A distant and unverifiable era.

Proposed by Mimiron, the Wise King of the Guardians, in order to better deal with the threat of the Void in the future.

The Guardians decided to try to study the four ancient gods they had sealed, knowing that they could survive the battle.

Mimiron and Lorcan cut a piece of rotting flesh from the sealed Yugsaron.

With the help of the Maggus, Rai was able to find a piece of the head that Ashaji had accidentally left on the ground when it was pinched and exploded by Almansur.

Tyr and Odin went south themselves, killing many of the insects that had gathered together, and then gouging out an eyeball of Cthun.

Thorim, the Storm King, accompanies Hodir, the Ice King, into the depths of the ancient continent of Kalimdor. It is said that when they explained their intentions, Enzos in the prison handed over one of his tentacles without even resisting.

The Guardians brought the rotting flesh of these old gods to a jungle and opened a new Titan building in the middle of the jungle.

Later it was called Odile, then it was called Temple City, and then it became Heart of Darkness.

The Guardians gathered the flesh and blood of the four Old Gods, as well as the corpses of some of the Old Gods, and began experimenting with the Void underground.

Over the course of hundreds of years, the Guardians had unexpectedly united the flesh and blood of the four ancient gods by chance.

A rotten lump of flesh with a life of its own and the attributes of an ancient god was born.

He was called Gohorn by the Guardians.

The Guardians cheered, hoping to find a killer weapon against the Void in Gohorn, preferably to completely eliminate the four Old Gods from Azeroth.

They studied Gohorn for hundreds of years.

Unfortunately, this time they were no longer lucky, and their research on Gohorn never progressed.

The Guardians are tired.

The battle of the Dark Empire consumed too much of their energy and will, and the passage of time took away their spirits.

A thousand years of experimentation yielded only one Gohorn, and a pile of rotten meat.

The Guardians had a meeting, and in frustration, they finally decided to seal Gohorn and wait for everyone to recover and come back to study it.

The Titans' writings and paintings on the walls in front of them are the laboratory diaries related to the experiments left by the Guardians when they experimented with the flesh of the ancient gods and Gohorn.

This is what Tonathius judged from Alexstaza's intermittent and incomplete translation, combined with the cognition of his previous life.

Tonatiu looked at a mural in front of him, which showed a dismemberment of a giant Nlaki monster and a detailed explanation of its internal structure.

The Guardians were like a bunch of emotionless scientists, cutting the hapless Nlaki from beginning to end, not even sparing his nails.

There are many, many Titans on the accompanying picture, which Tonatiu can't understand.

He felt that if he copied the painting and the text and threw it at Quel'Thalas or Dalaran, it would surely make countless mages go crazy.

It took a long time for Tonatiu to look at the carvings and writing on the walls.

The text is incomprehensible, but the drawings can still tell what the Guardians did to Gohorn or the flesh and blood of the Old Gods.

For example, there is a painting of Gohorn being captured by the Guardians on land and shining at the sun, which should be the sun, or it may be an unknown source of holy light.

The painting may be a depiction of the Guardians testing the daylight, or the damage that the light can do to Gohorn.

Tonatiu can't see the results, and the results may be in the Titan texts below.

In addition to experiments suspected of damage from the Light, Tonatiu has also seen experiments such as fire, physical cutting, freezing, and so on.

Poor Gohorn was treated as guinea pigs by the Guardians before he did any evil.

Looking slowly, Tonatiu was fascinated by a painting on the last wall.

There are 4 ancient gods and a claw on the top, and there are a lot of Titan characters underneath.

What attracted him to this simple painting was that the claws on it closely resembled a dagger he once held.

Compared to the claws on the opening paintings, the claws of this painting are almost identical to those of Salatas, but with a little less decoration.

The God-King frowned at the painting.

Salatas herself said that she had just descended on Azeroth, and was torn and eaten by her kindred before she could even start parasitizing.

Leaving only one claw to escape, the rest of her soul and power was stored in the claws, and she wandered in Azeroth for countless years.

It wasn't until the ancient gods were sealed that she dared to come out and breathe and do things.

In other words, the battle between the Guardians and the Dark Empire of the Old Gods, Saratas was definitely not involved, and the Guardians most likely did not know about her existence.

However, the image of her claws appears in the Guardians' diary of experiments with Gohorn.

This could mean that the Guardians were aware of her presence and put her alongside the other Old Gods, presumably knowing that she might be an Old God as well.

It's a pity that most of this painting is in Titan script, so many Titan characters for Alexstasa to translate, it is estimated that it will take a long time to translate.

Scratching his head, Tonatiu was very curious about the Guardians' account of Salatas, even if the Red Dragon Queen's translation ability was worrying, he still wanted to trouble the other party.

The God-King turned to look for Alexstaza's tracks, and saw him and Santis standing beneath a carved painting, looking at it.

The carved painting Tonatiu had just seen, and it was a record of the Guardians abusing Gohorn...... No, the diary of Gohorn's injury experiment.

In that experiment, the Guardians took Gohorn into the sky and tried to react to Gohorn in the moonlight when it was at its strongest.

After trying the sun or the holy light, they seem to have tried the moon again.

The reason related to the moon god attracted the attention of Shantis.

Tonatiu, who was about to open his mouth to call the Queen of Life, suddenly felt that something was wrong.

He glanced at the large empty platform and saw Alexstaza, Ysera, and the two Cadores.

There was still Tarok's body lying on the ground in the center of the platform, but the key thing was that the Virgin of Innocence who had been standing next to Tarok's corpse just now was gone.

Tonatiu immediately sensed that something was wrong.

He called out at his voice.

"Guardian of Odil, Your Excellency Our Lady of Innocence, where have you been?!"

The god-king's loud shout drew the attention of the others.

Tonatiu walked towards them, and they walked towards Tonatiu.

"Look there!"

Tyrande's face turned bad.

She pointed to the entrance, which had been silently closed.

"We're stuck here."