Not only Mia, but even the girls watching from the sidelines noticed the same problem.

"Is there something wrong with the transcendent swordsmanship itself?" Eleanor muttered, "So every phantom created by the Immortal Phantom Sword needs to be distracted to control?" ”

"To be precise, it's really a matter of finesse." Sheila, who had been learning swordsmanship from Peggy for a while, said, "As far as I know, the phantom that Peggy has split has the most basic intelligence, such as the main body only gives a thought of 'going to attack the target', and the phantom can immediately launch a corresponding attack. ”

"The problem is that this attack is completely instinctive, so it can't be complicated, at most it's a simple slash or a straight stab. For Mia, this simple attack is completely intimidating to her. ”

"And in order to accurately manipulate the phantom and perform complex actions such as tactical decoy or combo additions, it is necessary to dedicate the mind to more refined command."

"So it becomes a matter of duality. You see, every time Peggy splits the Phantom, Mia increases the frequency of frontal attacks, forcing Peggy to focus more on solving the dangers facing the Body, resulting in a rapid decrease in her ability to manipulate the Phantom Clone. ”

"It's not that there is a problem with the transcendent swordsmanship itself, it's that Peggy's use of swordsmanship is currently flawed, and it was discovered and deliberately targeted by Mia."

"I don't know if you've noticed." Sidlifa also said in a deep voice, "Actually, there is another problem. ”

"What's the problem?" Sheila asked.

"In Peggy's tactical system, there is a disconnect between transcendent swordsmanship and transcendent abilities." Sidlifa said.

Eleanor thought about it, and it was true.

Extraordinary abilities and their own combat skills, the best combination at the moment is probably Sidlifa and Mi'er.

The former, whether it is frost or thunder, as well as the giant's power amplification, can be flexibly cast in the swing of the battle axe, which can bring powerful damage, containment and damage to the enemy in normal attacks;

The latter is that all abilities are strengthening the firearm technology itself, and the ability to see, intuition, and even luck has pushed her own gun-wielding reaction speed, lethality, and hit rate to new heights.

In addition to these two, such as Eleanor and Asker, most of the extraordinary abilities are strengthening their own ** hard power.

For example, Medea, Nuo and Sheila, on the other hand, focus on the use of extraordinary abilities, if these are removed, their own combat power will be about equal to nothing, which is another extreme.

Only Mia and Peggy, these two people's extraordinary abilities and their own combat skills, the depth of their combination with each other is slightly weaker.

Mia chose the bloodline of the "Shadow Dancer", paying attention to the strange shadow ability, and the critical strike style that focuses on weak point assassination, relatively speaking, the situation is relatively better, after all, there is already a formed professional play plan there, under the follow-up guidance of Asker, as long as he slowly leans in this direction in the future.

Peggy's bloodline is the "Lord of Filth", which is similar to the play of strong control and blood grinding in terms of sequence characteristics. However, at the same time, she also mastered another transcendent swordsmanship, the "Immortal Phantom Sword", which focuses on "beating" and "forcible killing......

"Will this work together?" Eleanor was skeptical, "When Alexander designed this swordplay, did he think that he could adapt to the bloodline of the Lord of Filth? ”

"Of course not." Medea said, "Alexander himself is a meteor and fire bloodline of the arcane system, and he pays attention to the mobile turret-type play of blasting the enemy head-on. The phantom sword designed was only designed to match his own arcane ability, doubling the output on the battlefield. ”

"That's why Hannibal wants to improve this swordplay." Sheila echoed, "Hannibal is a necromantic bloodline, and he manipulates undead and spirits to besiege enemies, so the strength of the Phantoms is reduced and the number of Phantoms is greatly increased, which is also to better match his usual siege tactics. ”

"Peggy's current swordsmanship is closer to Hannibal's version of the Immortal Phantom Sword, right?" Sidlifa began to think about it again, "You say, if she improves her swordsmanship again, what will it be called?" Bloodline Phantom Sword? Girl's Phantom Sword? Peggy's Phantom Sword? ”

Everyone tacitly ignored her mentally retarded speech and continued to discuss:

"In fact, it is not impossible to combine the two, first of all, the swordsmanship must be re-improved, and the phantom cannot be crushed with one blow like the immortal phantom sword."

"Hannibal's approach is to separate the apparitions into a vast army of necromancy, and Peggy does not have the ability to revive the necromancy, so the apparitions themselves must be strengthened."

"There's no need to split only one phantom like Alexander, I think 3-4 is a more appropriate way to play, keep the siege, don't reveal the location of the main body for a short time, and then use the plague and toxin abilities to continue to weaken the enemy."

Everyone was analyzing + discussing outside the field, but Nuo next to him was extremely puzzled: Hey, didn't Asker say that Mia lost? How does it sound like Peggy is at a disadvantage now?

She secretly glanced at Asker with her peripheral eyes, and found that the head of the regiment was still calm, without any surprise at all, while Peggy on the field was about to break out in a cold sweat.

Mia, what the hell is this!

The Twin Sword Assassination Technique, a very rustic-sounding name, is actually enough to make anyone who faces it break out in a cold sweat frequently.

Because whether it is attacking, parrying or blocking, its response actions are quite unconventional, enough to subvert anyone's perception of swordsmanship.

Jin Tie struck again, Peggy's short sword pressed against the opponent's dagger, only to feel that the power on the sword was suddenly empty again.

Mia's dagger was originally held in the back, and the moment she held Peggy's short sword, she turned sideways, and at the same time, the dagger was against the palm of her hand, and she turned into a straight grip like a show of skill.

As the dagger rotated, the blade deftly circled against the dagger, and the dagger immediately lost its parry target and slashed into the air next to Mia, who was dodging sideways.

She took the opportunity to lean down and rush forward, but Peggy could only quickly retreat to keep her distance, and the dagger slashed down again.

This split is to force the opponent to block or dodge, so as to stop the trend of rushing forward. Of course, considering that Mia could change her tactics at any time, Peggy was also ready to retract the slashing force.

As a result, Mia's left hand was raised, the dagger stabbed steadily against the short sword, and the dagger in her right hand stabbed forward.

This made Peggy almost depressed.

The opposite set of tactics, to put it bluntly, is a "change".

You think that the opponent is attacking and parrying, but the opponent's actual move turns into a virtual one, and suddenly changes from parry to dodge; The next move you think the other party is going to come to the void, but the other party is a real block.

The key is that the opponent's change of moves is too fast, the forward and reverse grip, the real and the virtual change, and the adjustment can be completed in the blink of an eye, thanks to the special technique of the double sword assassination technique.

"No way!" Peggy suddenly realized what the problem was.

One-on-one heads-up is Mia's best field, how can she be dragged into the rhythm that the other party is most comfortable with?

In the case of being close to the assassin, whether it is a sword competition that cannot be compared, or the immortal phantom sword is restrained, it is a natural result of being suppressed.

There must be a distance! In other words, isn't flexible dodging and keeping a distance what the Lord of Filth is best at?

I'm sorry, but I thought I wouldn't use Rippy before, but now I've changed my mind.

At the moment of being stabbed by Mia, Peggy's body collapsed again, turning into countless bats and fleeing in all directions.

Before they could fly, the shadow cast by the bats on the ground suddenly burst into sharp black spikes, piercing all the bats' bodies.

"Huh?" Mia was a little surprised, Peggy did it too well, right?

Wrong!

She hurriedly retreated, and saw that all the bat corpses on the black thorn suddenly exploded, turning into dirty blood and splattering in all directions.