes bigger, the tasks assigned to me will definitely be slowed down, and I can be a bastard with peace of mind.

Thinking so, Yano Ryuichi smiled reassuringly.

Tsukasa Higashino on the other side was also happy that he had found a good tool man, and seeing that the other party was still smiling politely at himself, Tsukasa Higashino also smiled.

The two of them then discussed the start time of "The Winner is Justice", and felt that the sooner the construction started, the better, and not to delay it later, but it was not beautiful.

However, even if you want to start work sooner, there are still many things that need to be solved, after all, when all the studio personnel settle down, it will already be two days later.

In other words, even if "Winner is Justice" wants to be remade, it will have to wait until two days later.

Seeing Yano Ryuichi leave, Tsukasa Higashino also breathed a sigh of relief, and began to think about whether what he just said was missing.

After all, this kind of studio operation, Higashino Tsukasa is actually the first time that the big girl has been in the sedan chair, which is similar to when he first started drawing the "Midnight Bell" manga and failed many times, and there are still many unknown areas ahead for him to explore.

It's a new beginning.

Standing at a new starting point again, Higashino naturally has some ideas, but in the end, it's just a sentence.

If you don't do it, you won't do it, and if you want to do it, you have to do your best.

Of course, the matter of manga serialization can't be put down either.,After the serialization of "Unnatural Death" ended, the original drawing of "Hanzawa Naoki", which was returned tenfold, was also put on the agenda.

However, it is still too far from the serialization of "Unnatural Death", and at the current serialization speed, "Unnatural Death" can be serialized for another half a year.

After half a year of serialization, the animation production of "Unnatural Death" can also be handed over to Higashino Studio by Urashima Publishing House, and at that time, it was the turn of the animation to change seasons, and it was absolutely no problem to hand over the production of Higashino Studio... It's a fulfillment of Tsukasa Higashino's dream of self-production and self-sale, and he doesn't have to look at the face of the animation production company at all, worrying about what they produce that 'ruins the original work'.

After all, it is not uncommon for Japanese animation production companies to destroy the original work, and Tsukasa Higashino has also seen the power of 'fighting horses' in the Celestial Empire, so of course you have to be careful.

Only by handing it over to his own studio can he completely reassure Tsukasa Higashino.

Therefore, Higashino's plan is roughly as follows: to produce and sell it himself, try to create a studio similar to the master Miyazaki in his previous life, and at the same time establish a cooperative relationship with Urashima Publishing House, focusing on his own manga business, supplemented by a studio.

Tsukasa Higashino is a very planned person, and since he has made a plan, he will continue to follow the planned path.

Plan well, start implementing, and wait for the results.

"That's about it." Tsukasa Higashino groaned, feeling that the general direction should be right, so he put his heart down.

He simply packed his things, then stood up and headed in his direction.

......

"Does "Winner is Justice" really want to delay its release time? It's also so disappointing. I've been looking forward to it for a long time. ”

Yumi Takahashi raised her head and said, her face full of regret.

"It's useless for you to say this in the Higashino classmates." Fujiwara Aoi glanced at Yumi Takahashi, who was lying on the ground with a weak breath, and spoke.

The two of them are now considered regular customers of the Higashino family, and from time to time Higashino Tsukasa will ask the two of them to come over to help take care of the house and accompany Higashino Chihaya.

"But..."Yumi Takahashi 'but' for a long time, nothing 'but' came out, and finally didn't think about anything, and shouted directly: "Ah... What a pity! ”

This attracted the attention of Chihaya Higashino next to her, who touched Yumi Takahashi's head while shouting 'good, good, obedient'.

This made Yumi Takahashi turn over a little blush, and then turned to look at Konoe Ryoka on the other side: "Ryoka, can't your Higashino-sensei think of a way?" Can't "Winner is Justice" be remastered? ”

At this time, Konoe Ryoka was wearing an apron, with a simple cookbook the size of a palm on her chest, and in front of her, there was a live fish with a fish's eyes covered.

She was about to go under the knife, but she was interrupted by Yumi Takahashi, the knife in her hand turned around and then retracted, and at the same time, she let out a 'hey', her cheeks were red, and she didn't seem to understand what Yumi Takahashi was talking about.

She only heard Yumi Takahashi's sentence in front of her, 'Your Higashino-sensei', and she didn't hear the rest clearly.

"I mean..."

"Leave her alone, Lianghua." Fujiwara Aoi interrupted Yumi Takahashi on the side: "This thing really thinks that Higashino-sensei is omnipotent." How can it be so easy to make a new animation? Even Higashino-san, this is a difficult thing to do. ”

"Oh... Oh..."Konoe Ryoka nodded as if she didn't understand, and was about to go under the knife again, trying to stun the fish.

"Speaking of which, Lianghua, what are you doing?" Yumi Takahashi didn't have a chance to continue teasing Ryoka Konoe, so she raised her head and asked.

"Huh? I'm making fish..."Interrupted by Yumichi Takahashi, Ryoka Konoe was distracted, and he wanted to stun the fish's head with the back of the knife, but it didn't get right, and the slap on the fish's head didn't make it faint, but it hurt so much that it bounced straight off the cutting board - it really jumped directly.

I also dropped a lot of pots and pans hanging on the wall next to me.

This made Konoe Ryoka panic, she wanted to put the fish back up, but she didn't know where to start, Yumi Takahashi and Aoi Fujiwara next to her were stunned at first, and wanted to come up to help, but looked at the kitchen knife in the hand of the panicked Konoe Ryoka... The two of them looked at each other, and neither of them dared to step forward to help.

Higashino Tsukasa also happened to be home at this time, and when he saw a live fish jumping around in the kitchen, Ryoka Konoe, Yumi Takahashi, and Aoi Fujiwara couldn't help but raise their eyebrows when they were flustered.

No.

What are you doing here?

Tear down the kitchen?