In Spielberg's view, drawing was an essential skill for everyone in the Jewish gang.

It doesn't matter if your drawing looks good or not, as long as the artistic conception in your mind can be expressed through the lines of the storyboard, that's enough.

But for Roland, it's more of a test.

Although he knew how much Spielberg and Lucas loved drawing, unfortunately, he hadn't learned anything about painting from Zemeckis in the previous time loop.

Zemeckis had taught him only a few acting techniques and a set of camera movements, and how to find the erratic characters in the script, and everything else...... He didn't know anything.

No way, that's the downside of time loops.

Because he has no memory, every time Roland gets close to the other party, the other party always knows him for the first time.

In this case, how much knowledge he can find depends on the destiny of heaven.

However, even so, after receiving the pen and paper handed by Spielberg, Roland's eyes still thought of other elements: since there is no problem in copying landscapes and drawing things, and it is still very early to create, why doesn't he pick up the materials at hand and use them directly? Spielberg's storyboard has a prototype of the Tyrannosaurus rex, in this case, I first imitated a Tyrannosaurus rex with a bloody mouth and roared wantonly, and then drew the most familiar Spider-Man standing opposite it, wouldn't it be over?

The Tyrannosaurus rex roared in the face, and Spider-Man bowed with his back to the audience, making a fighting posture, this kind of picture is too simple!

Do what you think of, and write hard.

However, after Roland had drawn a few frames, he felt that something was wrong with the picture.

Of course, there is no problem with the structure of the picture, but if you turn it into a lens, then the problem is very serious.

The image in his mind is a long shot, and if this kind of picture is used for film and television shooting, although it can reflect the power of the Tyrannosaurus Rex, but it is relatively weakened by the superhero Spider-Man, from the most intuitive visual point of view, after the audience sees this picture, they will feel that Spider-Man is naturally shorter, and this is a waste shot for Roland who wants to create a sense of parity, so - after biting the pen, Roland changed.

He changed the vista to a small panorama, Spider-Man stands up to the sky, and although the Tyrannosaurus Rex in the distance is extremely fierce and fierce, the picture sense of only half of the body entering the country directly pulls the difference between the two sides back to the same running line.

Of course, although the body of the Tyrannosaurus Rex has been weakened, the half of the body that disappears outside the camera can still leave room for the audience's imagination, and Spider-Man, who is opposite it, was not shrunk into a child by the camera because the other party was too large.

Although Spielberg asked him to paint without a subject matter, Roland felt that if he abandoned the language of the camera, wouldn't he be wasting the opportunity to express himself?

And with his change, Spielberg, who had been staring at the drawing paper, naturally saw his train of thought.

When Roland wanted to draw a vista, he supported his cheek with one hand, and Spielberg, who followed the rickety of the vehicle, raised his eyebrows, and when Roland erased the painting marks and changed it to a small panorama, a satisfied smile clinged to his face.

"Yes, although your drawings are not as realistic as James's, and not as detailed as Robert (Zemeckis), your style is really similar to my Jurassic Park comic book style......

"But there's something wrong with your proportions, and if I were you, I wouldn't have drawn half of a Tyrannosaurus rex."

"A head and a back are enough, what you want to show is the roar and bloody mouth of the Tyrannosaurus rex, in this case, isn't it just crowding out the space of the roaring picture by incorporating half of its body?"

"The probe roars, blocking the body with a close-up of its head, and covering up the details of the body with visual blind spots, and Spider-Man's side, your combat posture is no different from those who draw comics, it's a direct copy of the Marvel storyboard, right?"

When Spielberg took Roland's work and commented with a smile, Roland, who was sitting on the side, shrugged his shoulders indifferently, "Director, don't mention it even if you see through it?" I've always copied real things, but this is the first time I've painted something like this, so of course it's ......."

"Haha, that's right, what's the use......"

Although Roland's words are full of plagiarism ambiguities, Spielberg doesn't care.

Because in the entertainment industry, there are too many cases of learning from each other.

Not to mention active plagiarism, there are a lot of things that are passively bumped into.

You know, when Spielberg was filming "Jaws", some people said that his shark shape was plagiarized!

And Roland's "Terminator 2", which is now being filmed, also suffered the same thing.

While tinkering with the first part, Cameron was taken directly to court by science fiction writer Harlan Ellison, who accused the truck driver of plagiarizing the script he had written for the 1963 TV series "The Outer Limits," which was based on Ellison's short story "I Have No Mouth and I Must Scream."

Although an out-of-court settlement was reached in the end, and in "Terminator 2", Cameron is also ready to add subtitles acknowledging the other party.

But what exactly is going on?

Then only the person concerned knows......

Not only that, but disputes over the lyrics also occur from time to time.

The matter of Mildew being jointly sued by Sean Hall and Nathan Butler took three years just to fight the lawsuit.

To this day, it is still ripping off.

Of course, regardless of whether it is actively borrowed or passively touched porcelain, as long as it is not the same as the guy who 'wishes the wind will blow and blow away the peach blossoms for ten miles', or the guy who demolishes Keigo Higashino to a third-rate family in order to protect himself, then there is no problem, after all, the limitations of character movements and modeling are too great.

It doesn't matter who they are, no matter how awesome they are, and the actions they can make, that's all.

If even similar actions are considered plagiarism, then I am afraid that the bowl of rice in action movies will not be able to eat.

Of course, there is one thing that must be noted.

Modeling that kind of thing, anyone can copy it, but you can't copy Disney.

So as not to be in trouble.

"So you like Spider-Man?"

After laughing, while sandwiching the drawing paper in the storyboard, Spielberg also became curious about Roland's choice.

"Spider-Man? It's ok......"

In the face of his inquiry, Roland, who had read countless films in his previous life, naturally turned his head and looked towards the vehicle where James was, "The main thing is that guy likes it." ”

Although Roland can be said to like Marvel, he really hasn't read many comics compared to these native-born aborigines.

Instead of being messed up by Spielberg, it is better to directly put the pot on James's head.

Following Roland's gaze, when Spielberg saw James's cannibalistic eyes, the guy with the child immediately remembered the five-year-old eldest son Max in the family.

Whenever he was away for a long time, seeing his children at intervals of months, the guy would stare at him with this complaining look, trying to show him his resentment.

However, unlike the son at home, after discovering Spielberg's curious gaze towards him, James, who wanted to turn into a laser eye and poke N holes in Roland's head, hurriedly squeezed out a harmless smile.

And that kind of embarrassing face change also made the big director see how good the relationship between him and Roland is.

"Looks like the guy named James likes Spider-Man."

Spielberg quipped.

"No, if you go to our house, you'll find that James' study is full of DC and Marvel comics."

Roland shook his head and explained a fact to the other party.

"Really? Love both companies? This is rarely the case. ”

Spielberg was stunned for a moment, then smiled in surprise.

While he was surprised, Roland also nodded his head and continued to affirm: "That's right, sometimes I'm curious, if I meet a camp fan, what should James do." ”

Hearing him say this, Spielberg's face showed a wicked smile, "It's simple, just put on Spider-Man's hood and Superman's underwear, so that even if someone treats him as an art fanatic, they won't shoot his face." ”

Get......

Spielberg wasn't a serious man either.

Or, in front of his own people, he doesn't need to be so rigid.

As a guy who can accept Chris Columbus's script and make up the horror comedy of "Little Devil", he has far more childlike fun than Roland, and after discovering that the other party's brain is open, the two sides can communicate more easily.

Starting with the topic of camp fans beating traitors, Roland drew as he spoke.

Under his control, one stick figure after another appeared on the paper.

If that's all there is to it, forget it.

When Spielberg asked him what to do if James's little chubby dun couldn't outrun the camp fans and was about to be beaten, Roland even waved his pen and directly drew Pippi Shrimp Let's go.

Roland's talent for painting is much better than singing.

But even so, the sketch of the soul painting hand still saw Spielberg laughing and laughing.

What details, what joints, none of that.

The sketch that Roland painted, then there is really only one mold, as for the inner marking?

All of them are filled with random curved lines.

Maybe it's because Roland is so good at drawing, but it's more like a relaxed mood after seeing graffiti.

After arriving at his destination, he also gave Roland a message.

"If Francis were to see this sketching skill, he would be very happy."

"Because ......"

"Finally someone can paint so casually like him."

Although Spielberg did not explain the meaning of the words, Roland understood what the other party meant.

In his previous life, he had seen Francis Coppola's minimalist style storyboard, even if Coppola's painting style was not as sloppy as Jiang Wen's, but compared with Spielberg and Lucas, it was still more difficult to understand the main and secondary.

Because—

It was a real mess.

Of course, Spielberg said this mainly to complain about Big Brother.

As for belittling Roland?

To say that his paintings are in the same realm as Coppola's is not to exalt him?

Maybe it's because of Robert Zemeckis, but it's more like a child, and as the conversation along the way, Roland also found that the guy in front of him is not as difficult as he imagined.

Since the other party did not mean to set foot in the forbidden area of Roland's topic, and asked him how he hooked up with Zemeckis, then Roland's courage was even greater.

Now he is the guy who dares to snatch the director's chair of the truck driver, in this situation, isn't it a common sense to follow the storyboard drawn by the other party and drill into the valley behind his ass?

As for James's side?

You just honestly play with your parents and three sisters!

It can't be helped, people are sometimes so miserable.

Just as literature and art business cannot blossom at the same time, it is difficult to take care of family and career at the same time.

Of course, if this sentence is heard by a truck driver eight years later, he will definitely blow Roland's dog head.

Can you speak? What is the meaning that literary and artistic business cannot blossom at the same time?

Lao Tzu's box office record and Oscar were won for nothing?

You little rabbit cub saw his own thighs and forgot all about the affection that Lao Tzu taught you?

Apologize to you!

Spielberg: They said that they were here to investigate the real scene, but in fact, the various filming locations have almost been finalized, and he and Catherine came back this time mainly to make a final decision.

If the scenery here is not much different from the picture on the storyboard, then the set designer who retired from "Captain Hook" can fly and settle here.

So, even if Roland followed their ass around the Hakip Foggy Valley under the pretext of learning, more often than not, it was just to watch the scenery.

Because all the buildings were drawn by Spielberg, the workers only had to follow the drawings and create the backdrop for the shooting, and the rest of the ......

They don't care, and they don't have the right to do it.

Because of this, it only took about a day for Roland to follow his thighs and run all the courses.

However, while running, he also discovered a problem.

Why doesn't Spielberg's manuscript seem to be finished?

Moreover, many of the pictures on this storyboard are different from the movie content in his memory!

For example, the Velociraptor, which broke out of the egg in the movie, does not exist in Spielberg's storyboard! If you have to find a similar picture, the image of the triceratops breaking out of its shell fits perfectly.

For another example, in the movie, the Tyrannosaurus rex that only appears in the dark night, in Spielberg's current storyboard, it is a daytime perspective throughout, not only that, but the stupid beepping kid in the film also rides a triceratops to avoid the pursuit of the Tyrannosaurus rex!

For example, in Spielberg's storyboard, the final battle is not a velociraptor rex, but a Tyrannosaurus rex taking on Triceratops......

Handsome.

…………

Hold the grass!

When Roland saw this scene that didn't match the movie scene in his memory, he-

Just want to scold the street.

The handsome beep picture of Triceratops and Tyrannosaurus Rex going head-to-head is not reflected at all in the original movie in the previous life!

Especially the picture of the child riding a triceratops to avoid the pursuit of the Tyrannosaurus rex, in the original movie, there is no one at all!

Roland was sure he was not mistaken.

Because as long as you are a guy who has watched this movie seriously, you will never forget the stupid appearance of the child in it.

Don't......

What he is looking at now is the original first draft of the entire movie?

Hiss......

If that's the case, then the fun of the special code will be great!

In Hollywood, the script is the most changing part of the entire film industry process, in addition to last year's "Home Alone", Roland took over the shooting plot of "Terminator 2", there are also many shots, which have nothing to do with the original content.

This is actually a very easy thing to understand, because "Home Alone" belongs to the final draft reached by the producer and the director, and in this case, the actors who have joined one after another are all people from the director's side, so it is actually a difficult thing to change the script.

is different from "Home Alone", "Terminator 2" is completely Cameron's one-man show, how he wants to shoot, how many shots he needs, these are all what he says, plus he can edit himself, so no one can stop the plot changes, and Spielberg is the same, before the movie is released, no one knows what kind of works these guys with the final editing rights will bring to everyone, their ideas are changing at any time, and no one can control them.

As for......

Ask a script doctor to diagnose the script?

Hold the grass, even if the investor wants to hire a script doctor, no one dares to come to Spielberg's book!

No one will take this kind of business, and no one will dare to take it.

In this case, there is only one possibility of a huge difference between the first draft and the final version of the movie: that is, Spielberg himself gave up the idea of a triceratops, gave up the battle between the two dinosaurs, and gave up the hearty fight scenes, and chose the lighter and more agile velociraptor in favor of the lighter and more agile velociraptor in turn.

Why did he give up?

Roland doesn't know either!

Ask?

There's no Velociraptor in this book yet.,Where is he going to ask!

Even if Roland found such a huge difference, he could only take it to heart.

However, although it is impossible to know Spielberg's mental journey immediately, but-

He can ask the other party how to shoot the handsome beep picture of a child riding a dragon!

"This picture?" Spielberg, who was inspecting the real scene, glanced at the storyboard in Roland's hand, and immediately said nonchalantly: "We have made a huge model of the triceratops, and we will use the model to shoot when the time comes." ”

"Stan Winston is in charge of this, you should know about him, right? T-800 and T-1000, he did it. ”

Spielberg's reply made Roland scratch his head, although he was impressed by the whole film, but it was only limited to two stupid beepping children and a mighty Tyrannosaurus rex, as for whether Triceratops ever appeared......

His memory was blurred.

Still, he vaguely remembered.

In the "Jurassic Park" information I searched for in order to make a video in my previous life, there seems to be a photo of each other and a triceratops?

"Damn, if only I had the ability to remember......"

Roland patted his head and stomped his foot in annoyance.

Although he didn't want to take on this project, he didn't want to play those stupid beepping kids, but-

In Spielberg's battle storyboard, the picture of the triceratops carrying a child and the Tyrannosaurus rex is-

It's really handsome!