The previous text has been revised, and by the way, I will take advantage of this single chapter to say a few words
First of all, regarding the 103 chapter dream warning of some friends who said that they were poisonous, they have been modified in another direction. In my opinion, it would probably be a lot better. Regarding Ye Xun's plot, it will show a different feeling.
As for some of the people who have been shouting poison since the first ten chapters...... It is recommended to quit quietly and read other books. With such a large library of starting points, what negative emotions do you vent in other people's novels?
I'm a reader myself, and I'm much more critical than everyone in this room. From the writing, the plot, the worldview to the characterization, I can't stand the slightest bit wrong. But one thing remains constant, and that is that I never spray authors. Since I'm an author myself, I know how difficult it is to keep up to date with quality and quantity while having to work every day. How many times have the authors had emotional breakdowns during the long creative journey, and they still have to try their best to write......
So even if it's the most annoying book, I never spray it. In my opinion, this is basic empathy.
In addition, the entire setting of this book, whether it is the space-time authority or the worldline correction mechanism, may be different from what readers imagined. If you say too much, it will involve spoilers, but please think about it, what the so-called space-time administrator said, must it be true? The hamster said it was a space-time administrator, is that true?
Anyway, when I open my brain, I'm used to giving a reasonable explanation for everything. I don't really like séances. Of course, the author's abilities are limited, and everyone's worldview is different, and the understanding of "reasonable" is different. It's normal for people to be disagreeable, but I'll at least try my best.
As for the psychological ...... of the protagonist Well, let me give you an example to explain a little, from the screenwriting textbook "Stories":
[In Woody Allen's romantic comedy "Annie Hall", when Alvey speaks directly to the audience and 'confesses' his fear and incompetence, he is also lying, covering up, and pretending to be self-defeating in an attempt to win the audience's sympathy and convince himself that he is a kind-hearted person. 】
This is the subtext, which is not directly displayed in the picture or text, but is implicit behind the logic of the characters' words and deeds, and becomes the implicit structure that shapes the characters. And if there is no subtext, the tension of the story is weak.
The protagonist of this book, he has never admitted that his old love is not over, but is it really possible for him to be decisive? So why can't you be ruthless, isn't that normal?
Finally......
As an author, I've been through a lot. I've had works adapted from IP, I've also had the experience of being played by some platforms that shout for big moves, and I've had my book blocked halfway through an anime project. If I hadn't had a strong enough desire to create, I would have stopped writing novels a long time ago.
After all, writing a novel is a dead end, right? (laughs)
This book will start tomorrow, and it will be recommended on the front page of the sixth frequency, and I would like to thank all readers for their support.
And, continue asking for recommendation votes, thank you.