The appearance of Aozaki Orange did not have much impact on the battle situation in Fuyuki City, but Weiyun was taken aback by the appearance of the other party.

Because the puppet released by Weiyun was unexpectedly identified by Aozaki Orange, and he also let this guy catch a few.

Those are all puppets that have been put into the face demon as a demon, and they are almost crushed by Aozaki orange in terms of combat effectiveness.

The puppets who were targeted by this woman basically didn't even have time to react, so they were captured alive by her.

Aosaki Orange's personality is like this.,She loves new things.,For what you're interested in.,She will be very serious about research.,And there's no doubt that dolls are what she's most interested in.。

So when she met a puppet that was so well-made and also used a special method to control it, Aozaki Orange would of course be interested in studying it, and she also had some interest in the magicians who made these dolls, which she had never done before, after all, other puppeteers had always been just younger brothers in her eyes.

It is normal for Weiyun's puppet-making technology to make Aozaki Orange stop, after all, this is a technique that surprises Miss Isaac, this all-round magician, and even bluntly says that his puppet-making skills are not as good as Weiyun.

Although ergonomics is not her specialty, Miss Isaac's attainments in this area are far higher than those of ordinary magicians.

It's just that Weiyun's puppet making technology has a serious short version in terms of automation, and although his puppet production is not as good as it is, he must carry out fine operations by himself to exert the power of the puppet, so in many cases, it is actually limited in use.

Miss Isaac took the initiative to impart knowledge to Weiyun in this regard, although she is not very specialized in this direction, but the puppet automation technology she has mastered still benefits Weiyun a lot, at least he can also make "automatic dolls".

And Aozaki Orange's attainments in doll automation are probably even inferior to Miss Isaac, and this woman can even mass-produce combat automaton with performance no less than that of the Middle Ages.

You must know that in this era, in addition to the puppeteers other than Aozaki Orange, the automaton they have worked so hard to make is completely inferior to the performance of those old antiques handed down from the Middle Ages, but Aozaki Orange can be mass-produced at will.

However, this is not the most amazing ability of Aozaki Orange, her most powerful thing is the technology she accidentally discovered to make a doll that is exactly the same as herself in the process of pursuing the prototype of the flesh.

Taken literally, it means that she can make herself, she is exactly the same self, in all kinds of meanings, in all aspects.

This technology breaks the absolute rule left over from the heyday of magic in the Middle Ages: "Even if you make a doll that surpasses a human being, you can't create something like a human being."

The meaning of this sentence is that humans can make battle dolls that are far beyond their own capabilities, but they can never replicate themselves, something that magicians in the heyday of magic could not do.

But Aozaki Orange did it, she is equivalent to achieving immortality in another way, realizing eternal youth, because she is ready for a dormant self at any time, and once she dies alive, her memories will be transferred to the prepared body to awaken.

After waking up, the Aozaki orange will make a moving body again, and then go into sleep again, so as to achieve the same effect as eternal life.

In the end, even Aozaki Orange herself couldn't determine which of her original original body was, but because it was exactly the same, and only one Aozaki Orange was active at the same time.

She cites "Schrödinger's cat" as a metaphor for the situation: although each Aozaki orange may have been made, since there is no way to tell the difference, each Aozaki orange is the real ontology.

emmmm~ It seems that there is nothing wrong with this.

In addition, Aozaki Orange is also the resurrector of the Rune Magic, and it is she who has rebuilt the declining Rune Magic, not only has she magically regenerated the common twenty-four characters of Rune as the foundation, but even parsed several original Rune runes that have disappeared in the Divine Generation.

In short, Aozaki Orange, the crown magician, is not on the same level as all the magicians of this era, and even the magicians of the Middle Ages are only a handful of magicians who can compete with her.

Of course, those magicians should be excluded, after all, she was hammered by her sister Aoko Aosaki before, and magicians are of another level compared to magicians.

However, Aoko Aosaki was able to defeat Aozaki Orange, I'm afraid it was because of attribute restraint, representing the "destruction" of Aoko Aosaki, who was simply playing with a doll.

"Well, it's around here."

Aosaki Orange stood not far from the Shimizu Mansion, confirming the direction, and soon another puppet was discovered by her, and she followed these puppets to this place.

The puppets who were originally used for warning and investigation became the guides of Aozaki Orange, and took Aozaki Orange all the way to the Qingshui Mansion.

"This clumsy magic enchantment is really ......"

Standing in front of the Shimizu Mansion, Aozaki Orange was perfunctory by the magic enchantment casually arranged by Weiyun, which made her speechless for a while, and even doubted that a magician of this level would really be the maker of these puppets?

And Weiyun and Miss Isaac also noticed this crown magician who had already touched their doorstep.

She has long reddish-orange hair, tied into a ponytail behind her, beautiful facial features and figure, wears simple glasses, and wears a white shirt in the style of a female white-collar worker, with an orange coat on the outside.

This woman's use of orange is almost crazy, orange nail polish, orange studs, orange necklaces, all the accessories on her body, almost orange.

However, Weiyun knew that although this woman was covered in orange, if anyone really dared to say that taboo title, the now calm Cangqi Orange would definitely be able to tear that person apart in the next second.

That's right, Weiyun knows this woman, because he has watched "The Realm of the Void", and this woman is undoubtedly the crown puppeteer Orange Aozaki who has seen through the red dust and is living in seclusion in Japan!

Judging from the timeline, at this time, Sister Shi's story should not have started yet, but Weiyun is not sure that this is not the world of "Empty Realm" after all.

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