After reading this preface, Jiang Yu raised his eyebrows, and had the illusion that he was reading those love-hate works of youth moaning or love-hate stomachache.

Is this the style of writing the national writer?

With such a question, Jiang Yu flipped through the table of contents and began to read the text directly. After reading several articles, he could almost understand what kind of story this was.

The perspective of the text is not as light as it is on the male protagonist, but the narration unfolds from the first person of the female protagonist.

At the beginning, there is a large psychological description, which probably means that "I" am not good at socializing, and it seems that I have encountered some troubles recently, blowing wind on the empty roof of the school because it is not open to the public. Probably because of the numbness in my legs after sitting for a long time, when "I" wanted to go down the ladder, I accidentally fell down when I was about to reach the bottom. After coming back to his senses, there was a boy with a shocked face in front of him. In a panic, "I" directly picked up the handbag and ran away in a hurry.

After returning home, "I" was stunned to find that I couldn't find the notebook that I usually used to carry some of my delusions in order to relieve the pressure before the exam, and also explained that "I" would go to the rooftop to blow the wind before, because the pressure before the exam was too great. In the end, "I", who couldn't guess where the notebook would fall, fell asleep with such anxiety.

The next day at school, "I" was suddenly accosted by a boy in the same class who usually had no communication at all, and after responding cautiously, I was pulled by the other party to the rooftop that is usually forbidden to enter. In the ensuing conversation, "I" was surprised to find that the other party was the boy from yesterday evening, and he also picked up the notebook he had written......

Just when Jiang Yu was about to be persuaded to retire by this bland plot, but he was hung by this delicate and exquisite writing, the story suddenly took a surprising turn.

After "I" met the character who seemed to be the male protagonist, turning the page has become the next chapter, the chapter title is the extremely relevant "Strawberry 100%", and the narrative perspective has changed to the boy, telling the story again.

Jiang Yu flipped through it quickly and exclaimed in surprise: "Headless Horseman Persona? ”

Yes, the whole work adopts the narrative style of "Persona of the Headless Horseman", or it can be a narrative trick. A similar narrative method has also been used in the "malice" of Keigo Higashino, a well-known reasoner in the previous world.

It must be thankless for ordinary people to write like this. But the hyacinth did live up to her status as a national writer, breaking down a complete story into several fragments, and revealing the information through the different perspectives of several people. Only after reading the whole book can the reader understand what kind of story it is.

It stands to reason that this kind of writing method should not be suitable for such a campus love story, but under the wonderful pen of Hyacinth, it was written, and the effect is very good. Originally, the first person would inadvertently miss a lot of news, coupled with the author's deliberate concealment, this work that is average at first glance, but after reading it, the evaluation will rise sharply, and this is how it was born.

Of course, this kind of writing method is not the first time in this world, but it is the first time that it has been used lightly, so Jiang Yu can already imagine the comments that exploded on the Internet.

Should I say that I really deserve to be a national writer? And the years when this hyacinth was active in the light circle seemed to be the last glorious period of this industry, and since then it has been sluggish and cute.

In this case, if there is a chance to write "Headless Horseman's Persona" in the future, won't the biggest selling point be gone?

Sighing and shaking his head, such a thought suddenly flashed through Jiang Yu's mind. Although he has no such plans in the near future—no matter how much "Spring Things" is, it will be enough for him to publish for a year and a half - it is not certain that he will continue to write lightly at that time.

In Japan, compared to the field of traditional literature, it is easy to have the advantage of having a lower barrier to entry and a younger readership. And for Jiang Yu, there may also be a natural attraction and closeness for otaku.

But as far as the publishing industry is concerned, it is the works in the field of traditional literature that really make money.

After all, one is a bunko book, which costs 600 yen; The other is a one-book book, which is priced from 1,500 to 2,000 yen, and the mainstream price is 1,680 yen. Moreover, the best-selling of these first-out single books, after earning enough profits, can also produce relatively cheap library books to squeeze the surplus value of the market again.

And when he chose to use "Spring Things" as a Taoist work, in addition to his own preferences, he was not sure whether this decadent ACG circle could accept the writing of "Headless Horseman Persona", which was also one of the reasons why Jiang Yu did not choose this work, which is extremely easy to generate die-hard fans.

Although, by the sixth volume of "Spring Things", it seems that it is easy to produce die-hard fans.

So, is there something wrong with this world where self-explosion is the best way to attract fans?

As for why he didn't take the lead in considering debuting in the traditional field, it was also out of a mentality that he didn't want to be too conspicuous. After all, his own cultural background is not too high, and what he has in his mind are works that imply social reality, contain the background of the times at that time, and even show the author's own super high cultural heritage.

As long as he dares to come up with such a work at the age of a high school student in his teens, it will be a matter of time before he is suspected and then goofs.

Zhang Ailing said that it is necessary to become famous as soon as possible. But not everyone is a genius like her. At least, Jiang Yu never thought of himself as a genius.

And if you choose lightly, you naturally have no scruples in this regard. He's not the first light writer to become popular in high school - isn't there a Yamada goblin, Izumi Seimune or something!

Moreover, this is also in line with the idea that he set at the beginning to start with light triggers and gradually incorporate them into the fields of comics, animation, and games.

Although he didn't expect to be dragged into a game production club by a friend who had a good relationship with him at the time, he started his career as a game producer early.

To make up for some of the bugs above...... Ahem, I mean after a while of cranky thought, Jiang Yu exhaled lightly, turned the library book in his hand to the first page of the text, and prepared to read it again from the beginning.

One of the great pleasures of reading this style of writing is that you can find many details that you have overlooked before, and thus raise a sense of admiration for the writer who can think so carefully.

This "Strawberry 100%" book is worth reading again and again. Reading a book and finding the latest chapters by yourself? You're out, WeChat attention Beauty editor helps you find books! It's really a good book to flirt with girls!