Summary at the end of the play

This script was written even longer than I expected.

Exactly fifty chapters.

Maybe it's the longest script I've ever written? Every time I encounter a main script, I write it relatively long, so I can only say that I have a lot of things I want to write.

By the way,

I saw someone asking why it was difficult to find a confidant who could kill the god son Vidal alone, and after Gu Moli left, "Because I'm crazy!" So if you're interested, I can write about it from the perspective of a confidant after that.

Does anyone want to see it?

If you don't want to read it, you won't write it.,After all, it's an extra-fan.,It doesn't affect the main line.。

And also

According to the reply I got some time ago, it seems that you readers want to see a plot like player confrontation? There are also people who want to see puzzle solving.

So far.

I had a showdown.

I can't think of it for a while, and I have a script for simple reasoning and suspense, but what should I say, I plan to delay writing this later, because I expect that script to have a wit battle between Gu Moli and his confidant, not so fast.

And until then, maybe it would be good to let the two of them have a serious duel first?

But it can't be just two.

The initial prediction is that there will be a six-player smash brawl.

The script has a preliminary plan, and it may play a little meme.

I'll fill in the rest slowly, so I'll write a script based on the duel between players.

.................

............

........

Okay, now for something more important.

You can see it in the last month or two.

My updates have become less.

From two changes a day to one change a day.

The reason for this, in fact, is not very complicated, simply put, the author's ability is a bit insufficient.... The more you write about the original infinite flow, the more difficult it is to write, and I often just think about the beginning and basic background setting of each story, and then slowly think about the follow-up as I write.

I'd like to update a little bit more, but it's really not going to be fast.

And in addition to the current script, I also have to think about the future script, and I have to pay attention to the connection between the script and the script, which is actually quite brain-consuming.

But this leads to a very troublesome situation.

My brain can't keep up with the plot, but I still have more than enough hands.

I can actually write a lot.

But I just can't think of a plot.

Of course, more importantly, the results of this book are not very good, and I want to eat just right.

Let's be blunt.

I've got to open a new book.

Although I also thought about using the trumpet to open it secretly, but I thought about it carefully, and I felt that it didn't make sense, and I had to start over with the trumpet, and it would be separated from the existing fans, which was not very good, so I simply took advantage of the end of the script this time to explain it to all readers.

I wanted to write a more cheerful story about the sand sculptures.

Maybe hit the streets?

But I still feel that I need to try, and if I can, I really don't want to open a new book after I finish it, because the new book period at the starting point is too long, often two months, and if I don't try it in advance, it will be a huge waste of time, and it will be a big loss.

Of course, I won't stop updating this book.

Although it is unlikely to return to two shifts per day.

But it should be no problem to stabilize at one change a day, and two changes when the inspiration is relatively high.

Hmm-hmm.

That's pretty much it.

That being said, it's actually a bit stressful to open the double, and because I'm worried that the readers won't understand, I accidentally said so much.

The new book has already passed.

Now under review.

When it officially comes out, I will notify you separately, and it is estimated that it will be either today or tomorrow.

So far.

Kowtow to fellow readers.

Bang bang bang.

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