The recording schedule on Sunday morning is "Invitation to the Supporting Actors to Rehearse the Works".

The four young people of the Mao Livehouse warm-up band followed Mao Zhiyuan to the "office building" early, and Yan Qing wore a black and white color-blocked pullover sweatshirt and a hood to debug the equipment with them.

The two keyboards on the stage are loaded with the accompaniment program that Yan Qing has compiled in advance:

A keyboard will be responsible for outputting the violin strings and harmonic accompaniment.

The other keyboard is responsible for the chimes of a set of intros and the percussive harmonic accompaniment outside of the drum kit.

After debugging all the equipment on the stage, Yan Qingzheng closed it with everyone, and then the corner of his eye glanced at it:

Zhou Peipei, who was wearing a slim white shirt and cropped jeans, had already led Weng Huaijing into the performing arts.

Yan Qing also noticed that behind them, Shao Qing, who was wearing a dark gray suit and skirt, was chatting softly with Luo Bing at the door of the hall, and their expressions were very relaxed.

Weng Huaijing, who met Yan Qing's eyes, wore a mid-length tutu with a neckline designed like a white lace neck ring and a hollowed-out shoulder design of white gauze and lace wrapping edges.

Weng Huai's beautiful face was reflected by two faint blushes, and his long black hair was over the shoulder, and the arc was slightly curly.

"Actually put on some light makeup, how can you think she is a little charming?"

The woman in front of her is black-hearted and ruthless, and she never gives a good face, but Yan Qing can't afford to have any hatred, plus he has never faced Weng Huaijing, who is dressed up, at this moment she is like a dazzling diamond, shining to Yan Qing.

…………

Zhou Peipei sent Weng Huaijing to the stage, then turned around and returned to the rest area outside the camera, standing next to Shao Qing.

Weng Huaijing glanced at Yan Qing, who was still looking at her rudely, and seeing that he had no reaction, Weng Huaijing took the corner of his skirt and bypassed Yan Qing to get the microphone.

Yan Qing lost his mind in the quiet and soothing rosemary fragrance, and suddenly a Cantonese voice came to his ears:

"It's a pity that I don't even like to help you sing."

Yan Qing came back to his senses and asked:

"What?"

No one responded to his doubts, as if it were just his own auditory hallucinations.

Weng Huaijing was already holding the microphone with both hands down, standing in the center of the stage, looking like he was waiting for the band and piano to practice together.

Only then did he remember that Miao Miao seemed to have said something similar to him before, but he didn't have time to wait for him to continue thinking, Yan Qing noticed that Mao Zhiyuan, who was sitting behind the drum kit, had already held up the drumstick to signal that he was ready to take his seat.

Yan Qing pulled the brim of the hood on his head, shook his head and sat back in front of the piano.

In this "Light Chaser", the first time the singer, piano and band worked together unexpectedly.

The effect is so good that Yan Qing feels like he is listening to a studio work with vinyl sound.

I repeated it three times in one breath, and there was a little problem with the coordination between the two musicians and the drum kit, and they complained to each other a few words, and finally let the program team shoot the necessary rehearsal to adjust the plot.

Between Yan Qing's piano and Weng Huaijing's singing, after four joint performances, there is no communication between them, but the tacit understanding is particularly good.

Liu Mingren raised his right hand and gestured, Weng Huaijing put down the microphone without saying a word, walked off the stage with his skirt, and sat down on the sofa next to Zhou Peipei.

Yan Qing here began to arrange his own song, Beat has changed a little, and the prelude adds a watermark of the accompaniment that he has been using in his previous life: "One world One Yim", the watermark vocals were naturally recorded by Miao Miao for him, Yan Qing didn't notice that Weng Huaijing in the audience glanced at him when he heard this watermark.

Yan Qing made some changes to some of the lyrics of "Lisao", adjusted some rhymes that are not quite in line with the flow of rivers and lakes and stalks that do not appear in this time and space like Saiyans, and then wrote the self-deprecating Hong Xiuxian emoji into it, and made a punchline (explosive point) with good effect.

After all, leaving the "you're so sassy" emoji can also be called a divorce.

…………

In the afternoon, Dingxin invited five first-line singers belonging to five record companies to serve as flying guests, and Yan Qing saw Wang Yunxi of Chutian Music, an acquaintance.

The brokerage affairs of the other four are all agents of Dingxin, and Shao Qing introduced them to Yan Qing one by one:

The male guests who successfully teamed up in the second phase of "Star Silk Road" are Jiang Jin, a hip-hop king from Modern Universe Records;

Under Transwarp Music, Jiang Baguio, a love song diva with five top singles on the top of the weekly golden song chart;

Duan Mengyuan, the gold medal singer-songwriter of UFO music;

Folk singer Tian Xiaojie of Huahai International.

Wang Yunxi greeted Yan Qing familiarly, and did not forget to tell Yan Qing that she had finished recording "Liqiu" and that the new album was about to be released.

Jiang Jian dressed and acted with a typical hip-hop style, he reached out and touched his fist with Yan Qing, nodded at Yan Qing and sat down directly.

And Jiang Biyao, who is very well maintained and can't see the specific age, seems to have a good relationship with Yan Qing, she directly reached out and copied off the hood that Yan Qing put on her head, and looked at Yan Qing meaningfully, muttering in her mouth:

"Guess what our grandson said when I went out today, let me ask you kid, if you will develop in the music world in the future, do you remember which way the door of the backstage of the Imperial Capital Renyi Theater opened?"

"Of course, I can't forget it, please say hello to Mr. Sun for me, please rest assured Mr. Sun, I am just playing with a ticket, and the play really hasn't fallen."

Yan Qing reacted quickly, daring to love this love song queen is the lover of the teacher Sun Youzhi in his unit.

Duan Mengyuan and Tian Xiaojie were about the same age as Yan Qing, and after shaking hands, they sat down directly under Shao Qing's guidance.

There are also actuaries from Biwei Accounting Firm, who focuses on the entertainment industry, and notaries from the Imperial Capital Xicheng Notary Office, who are invited by the program team.

Just as smoothly as the rehearsals, the performances of the two songs during the performance were also highly praised and sought after by the flying guests.

Yan Qing sang "Lisao" on stage first.

The lyrics of most sections of "Lisao" are very Jianghu atmosphere, with the retro old-school martial arts TV series Armageddon-like Beat, coupled with Yan Qing's carefully choreographed Flow, which directly detonated the atmosphere.

Yan Qing did not blindly pursue fast mouth, but steadily changed the speed and rhythm of speech with his own arrangement, with clear pronunciation and accurate sentence breaks, and Flow spread out like flowing water:

"The road is still walking, even if you are shackled to your feet

The steps were pulled, but the sound was still loud

Not just for rebellion, but for freedom and security

The minds of future children are the treasure of the country"

…

"If my life is controlled by someone else

Then who else can say their true recitation

If so, this is the last cut, let me block it

At least I'm still dreaming about it when it's gone."

…

"Diss, I'm so sassy, my level needs to be improved

The roots are rooted in the human art, and they are not afraid of the prince changing the tanuki

Even if it's an executioner

Forced me to walk on my knees and submit with both hands

Explain the meaning of my life and write down the divorce"

…

This song "Lisao" made Jiang Yao, an expert in the rap circle, so impatient that he stood up directly halfway, he raised his hands, and his body continued to rhythm with Yan Qing's Flow changes until the whole song was sung.

“What’s up！ Dude, it's so fried! I heard Sister Qing say that you want to do rap, I thought you were here to play tickets, but I didn't expect your Flow to be old and bullish, and you are so slippery with double bets and anti-bets! Brothers! ”

After commenting, Jiang Jian turned to the camera and made a unique Swag gesture, and he sang a little excitedly:

"Break for you, break for you, break the knife mountain

Walk with you and walk with you through three levels

"Divorce"

Jianghu flow

Yan Qing

Dope！ Blow up the sky! ”

And then Weng Huaijing's "Light Chaser" played as stable as in the morning rehearsal, and won unanimous praise from the flying guests.

Wang Yunxi, Tian Xiaojie, and Jiang Biyao immediately asked Weng Huaijing if he had any plans to release this song, Weng Huaijing hesitated, but nodded.

Shao Qing came out to explain the motivation for the creation of this song, for the sake of Xu Moer, a little fan, Weng Huaijing will release at least one version of the digital single.

In the valuation session, the professional actuary of Biwei Certified Public Accountants comprehensively referred to the evaluation of the expected sales of the two songs by the five flying guests, and gave the operating output valuation of 8 million for "Lisao" and 15 million for "Light Chaser" respectively.

The notary of the Imperial Capital Xicheng Notary Office notarized the valuation process and results.

After the recording of the performance, Liu Mingren deployed the camera team to seize the time to do an interview with the two main creators in the small black house, which also means that the entire recording of the first episode of the show has come to an end.

For the song "Lisao" and some other thoughts, Yan Qing made careful additions to his interview with the little black house, and when he finished answering Yi Li's questions, explaining the post-processing plan, and then came out of the living room, it happened that Liu Mingren, Luo Bing, Shao Qing, Miao Miao, and Zhou Peipei were chatting in the corridor of the artist's rest suite.

He heard Luo Bing talking:

"We whispered that the completion of the first two works is very high, and the effect of the show should explode after the later stage.

However, there is one point, how did the excerpt from the "Four Little Swan Dances" in the second act of "Swan Lake" recorded in the practice room be replaced by the original script..."

Luo Bing glanced down at the script in his hand and continued:

"Well, it was replaced by the fifth act of "Dancing Queen", and the solo dance excerpt of "Serenade".

Shao Qing nodded and said hello to Yan Qing, who walked to Miao Miao's side, before replying to Luo Bing unhurriedly:

"I also asked yesterday afternoon, and she said that if she wanted to change it, she would change it, but on Wednesday we had a scene recording of "Four Little Swan Dances" at the Imperial Capital Dance Academy, and I don't care if I don't think the problem is big, you know her..."

"Sister Qing?"

With the familiar fragrance and cold voice, Yan Qing didn't need to look back to understand that this was Weng Huai.

Shao Qing waved his hand knowingly, greeted Luo Bing and Liu Mingren, and did not forget to make a phone gesture to Yan Qing, and led Weng Huaijing and Zhou Peipei to leave first.

Yan Qing looked at the thin back that disappeared into the corner of the stairwell, and silently wrote down the details of the conversation between Luo Bing and Shao Qing.

The first issue of "Talent Co., Ltd." was recorded, and the smell of rosemary in the corridor slowly dissipated, but Yan Qing's thoughts gradually rose:

"Is it really just a long-ended, secretive relationship?

Why is he so familiar with Weng Huaijing's timbre?

Why is there little communication between each other but tacit cooperation?

Why did Weng Huaijing say that to himself in Cantonese during the formal joint practice?

Why did Weng Huaijing change his ballet solo content?

Why has Weng Huai's already alienated attitude been colder in the past two days?

Could it be that there is something unintentional about me that stung her?

I have checked Weng Huaijing's resume before, and there is only one film "Black Swan" that has been made public, and she completed the filming during her study abroad.

Since returning to China in August 15, she has been teaching at the Imperial Capital Dance Academy, occasionally participating in ballets.

We've never made a movie together or released a song together, so when did this intersection happen?"

…………

Yan Qing found that the buried part of the past seemed to be full of suspicions.

…

…

"Divorce"

Original song: Kung Fu Fat

Lyrics and composition: Kung Fu Fat

Beat Maker: Old-fashioned

Mixing: Y.U.N

Album: Cblock "Gold Rush Diary"

Sampling: Guan Zhengjie "People in the Rivers and Lakes"