In fact, the stories are all the same stories, and the key is to see which author writes it.

The same is true for manga creation, and it is not so easy to draw the texture of "The Dancing Girl of Izu".

Its focus is on "beauty" and "beauty", and if you insist on painting this work without top-notch painting skills and skills, it will only ruin the original work.

Compared with the movie version of "The Dancing Girl of Izu", Enma Sakura undoubtedly loves the original version more, just because Yasunari Kawabata's words are too beautiful and meaningful.

It's just written in the first person, and of course it's impossible for the manga to do that, so it's necessary to give a name to the "I" in it, so let's refer to the movie and take "Kawashima".

Enma Sakura's heart is very big, and she thinks that since she wants to use a manga to show her artistry to ensure that she wins the "Tezuka Award" without fail, then she will show all the aesthetics of Toei with paintings.

Dongying's aesthetics are based on natural beauty, and they prefer spring, summer, autumn and winter, mountains, grasses, stones and trees in nature.

Just like the world in Miyazaki's eyes, the creek is cool, the trees are dense, the large primeval forest, the clean waterfall, and occasionally there are a few ghost temples, but it also seems to be kind and lovely, even the watermelons and fresh tomatoes in the spring water make people look forward to it, it is a utopia in the noise, clean and beautiful.

In "The Dancing Girl of Izu", from the perspective of a young student, on a trip to Izu, he travels with a wandering artist, and finally develops a love for the cardamom dancer.

The young man once thought that the dancing girl Fumiko was a so-called mature prostitute, and had evil thoughts, but later gradually discovered that Fumiko's pure and innocent demeanor, and the girl's pure first love was rendered.

When the young man boarded the boat to go to Tokyo, Fumiko just squatted on the shore and bowed her head silently, waiting for the boat to go away, before standing up and waving goodbye.

There is no ** in the article, there are no explicit words, and even the words between the protagonists are very few, which precisely creates a classic Dongying-style love.

In order to perfectly draw the flavor of the original work, of course, Enma Sakura also has to depict the beautiful body of the heroine's "smoked", but she will not let the other party dew, and she can completely avoid the dew point through the holy light or just the right perspective, which can make the reader reverie even more......

In fact, the scale of Dongying comics has always been okay, especially youth comics, which are all kinds of dark and heavy-mouthed, and do a little H rubbing the edges or something.

But now Enma Sakura is painting a work submitted to the award of the shonen manga, and it is a hazy and delicate theme of first love, and she will do her best to reflect the beauty, texture, and artistic conception like the same.

After she completely set the character image and storyboard outline in her mind, she directly began to create the original draft.

If this is seen by other peers, they will definitely exclaim incredible, how can there be such a "reckless" cartoonist, it simply makes those creators who have to spend a long time in preparation feel ashamed.

There is no way, the soul power or the Yuan Shen is strong and can do whatever he wants, and he can completely use the brain as a computer to operate......

In the following creations, Enma Sakura mainly portrayed the scene, of course, the most moving part. For example, these paragraphs –

"There were fallen leaves under the trees, and the road was so steep that it was chest-chest, and I walked out of breath, but I was a little open-minded, and I quickened my pace, and stretched out my palms to my knees. Seeing that they were left behind, they followed me closely. She walked behind, a meter or two away from me, neither wanting to shorten the distance nor to lag any further behind. I went back to talk to her, and she looked surprised, stopped and smiled in response. When the dancer spoke, I waited there, hoping that she would catch up, but she stopped and waited for me to move forward. The road twisted and turned, and I quickened my pace, but the dancer climbed with all her heart, still maintaining a distance of a meter or two. The mountains are silent. The rest were so far behind that they couldn't even hear the voice. ”

"The road in the mountains was covered with fog, my clothes were wet with the rain, my chest and double script should feel cold, but behind me I was sweaty because of my fast walking, and I was even more anxious because of my unbearable emotions. The first time I met love at such a young age, in such a dreamlike mountain, it is destined to be a relationship that is enough to remember but impossible to end. ”

……

It must be pointed out that "The Dancing Girl of Izu" is not a work with ups and downs and twists and turns, it is just an ordinary hazy first love story that abandons the story background and character settings.

But with the beautiful scenery and the journey and other elements in the work, it is a particularly beautiful, romantic, sad and even sad story.

The most touching part of it is naturally the details of the interaction between the male and female protagonists, and this is what Enma Sakura is good at.

This "Dancing Girl of Izu" unconsciously continues the style of "Your Name......

It's just that its ending is obviously not as good as "Your Name", if those readers who are in the pit because of "Your Name" watch this "The Dancing Girl of Izu" with anticipation, I am afraid that they will be "healed" by the ending.

But that's none of Yama Sakura's business, if you have to talk about it, she's just co-creating with Nobel Prize winner Yasunari Kawabata, and she's only responsible for painting, and the original work is also Yasunari Kawabata.

This is just like the "Demon Extermination" mentioned earlier, the original work is a flower blossom courtyard road snow, there is a problem in the plot, it is right to find the original, and the painter is just a tool man for the original work.

Readers of this small world can be said to be extremely lucky, with the excellent porter of Yama Sakura's classic works, they can get more spiritual food.

For Enma Sakura, her starting point can be said to be very simple, she will do everything that can increase the progress of her mission, it is rare to have the information advantage of the earth world to rely on, and she will never tie her own hands.

This time, in the new work "The Dancing Girl of Izu", the creation speed of Enma Sakura is relatively slow, and it is not as good as the previous "Your Name".

Just because she wants to ensure that every page of the work is refined and meticulously crafted, and the artistry, material mourning aesthetics, etc. are expressed to the extreme, so as to win the selection of the "Tezuka Award" without suspense, this is the consistent and steady style of Enma Sakura.

When Koji Yoshida visited Enma Sakura three days later with a sample magazine, Yama Sakura's new short story was nearing completion.

Koji Yoshida has discovered Enma Sakura's painting habits, that is, she likes and is even very good at drawing color pages, and her use of color is really amazing!

Where are you drawing comics, it's like painting oil......

Speaking of which, the comic studio of this genius girl is indeed more like a traditional painter's studio, with all kinds of painting tools readily available, not only comics.